News

AsiaSat 9 Set for Launch from Baikonur on September 29

Hong Kong, 26 September 2017 – AsiaSat 9, the most powerful satellite from Asia Satellite Telecommunications Co. Ltd. (AsiaSat), Asia’s leading satellite operator is set for launch at 00:52:16 Baikonur time on September 29 (02:52:16 Hong Kong Time September 29; 18:52:16 GMT September 28) by an ILS Proton Breeze M rocket from the Baikonur Cosmodrome, Kazakhstan.

This next generation satellite, based on the SSL 1300 platform, is designed to replace AsiaSat 4 and to provide multiple C, Ku and Ka-Band payloads for direct-to-home (DTH) television broadcast, video distribution, VSAT broadband networks and mobility services at 122 degrees East longitude. With innovative and cutting-edge features such as Asia’s highest powered 110 watts C-band TWTA, special filter design, star tracker and hall effect thrusters, AsiaSat 9 is able to deliver enhanced performance, higher efficiency and operational stability.

AsiaSat 9 will also offer brand new coverage for high growth markets in Asia, including the world’s first dedicated Ku-band Myanmar beam, high-power Ku-band beams for Indonesia and Mongolia, in addition to two enhanced Ku-band beams serving Australasia and East Asia, and a wide C-band footprint that offers significantly improved power over Asia, Australasia and the Pacific region.

The mission is performed by the Proton Breeze M rocket from launch pad 39 at the Baikonur Cosmodrome in Kazakhstan. The first three stages of the Proton will use a standard ascent profile to place the orbital unit (Breeze M upper stage and the AsiaSat 9 satellite) into a sub-orbital trajectory. From this point in the mission, the Breeze M will perform planned mission maneuvers to advance the orbital unit first to a nearly circular parking orbit, then to an intermediate orbit, followed by a transfer orbit, and finally to a geosynchronous transfer orbit. Separation of the AsiaSat 9 satellite is scheduled to occur approximately 9 hours, 13 minutes after lift-off.

Live broadcast of the AsiaSat 9 launch will be available on 29 September (local Baikonur time) on:
Satellite: AsiaSat 5 C-band
Orbital Location: 100.5 degrees East
Transponder: C3H
Downlink Frequency: 3717 MHz
Polarisation: Horizontal
Compression and Video Format: MPEG-4, DVB-S2
Symbol Rate: 4.9373 Msym/sec
Modulation: 8PSK
FEC: 3/4

Live broadcast will begin approximately 30 minutes before lift-off

Live webcast of the launch at http://asiasat9.imgondemand.com/ or http://www.asiasat.com/asiasat-9-launch will begin approximately at 00:30 Baikonur time on September 29 (02:30 Hong Kong Time September 29; 18:30 GMT September 28)

For launch status updates, follow us on www.asiasat.com | LinkedIn | Facebook | Twitter | Mobile App

# # #

About AsiaSat
Asia Satellite Telecommunications Company Limited (AsiaSat), the leading satellite operator in Asia, serves over two-thirds of the world’s population with its six satellites, AsiaSat 3S, AsiaSat 4, AsiaSat 5, AsiaSat 6, AsiaSat 7 and AsiaSat 8. The AsiaSat satellite fleet serves both the broadcast and telecommunications industries. 700 television and radio channels are now delivered by the company’s satellites offering access to more than 830 million TV households across the Asia-Pacific region. AsiaSat is a wholly-owned subsidiary of Asia Satellite Telecommunications Holdings Limited, a company listed on The Stock Exchange of Hong Kong Limited (Stock Code: 1135). For more information, please visit www.asiasat.com | LinkedIn | Facebook | Twitter | Mobile App

Media Contact:

Asia Satellite Telecommunications Company Limited

Winnie Pang, Manager, Marketing Communications | Tel: (852) 2500 0880 | Email: wpang@asiasat.com

Countdown begins with AsiaSat 9 aboard an ILS Proton Breeze M rocket rolled out to the launch pad

Countdown begins with AsiaSat 9 aboard an ILS Proton Breeze M rocket rolled out to the launch pad

VIACOM INTERNATIONAL MEDIA NETWORKS TO LAUNCH FIRST BET CHANNEL IN ASIA

BET Is Now Available in South Korea via Linear TV and OTT through a Collaboration with SK Broadband

SEOUL / SINGAPORE, September 26, 2017 – Viacom International Media Networks (VIMN) today announced the launch of the first BET Channel in Asia, through a partnership with SK Broadband (SK), a major Pay-TV operator in South Korea with 4.2 million subscribers. BET is currently viewed in more than 125 million homes in over 60 countries around the world, including the United States, the UK, France, Africa, Canada and the Caribbean. South Korea is the first Asia market to launch BET, the leading provider of quality entertainment, music, news and public affairs television programming for people who want to know what’s hot, what’s next and what matters in urban black culture. Effective September 26th , BET is available on “B tv”, SK’s linear service as well as oksusu, SK’s over-the-top (OTT) streaming service. Subscribers will be able to enjoy multi-platform viewing with digital simulcast and catch-up TV options for selected programmes.

“The introduction of the BET Channel in Asia is a key step in strengthening our presence both in South Korea and in Asia, while expanding our portfolio of adult-targeted brands. It will not only add content diversity to Korean Pay-TV, but offer top-quality general entertainment, music and news for audiences interested in urban culture,” said Paras Sharma, Senior Vice President and General Manager for Southeast Asia & Head of Digital Media, Asia.

This year’s BET Awards 2017 marked the first time an Asian artist was nominated in the awards. South Korean hip hop rapper Changmo, was included in the “International Viewers’ Choice Award” category.

“We’re proud to be the first to offer BET in Asia as well as in South Korea, and to make it the first urban channel available to our subscribers across multiple screens. We believe the BET channel will find a fan base among Korean youth who are globally recognised as fashion and cultural trendsetters – similar to the BET audience,” said Mr. HyungHee Lee, CEO.

BET has a breadth of formats that includes talk shows, reality programming, films, documentaries and awards programmes. In South Korea, the channel offerings will include a mix of international shows like Being Mary Jane, The Wendy Williams Show, 50 Central, and Face Value, in addition to award shows like BET Awards, Black Girls Rock, The Hip Hop Awards (which will air on BET Korea on October 14th at 9:50pm KST), and local productions from South Korea.

# # #

About BET International

BET Networks is the leading provider of quality entertainment, music, news and public affairs television programming for people that want to know what’s hot, what’s next and what matters in black culture. BET is currently viewed in more than 125 million homes in over 60 countries around the world, including the United States, the UK, France, sub-Saharan Africa, Canada and the Caribbean. BET International is part of Viacom International Media Networks, a division of Viacom Inc. (NASDAQ: VIAB, VIA), one of the world’s leading creators of programming and content across all platforms.

About Viacom International Media Networks

Viacom International Media Networks (VIMN), a unit of Viacom Inc. (NASDAQ: VIAB, VIA), is comprised of many of the world’s most popular multimedia entertainment brands, including MTV, MTV LIVE HD, Nickelodeon, Nick Jr., Comedy Central, Paramount Channel, and more. Viacom brands reach more than 3.8 billion cumulative subscribers in 180+ countries and territories via more than 200 locally programmed and operated TV channels and more than 550 digital media and mobile TV properties, in 40 languages. Keep up with VIMN news by visiting the VIMN PR Twitter feed at www.twitter.com/VIMN_PR. For more information about Viacom and its businesses, visit www.viacom.com, blog.viacom.com and the Viacom Twitter feed at www.twitter.com/Viacom.

About SK Broadband

SK Broadband is one of the largest broadband internet access providers and IPTV platforms in Korea. It is a wholly owned subsidiary of SK Telecom, Korea’s largest wireless carrier. It has subscriber coverage of 4.26 million as of September, 2017. The platform provides total of 226 channels, including 5 UHD channels.

Contact:
Viacom International Media Networks
Adeline Ong, Senior Director, Corporate Communications, Asia
t: +65 6420 7240 m: +65 9366 7323 e: adeline.ong@vimn.com

Tata Sky score big with a new sports-viewing experience

Star Sports offers Tata Sky subscribers the ‘Star Sports Select Experience’ with never-seen-before innovation in sports viewing on Premier League

23 September 2017: Pushing the boundaries of innovation in sports viewing, this Sports season Tata Sky and Star Sports launched the ‘Star Sports Select Experience’ with the Premier League. This service promises to take the fans straight to the heart of their favorite sport in a fully-immersive experience, offering more live matches and the option of multi camera and stadium view.

Tata Sky’s Sports Add On service journey began this year with Star Sports Select Experience on Roland Garros, Wimbledon; enabled ardent sports fans the flexibility to choose from simultaneous live matches on Star Sports. Also exclusive to all Tata Sky subscribers were the option of watching Wimbledon highlights and an Inside Wimbledon experience with expert analysis and player interviews.

Mr. Arun Unni, Chief Content Officer, Tata Sky said, “Tata Sky believes in going beyond the conventional entertainment platform. At no additional cost to Tata Sky subscribers, the Add-On feature is sure to delight sports fans with wider choices on camera angles, highlights and in-depth information on the sport at their convenience. Tata Sky in partnership with Star Sports has been able to empower subscribers by giving them freedom of watching multiple live simulcast matches, thus revolutionizing the expanse and depth of sports-viewing experience in India.”

This service can be accessed via the red button on the Tata Sky remote which will be visible on Star Sports Select 1 & Star Sports Select 1HD, Star Sports 1 (SD & HD), Star Sports 1 Hindi (SD & HD).

About Tata Sky

Tata Sky Limited (‘Tata Sky’) is a joint venture between the Tata Sons and 21st Century Fox. Incorporated in 2001 and launched services in 2006, Tata Sky is India’s leading content distribution platform providing Pay TV and OTT services. With the objective of connecting to the best content in the world on any budget, any screen, anytime and anywhere, Tata Sky was the first to launch multiple products and services that redefined the subscribers viewing experience in the country.

Tata Sky has been a pioneer in the HD Set top box segment having significant market share in the category. It has been continuously adding new channels and platform services across various genres and languages to beef up its content offering to cater to all segments of the audience. Tata Sky currently has its footprints spread across 1.5 lakh towns with over 17 million connections in India.

For more information on Tata Sky, visit www.tatasky.com

Tata Sky:

Nida Paloba – 09821017561; Nida.paloba@tatasky.com
Aditya Ravi – 09821299550; Aditya.ravi@tatasky.com

Adfactors PR:
Arun Thankappan – 09930860706; arun.thankappan@adfactorspr.com
Gaurav Bhat – 09833057592; gaurav.bhat@adfactorspr.com

About Star Sports:

Home to a number of leading domestic and International sports, the Star Sports network with twelve channels broadcasts premier sporting events which include cricket coverage under the purview of the International Cricket Council (ICC), Board of Control for Cricket in India (BCCI), Indian Premier League (IPL); Cricket Australia, England & Wales Cricket Board (ECB) and Asian Cricket Council (ACC); VIVO Pro Kabaddi; Tamil Nadu Premier League (TNPL); Karnataka Premier League (KPL); Football under Hero Indian Super League (ISL), Premier League, Bundesliga; Badminton under Badminton World Federation (BWF) events, Premier Badminton League (PBL); including the recently launched Ultimate Table Tennis (UTT); and other premium sports such as Formula 1; Wimbledon, The French Open and US Open.

For further information, please contact:

Star Sports

Jimit Shah | +91 9833228876 | Jimit.shah@startv.com
Vikas Kumar | +91 7033482706 | Vikas.Kumar@startv.com

Genesis Burson-Marsteller
Nithin Rajasekaram |+91 7045044324 | Nithin.rajasekaram@bm.com
Andrew Bareh | +91 8447938219 | Andrew.Bareh@bm.com

22 September, 2017

news_views_header

Welcome to News Views, CASBAA’s news round-up culled from sources across the industry for the week ending September 22nd. Curated by CASBAA, News Views keeps you in the loop. We always value your feedback, so tell us what you think!

Brought to you by:

verimatrix
Kevin Jennings

Kevin Jennings

Vice President

Cable operators face many challenges, but Liberty Global’s Mike Fries (and former CASBAA Convention Keynote speaker) has called out Amazon as the biggest threat to the industry. “We are standing in their way,” according to Fries, who finds it an uncomfortable thought that he does not know what Amazon’s game plan is regarding video. And forgive the plug, but talking of the CASBAA Convention, have you registered for this years event yet? Still not convinced on what Mike Fries says? See Mark’s piece below.

 

Cathryn Chase

Cathryn Chase

Regulatory Assistant

Following the approval of new broadcasting regulations in Australia last week, the Australian government has now released a set of draft copyright regulations (its current copyright laws will expire next April). Included in the draft, the government has asked carriage providers and rights owners to voluntarily help develop an anti-piracy code. While Australia currently has site blocking provisions in place, in recent years, it has struggled to come up with broadly-supported anti-piracy measures for industry. This difficulty was highlighted by the failure of its “three strikes” rule in 2016. This time round, the government has included provisions that will hopefully address some of the weaknesses in the previous code, including a provision that requires that the code not impose substantial costs on carriage service providers. The new regulations are open to consultation until October 6th.

 

 

John Medeiros

John Medeiros

Chief Policy Officer

And staying with former CASBAA Convention speakers, AsiaMX CEO Basil Chua says he wants to crack what he sees as the advertising industry’s root problem—a disconnect between buyers and sellers—and make it quicker and easier  to get results. Currently his programmatic services are up and running in Thailand and Malaysia with several Pay-TV and FTA channels in the mix and they have their sights on going live in Indonesia by year end.

 

 

Christopher Slaughter

Christopher Slaughter

CEO

In the US, disappointing news for cable companies as a recent report from eMarketer suggests that cable customers are abandoning cable TV quicker than anticipated and spending less time in front of the TV, all of which is having a negative impact on advertising spending. 

 

 

Anjan Mitra

Anjan Mitra

Executive Director, India

A few weeks ago Tetra Pak released their 2017 “Connected Consumer” Report with some interesting findings, including data suggesting that the average global connected consumer spends 4.4 hours per day online, more than 56% of which is spent on mobile. According to Tetra Pak, in India, consumers spend a staggering 82% of their time on their mobile phones and there has been a rise of 23% of internet users spending an average of 8 hours per day online. A new collaboration between Irdeto and TataSky – the launch of a new Android-based OTT service – is hoping to cash in on this trend.

 

 

Jane Buckthought

Jane Buckthought

Advertising Consultant

Meanwhile according to Deloitte’s 2017 “Global Mobile Consumers Survey: UK Cut”, UK smartphone viewing has increased 500% since 2012. Smartphone ownership amongst UK adults (18-75) is now at 85%, and more than half of adult smartphone owners watch at least one video on their phone per week. This number is even higher for youth (16-19) – 79% report watching at least one video per week, and 54% were found to do so daily. Increasingly, consumers are also using their smartphones for watching long-form video, and some even use their device for live TV viewing (although this number is still modest). No matter how you look at it, the smartphone is becoming undeniably important for video.

 

 

Mark Lay

Mark Lay

Vice President, Singapore

OTT News Roundup for the week: The Fox+ streaming platform launched in Taiwan partnered with telecommunications operator Chunghwa Telecom with a 6-month exclusive deal. Amazon continues in its endeavour to become the Pay-TV operator to the world by scooping up smaller TV channels with minimal distribution in order to build itself into a video destination for every imaginable niche, with a particular focus on millennial audiences. This should definitely not go un-noticed but others may think differently wondering, Can the Everything Store Still Become the Everything Streaming Service? And to finish off, an open letter from the founder and CEO of Afrostream. For anyone planning or operating an OTT service this article documents one man’s journey very nicely. I have a feeling that Tonjé Bakang will be back. Many more stories, continually updated, on the CASBAA OTT Group Newsfeed.

 

 

MPA: A BROAD RECALIBRATION HAS BEGUN IN ASIA PACIFIC PAY-TV

Stakeholders adjust to competitive realities, and a more uncertain outlook MPA analysts forecast 5.0% average annual growth from 2017 to 2022

(HONG KONG/SINGAPORE, SEPTEMBER 21, 2017) A broad recalibration in Asia Pacific pay-TV, triggered by the growth of broadband, has begun, according to Asia Pacific Pay-TV Distribution, a new report covering 17 markets in the region published today by leading industry analysts Media Partners Asia (MPA). Pay-TV industry stakeholders are adjusting to competitive realities with technology upgrades that integrate online video services into pay-TV plans, as well as new bundles that package together pay-TV and broadband services. At the same time, pay-TV operators are stepping up investment in mass and premium content to differentiate themselves as well to cater to important customer segments.

“Cable and telecom operators are striving to reignite or sustain pay-TV customer growth by bundling pay-TV channels and on-demand services with broadband,” observed Vivek Couto, executive director, Media Partners Asia. “In Indonesia, Korea and Thailand for example, bundling has emerged as an important driver of net new pay-TV additions, underpinned by the rollout of high-speed fiber broadband. At the same time, pay-TV operators in Australia, Hong Kong, Japan, Malaysia, New Zealand and Singapore are adding more internet-based services, to revive a flagging consumer proposition,” Couto added. “These services include cloud delivery, through new DVRs, as well as Android-enabled set-top boxes with strong internet functionality that incorporate online video services. These upgrades could limit cord cutting and while help combat piracy across key markets. A number of pay-TV operators in India, Japan, Korea and Southeast Asia are undertaking set-top box integration with various OTT platforms, to limit churn among premium customers as well as drive adoption among non pay-TV customers.”

Content dynamics are also rebalancing in response to these changes. “Demand for premium Asian content, led by Korean entertainment, continues to grow, while premium sports still offers a vital lifeline for many pay-TV platforms,” Couto noted. “Hollywood and international content also remain vital, but the market for international pay channels, especially players focused on Hollywood series, is saturated and, in some cases, shrinking. Increasingly, this content is migrating online, with OTT operators bidding up the cost of popular franchises. While Hollywood movie channels, kids networks and Asian pay channels are in robust health, there is little demand for new pay channels outside India and Korea.”

 

Pay-TV in Asia Pacific still scalable, revenue-generative

Overall the Asia-Pacific pay-TV industry remains scalable and revenue-generative. Pay-TV industry revenue, comprised of subscription fees and local and regional ad sales, will still grow at a 5.0% CAGR across the region between 2017 and 2022 to reach US$68.5 billion by 2022, according to MPA forecasts. Excluding China, a utility-oriented pay-TV market with limited access for commercial pay channels and international investors, industry revenues will trend at a 4% CAGR between 2017-22 to reach ~US$40 billion by 2022.

Much of this growth will be powered by two of the region’s biggest pay-TV markets, India and Korea. Between them, India and Korea represent 77% of pay-TV subs and almost 50% of pay-TV revenue in the Asia Pacific region ex-China in 2017. Combined, both markets will contribute more than 80% of incremental revenue growth for the Asia Pacific pay-TV industry ex-China between 2017 and 2022.

“While India’s pay-TV market remains highly regulated and ARPUs are relatively low, national cable digitalization, customer growth and a robust ad market will help propel India’s pay-TV revenues to US$14 billion by 2022, a 7% CAGR from 2017,” Couto said. “Korea’s pay-TV market is also highly regulated and also over-saturated, with almost all Korean homes subscribing to at least one pay-TV service. Nonetheless, telecom operators are driving pay-TV customer and ARPU growth in Korea, through broadband and IPTV bundles as well as innovative VOD services. Such dynamics will help drive Korean pay-TV industry revenues to US$6.8 billion by 2022 from US$5.5 billion in 2017, a 4.4% CAGR.”

At the same time, Japan’s pay-TV market is scalable and profitable for most stakeholders, Couto observed. Even though pay-TV penetration is expected to remain relatively low in Japan, ARPUs are high while local ad sales represent a material opportunity. As a result, Japan will contribute 8% to incremental pay-TV revenue across the region between 2017 and 2022.

The mature and relatively small pay-TV markets in Hong Kong, Singapore and Malaysia, however, are fundamentally challenged. Cord-cutting and shaving, along with piracy, have begun to accelerate in these markets, although pay-TV operators are countering these trends by buying and developing strong sports and entertainment content. This, combined with new products and packaging, could help maintain pricing power, although pay-TV platforms in these markets will still lose ~200,000 subs between them over 2017 and 2022, according to MPA estimates. The customer base could erode even further, if downside risks materialize.

Meanwhile, growth in emerging Southeast Asian markets, especially Indonesia and Thailand, is being driven by broadband bundles. Pressure is increasing on standalone DTH platforms in these markets, although DTH remains an important growth driver in the Philippines. Overall, Southeast Asia in aggregate will contribute 16% of net new pay-TV subs to regional growth, excluding China, over 2017-22. At the same time, Southeast Asia will only contribute 9% in incremental revenue, reflecting flat to declining ARPUs and limited prospects for local ad sales.

While still large and material, Australia’s pay-TV market has been disrupted by the growth of online video, with subscriber growth and ARPUs under significant pressure. As a result, MPA expects Australian pay-TV revenues to remain flat over 2017-22. Revenue growth in Taiwan will also be marginal but pay-TV penetration will hold steady, at ~84% of TV homes in Taiwan over 2017-22.

 

About Asia Pacific Pay-TV Distribution

Asia Pacific Pay-TV Distriubtion is an annual report published by Media Partners Asia (MPA) covering commercial distribution of pay-TV and broadband in 17 Asia Pacific markets, including analysis of 80 pay-TV and broadband operators with KPIs and P&L. The report provides historical data and five-year forecasts for subs, ARPU and revenue across pay-TV platforms, including on-demand, TV Everywhere, HD and DVR services, as well as for subscription and ad revenue for pay channels. The report also contains a detailed breakdown of channel packaging from pay-TV and broadband operators. The 17 markets covered by the report are: Australia, China, Hong Kong, India, Indonesia, Japan, Korea, Malaysia, Myanmar, New Zealand, Pakistan, Philippines, Singapore, Sri Lanka, Taiwan, Thailand and Vietnam.

 

About Media Partners Asia (MPA)

As a leading independent consulting and research provider, Media Partners Asia offers a range of customized services to help drive business development, strategy & planning, M&A, new products & services and research.

Based in Hong Kong, Singapore and India, our teams have local depth and expertise across 18 key markets in Asia Pacific and key international territories. We offer in-depth research reports across key industry sectors, customized consulting services, industry events to spread knowledge and unlock partnerships, and publications that provide insights into driving business.

 

Contact
Lavina Bhojwani
VP, Client Services & Operations
Media Partners Asia
E: lavina@media-partners-asia.com
T: +852 2815 8710

BBC format, Stupid Man, Smart Phone is India-bound

Tuesday, 19 September 2017

IMG_5296

BBC Worldwide today announced a format deal with India network Viacom18 Media Pvt. Ltd. (Viacom18), to bring the factual entertainment format Stupid Man, Smart Phone to India.

The format, which makes its first appearance in Asia via India, will be localised and produced by BBC Worldwide India. It will premiere on 20 September on Viacom18’s Video-on-Demand (VOD) streaming service VOOT, which reaches over 40 million users in India. It will air as a series of nine episodes of 15 to 20 minutes each.

Awarded ‘Best Multi-platform Format’ at the International Format Awards 2017 held in Cannes, Stupid Man, Smart Phone features a city-dwelling comedian attempt some of the world’s toughest outdoor adventures, with his only survival tool being a mobile phone. Hosted by comedian, Sumeet Vyaas in India, he is joined by a celebrity guest each week. Together, they take on ambitious expeditions, relying on their online fanbase to help complete the tasks. Facing the worst that nature can throw at them, they use every app, website and social media platform possible to seek advice. The show kicks off in the forests along the Tamil Nadu-Kerala border, and explores the desert in Rajasthan and mountains in Arunachal Pradesh.

“India has the world’s second largest internet consumer base of over 462 million, and mobile devices account for 79% of web traffic in the country*,” Myleeta Aga, SVP and GM of South and South East Asia, BBC Worldwide commented. “Stupid Man, Smart Phone is a timely, entertaining and poignant reminder of how dependent we have become on our phones. We are confident that the series will resonate and be enjoyed by VOOT’s users.”

Speaking about the new show Gaurav Gandhi, COO – Viacom18 Digital Ventures said “VOOT continues to take the leadership mantle on innovation with many pioneering initiatives across both content and technology. The latest VOOT Original ‘Vodafone Presents Stupid Man Smart Phone powered by Motorola’, a category first, is one such initiative, that will offer a completely differentiated and engaging experience to our audience.”

*Source: Digital in 2017 report, We Are Social and Hootsuite, January 2017

-Ends-

For more information, please contact:

Jeanne Leong
BBC Worldwide
Tel: +65 6849 5292
Email: Jeanne.Leong@bbc.com

Jessie Lim
BBC Worldwide
Tel: +65 6849 5295
Email: Jessie.Lim@bbc.com

Zee News Press Release

New Delhi, 19th September 2017

An FIR No. 240 of 2012 was registered at Police Station Crime Branch, District Crime and Railway, on the basis of a complaint filed by M/s Jindal Steel and Power Limited (JSPL) whereby it was alleged that defamatory material was telecast at ZEE News Channel against JSPL and when JSPL officials approached and met Zee employees Samir Ahluwalia and Sudhir Chaudhary, the latter demanded money in lieu of stopping the said telecast. In view of the same, the above said FIR alleging attempt to extortion was got registered.

During investigation of the matter, the Police had recorded statements under Section 161 CrPC, including that of Sh. Ravi Muthereja (a material witness in the matter). However, the said witness (Sh. Ravi Muthereja) wrote a letter to the Police, stating that various allegations made by him against the accused in the Complaint and FIR were not true and correct and were made under the influence of Shri Naveen Jindal (the then MP of the ruling party).

In view of the same, a Writ Petition bearing W. P. (Crl.) No. 2734 of 2017 titled Sudhir Charudhary Vs. State and Anr. was listed on 19.09.2017 before the Hon’ble High Court of Delhi, seeking a prayer for reinvestigation of said FIR 240/2012.

The matter was argued at length by Sr. Adv. Aman Lekhi and Adv. Vijay Aggarwal, Counsels for the Petitioner, arguing that the entire matter hinges on the statement of Sh. Ravi Mutheraja and that the other witnesses, who have been examined during investigation, are part of one composite whole and as the statement made by Sh. Ravi Mutheraja has been stated to be made under influence, the said aspect of the matter ought to be investigated properly, in order to protect the right to fair investigation.

The Ld. APP for State, conceded before the Court that the letter by Sh. Ravi Mutheraja has been received and stated that the same shall be fairly and thoroughly investigated.

The Court, in its order, took note of the arguments of the Petitioner that a material witness in the matter has claimed to have given statement not out of his free will, but under the influence of Sh. Naveen Jindal, the then MP of the ruling party. The Court was of the view that the matter ought to be investigated holistically.

Accordingly, the Writ Petition was disposed off, by taking note of the fact that the matter shall be investigated holistically, in an unbiased, fair and thorough manner.

In view of the same, the matter shall be investigated thoroughly and all consequences that follow, shall follow. In case, after investigation, the allegations made in the FIR are found to be false, then the same shall have serious repercussions on the case and criminal action for lodging a false case can be initiated against those who had lodged the FIR.

beIN MENA Selects Irdeto for Conditional Access Technology and Security Services

Irdeto will secure premium live sports and entertainment content throughout the region

IBC AMSTERDAM, 19 September 2017Irdeto, the world leader in digital platform security, today announced details of a new three year deal with beIN, the dominant sports and entertainment broadcaster in the region. Building on a long term relationship with Irdeto, beIN will be using Irdeto’s world-leading Conditional Access Solution and security services for the delivery of live sports and entertainment content to customers across the region.

“As a growing brand providing premium content across the MENA region, it’s important that we work to secure the investment that we put into showing high-value live sports and entertainment content. In doing so, we can continue to focus on providing the best experience and the latest technology for our customers,” said Yousef Al-Obaidly, Deputy Chief Executive Officer, beIN Media Group.

“Live sports and entertainment are prime targets for online pirates, and beIN is committed to fighting piracy and protecting its business,” said Doug Lowther, CEO, Irdeto. “We applaud beIN’s proactive approach to anti-piracy and protecting high value content – particularly important for live sports with its high costs and extremely limited monetization window.”

beIN is the region’s leading pay TV network with over 90 channels broadcasting premium sports, blockbuster movies, exciting general entertainment programs, news and current affairs, kids and factual programs. beIN operates in 24 markets regionally and is customers’ first choice when it comes to premium TV content.

Irdeto Conditional Access is one of a number of solutions offered by the company which are designed to ensure not only excellent security but also the ability to quickly and easily react to changes in the market and new technologies in a cost effective fashion. Irdeto also offers a number of other technologies and proactive services designed to mitigate piracy end-to-end across networks. By selecting Irdeto, beIN Media Group can focus on wider business growth strategies while ensuring that content is fully protected.

###

For further information, please contact:

Jon White
PR Manager, EMEA, Irdeto
Phone: +44 (0)7384 234942
Email: jonathan.white@irdeto.com

Crystal Kung
Senior Account Manager, WE Communications
P: +65 6303 8472
Email: ckung@we-worldwide.com

VIVACOM picks EUTELSAT 8 West B satellite for broadcast clients in Africa

Eutelsat Corporate – Sep 16, 2017 15:19 CEST

EUTELSAT 8 West B C-band capacity for contribution links across Africa

EUTELSAT 8 West B C-band capacity for contribution links across Africa

Amsterdam, Paris, 16 September 2017 – VIVACOM, the leading provider of telecom services in Bulgaria, today announced at IBC in Amsterdam the signature of a multi-year contract with Eutelsat for C-band capacity on the EUTELSAT 8 West B satellite in order to expand its video business in Africa.

VIVACOM’s ambition is to provide contribution services for international channels seeking carriage by major African pay-TV operators. The first six channels are already being uplinked to EUTELSAT 8 West B from Bulgaria, using VIVACOM’s Plana teleport which is also one of Eutelsat’s partner teleports, certified under the World Teleport Association’s Teleport Certification Program.

Vladimir Rangelov, Senior Manager Broadcasting services in VIVACOM, said: “Through our Plana teleport, we offer channels end-to-end solutions for signal acquisition, encoding, encryption, uplink and downlink via satellite with excellent quality and reliability. This contract adds new value for our customers by giving them access to the African market and marks another milestone in a collaboration with Eutelsat that we look forward to pursuing.”

Michel Azibert, Eutelsat’s Chief Commercial and Development Officer, added: “This contract consolidates our EUTELSAT 8 West B satellite as a major platform for highly reliable contribution services into the African market. It is a first step to support VIVACOM ‘s development into Africa.”

Meet Eutelsat at IBC show in Amsterdam until 19 September: Hall 1, Stand D59.

About Eutelsat Communications

Established in 1977, Eutelsat Communications (Euronext Paris: ETL, ISIN code: FR0010221234) is one of the world’s leading and most experienced operators of communications satellites. The company provides capacity on 39 satellites to clients that include broadcasters and broadcasting associations, pay-TV operators, video, data and Internet service providers, enterprises and government agencies.

Eutelsat’s satellites provide ubiquitous coverage of Europe, the Middle East, Africa, Asia-Pacific and the Americas, enabling video, data, broadband and government communications to be established irrespective of a user’s location.

Headquartered in Paris, with offices and teleports around the globe, Eutelsat represents a workforce of 1,000 men and women from 32 countries who are experts in their fields and work with clients to deliver the highest quality of service.

For more about Eutelsat please visit www.eutelsat.com

Press
Vanessa O’Connor Tel: + 33 1 53 98 37 91 voconnor@eutelsat.com
Marie-Sophie Ecuer Tel: + 33 1 53 98 37 91 mecuer@eutelsat.com

Investors and analysts
Joanna Darlington Tel. : +33 1 53 98 35 30 jdarlington@eutelsat.com
Cédric Pugni Tel. : +33 1 53 98 35 30 cpugni@eutelsat.com

HBO Wins 29 Primetime Emmy® Awards: BIG LITTLE LIES Leads All HBO Programming With 8 Wins

BIG LITTLE LIES Leads All HBO Programming With 8 Wins Including Outstanding Limited Series While THE NIGHT OF And VEEP Each Wins 5 Emmys®

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SINGAPORE, SEPTEMBER 18, 2017 – HBO dominates the 69th Annual Primetime Emmy® Awards with 29 wins, the most of any network for the 16th consecutive year, announced today in Los Angeles. BIG LITTLE LIES swept 8 Emmys®, including Outstanding Limited Series, and Outstanding Lead Actress In A Limited Series Or Movie. THE NIGHT OF and VEEP each won five Emmys®. The former won Outstanding Lead Actor In A Limited Series Or Movie, while the latter won Outstanding Comedy Series and Outstanding Lead Actress In A Comedy Series.

HBO’s complete list of Emmy® wins this year:

  • 8 wins for BIG LITTLE LIES

Outstanding Casting For A Limited Series, Movie Or Special
Outstanding Contemporary Costumes For A Series, Limited Series Or Movie
Outstanding Directing For A Limited Series, Movie Or Dramatic Special
Outstanding Supporting Actor In A Limited Series Or Movie (Alexander Skarsgård)
Outstanding Lead Actress In A Limited Series Or Movie (Nicole Kidman)
Outstanding Supporting Actress In A Limited Series Or Movie (Laura Dern)
Outstanding Limited Series
Outstanding Music Supervision

Catch the encore of BIG LITTLE LIES every Tuesday from October 10 at 9pm (SIN) on HBO SIGNATURE. The series is also streaming on HBO GO.

  • 5 wins for THE NIGHT OF

Outstanding Cinematography For A Limited Series Or Movie
Outstanding Single-Camera Picture Editing For A Limited Series Or Movie
Outstanding Sound Editing For A Limited Series, Movie Or Special
Outstanding Sound Mixing For A Limited Series Or Movie
Outstanding Lead Actor In A Limited Series Or Movie (Riz Ahmed)

Watch the encore of THE NIGHT OF every Thursday from September 21 at 8.40pm (SIN), subsequent episodes at 9pm and last episode on November 9 at 8.25pm (SIN) on HBO SIGNATURE. The series is also streaming on HBO GO.

  • 5 wins for VEEP

Outstanding Production Design For A Narrative Program (Half-Hour Or Less)
Outstanding Casting For A Comedy Series
Outstanding Lead Actress In A Comedy Series (Julia Louis-Dreyfus)
Outstanding Comedy Series
Outstanding Cinematography For A Single-Camera Series (Half-Hour)

Watch two back-to-back episodes of VEEP Season 6 every Wednesday from September 27 at 10pm (SIN) on HBO SIGNATURE. The series is also streaming on HBO GO.

  • 5 wins for WESTWORLD

Outstanding Hairstyling For A Single-Camera Series
Outstanding Creative Achievement In Interactive Media Within A Scripted Program
Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)
Outstanding Special Visual Effects

Catch the marathon of WESTWORLD on September 30 and October 1 from 10am (SIN) on HBO SIGNATURE. The series is also streaming on HBO GO.

  • 4 wins FOR LAST WEEK TONIGHT WITH JOHN OLIVER:

Outstanding Picture Editing For Variety Programming
Outstanding Interactive Program
Outstanding Variety Talk Series
Outstanding Writing For A Variety Series

  • 1 win for ONCE UPON A SESAME STREET CHRISTMAS

Outstanding Children’s Program

  • 1 win for 2017 ROCK AND ROLL HALL OF FAME INDUCTION CEREMONY

Outstanding Sound Mixing For A Variety Series Or Special

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ABOUT HBO ASIA

Singapore-based HBO Asia brings the best of Hollywood to Asia first through its exclusive licensing deals with major Hollywood and independent studios, including Paramount Pictures, Sony Pictures, Universal Studios, Warner Bros. and Lionsgate. HBO Asia has proprietary and award-winning HBO and HBO Asia Original programmes that are produced exclusively for HBO viewers. Wholly owned by HBO (a Time Warner company), HBO Asia reaches 23 territories across Asia and offers a bouquet of channels and services including five 24-hour commercial-free subscription movie channels in standard-definition and high-definition – HBO, HBO SIGNATURE, HBO FAMILY, HBO HITS and CINEMAX – as well as a 24-hour Asian movie channel, RED by HBO, and other services such as HBO GO, HBO ON DEMAND and 鼎级剧场 (ding ji ju chang) in China. HBO Asia is also the exclusive distributor of BabyFirst and the DreamWorks channel in Asia. Log on to www.hboasia.com for more information.

For more information, please contact HBO Asia:

Karen Lai
Director, Communications
Tel: (65) 6381 1796
Email: karen.lai@hboasia.com

Cheryl Foong
Manager, Communications
Tel: (65) 6381 1838
Email: cheryl.foong@hboasia.com

Chan Zi Ning
Executive, Communications
Tel: (65) 6381 1746
Email: zining.chan@hboasia.com