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BBC Learning English launches content for Thai audience
BBC Learning English has launched special content for Thai-speaking learners. BBC Learning English – Thai is now live on the BBC Learning English website as well as Facebook and Instagram channels. BBC Thai features selected material on its Facebook page and other social-media channels.
BBC Learning English – Thai includes weekly video and audio clips for learners at beginner and intermediate levels. Beginners can try Essential English Conversation, while English on the Street and English in the News – featuring the most popular stories from the BBC Thai website – are aimed at those at intermediate level.
BBC Learning English – Thai is delivered via the BBC Learning English website and social-media channels. Selected content features on BBC Thai Facebook page, Instagram and YouTube channels.
BBC Learning English Editor, Paul Scott, says: “We are looking forward to engaging and interacting with Thai-speaking learners of English. Our new free series will help them on their language-learning journeys as the starting point for conversations and for sharing views, ideas and culture.”
BBC Learning English is a world leader in using international broadcasting to teach English. Millions of users connect with BBC Learning English via the website bbclearningenglish.com, its partner sites, as well as Facebook, Twitter, Instagram and YouTube. BBC Learning English is part of the BBC World Service.
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For more information please contact:
BBC World Service Group Communications – Lala Najafova lala.najafova@bbc.co.uk
HBO ASIA APPOINTS JESSICA KAM AS SENIOR VICE PRESIDENT FOR HBO ASIA ORIGINAL PRODUCTIONS
SINGAPORE, 15 JUNE 2017 – HBO Asia is pleased to announce the appointment of Ms. Jessica Kam (甘蕙茵) as their new Senior Vice President for HBO Asia Original Productions where she will be responsible for all aspects of the network’s productions of all HBO Asia Originals. A senior TV executive and film producer with over twenty years of experience in film, TV, music, news and digital media, Jessica brings with her a wealth of media experience that spans across three continents and joins HBO Asia with a deep understanding of the industry in Asia.
“We welcome Jessica into our HBO family and trust that she will elevate our offerings and presence here in Asia through the creation of more Asian content,” says Jonathan Spink, CEO of HBO Asia. He further adds, “HBO Asia was one of the first in the region to produce Asian Original content and there has been a growing interest in Asian productions which is encouraging for us as we ramp up HBO Asia Original productions under Jessica’s leadership and wealth of experience in the region – creating content for viewers not only in Asia, but also across the globe.”
Jessica’s appointment follows HBO’s growing position and commitment to produce more original content for Asia. As early as 2012, HBO Asia started producing its Original productions with the action horror film, Dead Mine. Since then, HBO Asia’s repertoire of Asian Original productions have captured the attention of Asian audiences and received acclaim from the industry, evidenced by the accolades it has won and been nominated for prestigious awards internationally.
Over the years, the network’s Originals have grown from strength to strength, attracting potential partnerships and collaborations within the region to create quality content. To date, HBO Asia has produced eight Asian Originals with more slated to premiere later this year. The network’s most recent Asian Original series, The Teenage Psychic, was HBO Asia’s first Mandarin Original series. It received positive feedback and the highest premiere average rating of all HBO Asia Original series in Singapore, Malaysia and Taiwan.
Jessica’s understanding of the movie and entertainment industry in Asia stems from her experience in producing 10 feature films in China to date. Some of her notable film credits include the award-winning Chinese feature film The Piano in a Factory (钢的琴) that has received over a dozen international awards, commercial releases such as Kungfu Cyborg (机器侠), Just Another Pandora’s Box (越光宝盒), Bump in the Road (一路顺疯), as well as the upcoming 10-ton Killer (十吨刺客) and East Sea Odyssey (大闹东海). In 2016, she produced two critically-acclaimed films including the Hong Kong documentary She Objects (她非它) and the first official Italian-Chinese co-production Coffee.
Before working as a film producer in China, Jessica had stints with various regional media companies. From 2005 to 2008, Jessica oversaw Celestial Pictures’ marketing and product management teams to drive the distribution of its Shaw Brothers library titles, new films and TV channels. In 1999-2005, she served MTV Asia as head of the MTV China Channel and VP of Network Communications. Prior to MTV, she has also worked for MGM Gold, Dow Jones Newswires and Disney Studios.
Jessica holds an MBA from the J.L. Kellogg Graduate School of Management at Northwestern University, as well as a B.A. in Computer Science from U. C. Berkeley, USA. She was the President of the International Advertising Association (IAA), Hong Kong Chapter (2001-2005).
# # #
About HBO ASIA
Singapore-based HBO Asia brings the best of Hollywood to Asia first through its exclusive licensing deals with major Hollywood and independent studios, including Paramount Pictures, Sony Pictures, Universal Studios, Warner Bros. and Lionsgate. HBO Asia has proprietary and award-winning HBO and HBO Asia Original programmes produced exclusively for HBO viewers. Wholly owned by HBO (a Time Warner company), HBO Asia reaches 23 territories across Asia with six 24-hour commercial-free subscription movie channels: HBO, HBO Signature, HBO Family, HBO Hits and Cinemax, as well as Red by HBO, internet streaming platform, HBO GO, subscription video on demand service, HBO On Demand, and in China, 鼎级剧场 (ding ji ju chang). HBO Asia is also the exclusive distributor of BabyFirst and the DreamWorks channel in the region. Log on to www.hboasia.com for more information.
For more information, please contact:
Karen Lai | Senior Communications Director | HBO Asia
DID +65 6381 1796 | Mobile +65 9111 2655 | Fax +65 6287 2210 | www.hboasia.com
Averna Announces Partnership with MaxEye Technologies to Market Digital Video & Audio Toolkits for Infotainment Testing
Averna’s AST-1000 Now Offers Radio, Navigation and Video Testing in One Platform
MONTREAL, QUEBEC, June 7, 2017 – (ACN Newswire) – Averna, a leading global Test & Quality Solutions provider, announced today a strategic partnership with MaxEye Technologies to distribute their digital video and audio signal generation toolkits. This partnership will allow Averna to add full digital video and audio testing capability to its Averna Signal Tester (AST-1000) RF Signal Source platform, in addition to its existing RF toolkits such as AM/FM, HD Radio and Sirius XM as well as full GNSS simulation.
The AST-1000 is the only all-in-one RF test solution on the market designed to cover all common radio, navigation, video and connectivity protocols for infotainment system manufacturers. Based on the NI VST and featuring Averna’s leading RF and test expertise, the software-defined AST-1000 now supports MaxEye’s DRM, ISDB-T, ATSC, DVB-T, CMMB, and DTMB digital video and audio toolkits. To learn more, visit www.averna.com/AST-1000
“We’re extremely happy to partner with MaxEye Technologies to add their digital video and audio testing capability to our AST-1000, an advanced solution for both the design validation and manufacturing of infotainment systems,” commented Jean-Levy Beaudoin, Vice-President, Platforms & Innovation, R&D for Averna. “The response from our customer base and the industry has been very positive and we look forward to adding even more capabilities to our future-proofed infotainment platform.”
“We’re very excited about our partnership with Averna and this enables us to provide complete infotainment test solution for design, system level validation and manufacturing test using the only all-in-one RF test Solution AST-1000 in India,” commented Ramesh Krishnan, Director, MaxEye Technologies. “We have received very good response from our customers in the automotive industry and the local support they can get in India with this next generation infotainment test solution. Together with Averna we look forward to address the continuously evolving requirements of the automotive infotainment test.”
Pricing and Availability
The Averna AST-1000 platform and toolkits are available to customers worldwide. Detailed pricing and product information is available on request. Please contact sales@averna.com or visit the AST-1000 product page. http://bit.ly/2anT2C8
Click to Tweet: From @Avernatech: Averna partners with MaxEye to market digital video & audio toolkits for #infotainment – www.averna.com http://ctt.ec/OmcoD
About Averna
As a global Test & Quality Solution leader, Averna partners with product designers, developers and OEMs to help them achieve higher product quality, accelerate time to market and protect their brands. Founded in 1999, Averna offers specialized expertise and innovative test, vision inspection, precision assembly and automated solutions that deliver substantial technical, financial and market benefits for clients in the aerospace, automotive, consumer, defense, life sciences, semiconductor, telecom and other industries. Averna has offices around the world, numerous industry certifications such as ISO, CSIA, and ITAR registration, and is partnered with National Instruments, Keysight Technologies and JOT Automation. www.averna.com
About MaxEye
We are a Test and Measurement company, specialized in providing turnkey solutions, products and consulting services. Founded in 2011, Silver Alliance Partner of National Instruments, we have strong expertise in providing automotive infotainment test, ATE Development, RF test and measurement. MaxEye Technologies has six years of experience in providing automotive infotainment test solution for design, validation and production test. Our vision is to become global leader in test and measurement engineering by leveraging our knowledge in RF, Wireless, signal processing and test automation. We intend to do this by challenging the traditional techniques to test and measurement with technology innovations to achieve accurate repeatable measurements and reduce the test time and cost. www.maxeyetech.com.
(c) Copyright 2017 Averna. All rights reserved. Information subject to change without notice. Averna is a trademark of Averna Technologies Inc.
National Instruments, NI, ni.com and NIWeek are trademarks of National Instruments. Other product and company names listed are trademarks of their respective companies.
Technical Information
Alex Pelland
Product Marketing Manager
alex.pelland@averna.com
T: +1 514-842-7577 x689
Media Contact
Isabelle Pilon
isabelle.pilon@averna.com
M: +1 514-814-8928
T: +1 514-842-7577 x421
Star India launches its corporate website, inspires India to Imagine more…
www.startv.com to narrate Star India’s incredible stories of change and elicit bold new ideas
Mumbai, 13 June 2017: Star India, one of the nation’s leading media conglomerates, has been on a mission to not just entertain India, but also bring about social change through its thought-provoking programming. From innovating entertainment, promoting gender equality, creating a multi-sport culture to shaping the digital landscape, Star has been tireless in its journey to bring alive its mission of ‘Inspiring a Billion Imaginations’. To take this journey forward, Star India has revealed a brand new vehicle – its interactive website, www.startv.com.
An inspiring storytelling platform, the new website adds a fresh dimension, Imagine more… to Star India’s empowering vision. This mobile-first, immersive and engaging storytelling platform is an expression of how Star India is championing change through the power of media. Star India has partnered DesignStudio, a global brand agency, to distill its Chairman & CEO Uday Shankar’s vision of “enabling, empowering and stimulating everyone to find his or her own answers; answers shaped by their own imagination.” The idea influences the website’s search filters, structure, content and photography – every aspect of the digital experience was created to make people Imagine more… Engaging user experience, interactive content, rich vivid stories and an open-to-all ‘Pitch Your Idea’ initiative, form some of the pillars of www.startv.com.
To bring Star India’s stories to life, DesignStudio travelled to India for a photoshoot that spanned the country. It went behind the scenes and beyond the shows to capture the impact of Star India’s work in everything from transforming the village game of Kabaddi into an elite sporting league, to its social initiatives tackling violence against women.
Gayatri Yadav, President, Consumer Strategy and Innovation, Star India, said, “At Star, our mission has been to ‘Inspire a Billion Imaginations’ and the website brings this mission to life. It seeks to inspire and instigate each and every individual to unlock their potential of limitless possibilities. Imagine more… articulates how we take this mission forward and creates a powerful new storytelling address. This is a new home for Star’s incredible stories of change, inspiration, and bold ideas.”
James Hurst, Executive Creative Director, DesignStudio, said, “Our role is often to sift for the magic. Star is very unusual, there is magic everywhere! It has been (and continues to be) an absolutely inspiring rollercoaster getting to understand the breadth and depth of their impact on society and their hopes and ambitions for such an exciting and extraordinary future. We are thrilled with the work so far, and can’t wait for what happens next.”
You can also download and print this press release from our website – www.startv.com
About Star India:
Star India has defined the Indian media landscape since 1991 and today is one of the country’s leading media conglomerates, reaching approximately 650 million viewers a month across India and more than 100 other countries. Star generates 20,000 hours of content every year and broadcasts 50+ channels in 8 different languages, reaching 9 out of 10 C&S TV homes in India.
The network’s entertainment channel portfolio includes Star Gold, Channel V, Star World, Star World Premiere HD, Star Movies, Star Movies Select HD, Star Utsav, Star Utsav Movies, Life OK, Movies OK and Star Plus, India’s No. 1 Hindi General Entertainment Channel. It has a leading presence in regional broadcasting as well, through a bouquet of channels which include Star Jalsha, JalshaMovies, Star Pravah, Maa channels and affiliate channels Asianet, Asianet Plus, Asianet Movies, Suvarna, Suvarna Plus and Vijay. It is also present in the Indian movie production and distribution space through Fox StarStudios, an affiliate joint venture company.
Star India is making quantum leaps in transforming sports in the country by leveraging the group’s strengths in superior content and audience engagement. Star’s sports business has grown rapidly to 10 channel properties (StarSports 1, 2, 3, 4; Star Sports HD1, HD2, HD3, HD4 and Star Sports Select HD1, Select HD2), making it the leading sports network in the country.
Star is set to drive the agenda on digital content consumption in the country with Hotstar, Star’s revolutionary digital platform that brings your favourite TV shows, movies and sports in one destination.
Star India is a fully owned subsidiary of 21st Century Fox.
For further information:
corporateaffairs@startv.com
Jay Desai / Pavan R Chawla
Adfactors PR
jay.desai@adfactorspr.com / pavan.chawla@adfactorspr.com
+91 22 67574150/67574342
+91 9820060107/9819293932
The Go Jetters Jet to China for Children’s Day
On 1 June, the Go Jetters jetted to China with their teacher Ubercorn to celebrate Children’s Day. As part of the Children’s Day Gala 2017 organised by state broadcaster China Central Television’s children’s channel (CCTV-14), the four plucky heroes Xuli, Kyan, Lars and Foz and mentor Ubercorn danced in a character parade and took part in a live-stream interview. The Gala was broadcast to an audience of 110 million, and saw over 200 million streams on mobile streaming platforms in China like iQIYI in one evening – triple the viewership record of the previous year.
Our intrepid Go Jetters also climbed the Great Wall of China to inspect the wonderful world famous landmark that they had previously saved from the mischievous Grandmaster Glitch in series one, episode 11.
In China, besides state children’s channel CCTV-14, Go Jetters is available to young audiences in China on IPTV platform BesTV and on the online platform iQIYI. The show will also be available to watch on digital platforms Tencent and Youku at the end of August.
Go Jetters follows the adventures of four plucky heroes, Xuli, Kyan, Lars and Foz, as they travel the world with their teacher, mentor and friend, Ubercorn, a funky disco-grooving unicorn. A comedy, action adventure for 4-6 year olds, Go Jetters combines music, cool gadgets and disco-dancing to introduce the audience to geography and culture. Filled with comedy, teamwork, awesome sights, and funky facts, each episode offers older pre-schoolers a fun-filled and action packed exploration of their wider world.
Go Jetters has become a huge hit with boys and girls across the globe, with series one selling to over 90 territories and a second series of the animation is now in production. In the UK, Go Jetters was ranked number one for its pre-school launch on CBeebies in 2015 and has since reached a cumulative audience of 10 million viewers on linear television. New episodes on CBeebies in February 2017 peaked with an impressive 630,500 viewers. Overseas, Go Jetters consistently ranks in top 5 children’s titles for ABC2 in Australia and is also a top performing brand for France 5 outperforming its slot average share by 7% (A4+) in first two weeks, as well as rating as the number one show for children 4 to 10. Ratings in Canada have been particularly strong with the series jetting off to a very promising start on Treehouse with the show rating as number one for children between 2 and 11.
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For more information, please contact:
Jeanne Leong
BBC Worldwide
Tel: +65 6849 5292
Email: Jeanne.Leong@bbc.com
Jessie Lim
BBC Worldwide
Tel: +65 6849 5295
Email: Jessie.Lim@bbc.com
NOTES TO EDITORS
About BBC Worldwide
BBC Worldwide is the main commercial arm and a wholly owned subsidiary of the British Broadcasting Corporation (BBC). Its vision is to build the BBC’s brands, audiences, commercial returns and reputation across the world. This is achieved through investing in, commercialising and showcasing content from the BBC around the world, in a way that is consistent with BBC standards and values. The business also champions British creativity globally.
In 2015/16 BBC Worldwide generated headline profits of £133.8m and headline sales of £1,029.4m and returned £222.2m to the BBC.
For more detailed performance information please see our Annual Review webpage: bbcworldwide.com/annual-review/.
ASTRO AND KARANGKRAF FORM STRATEGIC PARTNERSHIP TO CREATE AND DISTRIBUTE CONTENT IPs ACROSS ALL PLATFORMS
JV Co to focus on creating and monetising content verticals in Malaysia and Nusantara
9 June 2017, Kuala Lumpur – Astro Malaysia Holdings Berhad (“Astro”) and Kumpulan Media Karangkraf Sdn Bhd (‘Karangkraf”) today entered into a Memorandum of Understanding (“MoU”) to form a joint venture company (“JV Co”) for the creation and monetisation of content verticals in Malaysia and the Nusantara region.
Dato’ Rohana Rozhan, Group Chief Executive Officer of Astro said, “At core of this collaboration, we aim to pursue co-creation of a comprehensive line up of content IPs across Malay and Islamic verticals. The on-going trend of digital media consumption, paid or ads-supported, has expanded Astro’s addressable audience base in Malaysia considerably from households to individuals. Serving this diverse audience across a range of windows from theatrical, to TV, to digital and commerce, requires a wider breadth of IPs in order to satisfy the unique needs of each consumer segment. Ownership of these IPs allows us to maximise monetisation potential from licensing, Adex, subscriptions and commerce, while at the same time anchor a long-term sustainable role for us in the media value chain.
We also see a rising demand for fresh and differentiated vernacular content across the Nusantara region, partly due to the proliferation of direct-to-consumer OTT platforms. In order to position ourselves as a key player in this space we are strengthening our investments in signature vernacular and ASEAN IPs, to be more relevant to a regional audience. Karangkraf is an established leading creative force amongst the Malay speaking community across its media assets and we are pleased to announce our partnership with Karangkraf to develop a strong line-up of content IPs and brands jointly together. This partnership brings together two entities with like-minded vision, leveraging on each other’s strength to unlock new business opportunities to create Nusantara IPs that can travel not only in Malaysia but regionally.”
Dato’ Hussamuddin Hj. Yaacub, Chief Executive Officer of Karangkraf said, “The Karangkraf Group looks forward to a deeper cooperation with Astro, having worked on many campaigns previously, such as Projek Ngaji, Quran Hour and so on. With our combined reach, Astro is the right strategic partner to position our content IPs across multi platforms of TV, OTT and digital in Malaysia and beyond. The JV Co will enable our group to have an equity in a Malay content powerhouse with regional aspiration as well as diversify into new businesses and accelerate digital innovation.”
Today, the content industry in in the Nusantara region command a total addressable market of RM48 billion, which makes local vernacular and ASEAN content IPs, the new premium. Astro and Karangkraf hope its win-win collaboration will bring together complementary strengths in creating a content IP pipeline as well as a culture of innovation and distribution to tap on the growing industry.
The Astro-Karangkraf partnership is consistent with Astro’s strategic imperative of co-owning content IPs that have regional appeal, and towards the group’s aspiration of becoming a leading Asean content creator, aggregator and distributor. Today, Astro is in 71% of Malaysian households, serving 21 million individuals on all screens, at home, live, on the go and on demand while Karangkraf has 15 million readers across its print, magazine publications and online media assets.
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Media Contact:
Tammy Toh
Vice President, Group Communications
Astro
Mobile: +6012 322 5184
Email: tammy_toh@astro.com.my
CINEMAX PICKS UP DRAMA SERIES WARRIOR INSPIRED BY MARTIAL ARTS LEGEND BRUCE LEE
Producers Of The Action-Packed Series Include Taiwanese-American Justin Lin (The Fast And The Furious movies) and Shannon Lee, daughter of Bruce Lee
SINGAPORE, 12 JUNE 2017 – CINEMAX has picked up the straight-to-series drama WARRIOR. Starting production on its ten-episode season this fall in Cape Town, South Africa, the action-packed series will premiere on CINEMAX in Asia. The show is inspired by an idea from Bruce Lee and created and executive produced by Jonathan Tropper (creator of CINEMAX’s “Banshee”) under Tropper Ink Productions. Justin Lin and Danielle Woodrow will executive produce on behalf of Perfect Storm Entertainment, and Shannon Lee will executive produce for Bruce Lee Entertainment.
“WARRIOR follows in the spirit of the tradition of adrenalized CINEMAX dramas that we established with STRIKE BACK and BANSHEE,” said Kary Antholis, President, HBO Miniseries and CINEMAX Programming. He further adds, “We are brimming with excitement for this unique martial arts series combining Bruce Lee’s inspired conception with the immense storytelling talents of Jonathan Tropper and Justin Lin.”
WARRIOR is a gritty, action-packed crime drama set during the brutal Tong Wars of San Francisco’s Chinatown in the second half of the 19th century. The series follows Ah Sahm, a martial arts prodigy who immigrates from China to San Francisco under mysterious circumstances, and becomes a hatchet man for one of Chinatown’s most powerful tongs – a Chinese organized crime family.
“As a show that proudly bears the imprimatur of Bruce Lee, it’s our intention to deliver not only explosive martial arts action – which we will – but also a powerful and complex immigration drama that is as relevant today as it was in the 1870s,” says Tropper.
“I’ve always admired Bruce Lee for his trailblazing efforts opening doors for Asians in entertainment and beyond,” notes Lin. “So I was intrigued when Danielle (Woodrow) told me about the urban legend of his never-produced idea for a TV show and suggested we bring it to life. Then, when Shannon shared with us her father’s writings – rich with Lee’s unique philosophies on life, and through a point of view rarely depicted on screen – Danielle and I knew that Perfect Storm had to make it.”
“Partnering with CINEMAX has led to a wonderful collaboration with Jonathan Tropper, who has created a fantastic series inspired by Lee’s writings. We are all honored to continue what he started,” he adds.
WARRIOR is produced for CINEMAX by Perfect Storm Entertainment, Tropper Ink Productions and Bruce Lee Entertainment.
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About HBO ASIA
Singapore-based HBO Asia brings the best of Hollywood to Asia first through its exclusive licensing deals with major Hollywood and independent studios, including Paramount Pictures, Sony Pictures, Universal Studios, Warner Bros. and Lionsgate. HBO Asia has proprietary and award-winning HBO and HBO Asia Original programmes produced exclusively for HBO viewers. Wholly owned by HBO (a Time Warner company), HBO Asia reaches 23 territories across Asia with six 24-hour commercial-free subscription movie channels: HBO, HBO Signature, HBO Family, HBO Hits and Cinemax, as well as Red by HBO, internet streaming platform, HBO GO, subscription video on demand service, HBO On Demand, and in China, 鼎级剧场 (ding ji ju chang). HBO Asia is also the exclusive distributor of BabyFirst and the DreamWorks channel in the region. Log on to www.hboasia.com for more information.
For more information, please contact HBO Asia:
Karen Lai
Senior Director, Communications
Tel: (65) 6381 1796
Email: karen.lai@hboasia.com
Cheryl Foong
Manager, Communications
Tel: (65) 6381 1838
Email: cheryl.foong@hboasia.com
Chan Zi Ning
Executive, Communications
Tel: (65) 6381 1746
Email: zining.chan@hboasia.com
CNN INTERNATIONAL COMMERCIAL EXPANDS ITS TEAM WITH TWO NEW APPOINTMENTS IN ASIA PACIFIC
CNN International Commercial announces two new appointments in the Asia Pacific region, welcoming Delilah Chan as Sales Director, Southeast Asia, and Zab Ali as Digital Director, North Asia.
With 18 years of experience working and leading teams across South East Asia, Chan will oversee CNN’s Advertising Sales team based in Singapore. In this role, she will develop strategic partnerships and manage relationships with key clients and agencies to drive CNNIC’s business goals through multi-platform strategies that are industry-leading and innovative. Meanwhile, bringing his digital expertise to the CNNIC team, Ali will be based in Hong Kong and his primary role will be to engage with a greater number of brands on digital campaigns and enable brand integration through innovative adverting solutions. These include building and strengthening partnerships with advertising technologies, while promoting CNN’s data strategy and business development.
Commenting on the team expansions, Sunita Rajan, Senior Vice President, Advertising Sales, Asia Pacific, CNN International Commercial, said “These appointments are a crucial addition to the sales leadership team, which is focused on delivering best in class multi-platform solutions powered by data, content, insights and creativity which enable CNN’s growth in key markets such as Southeast Asia. I am pleased to have Delilah on our team as she has a proven track record of driving growth in media, content and technology sectors in the fast-paced and evolving SEA region. She brings a wealth of experience with her and I am certain that her contribution will further enable us to achieve CNNIC’s goals.”
Rob Bradley, Vice President, Digital Commercial Strategy & Revenue, CNN International Commercial, added “In a world where a marketer’s role has never been more complex, CNN is offering a host of smart and truly cross-platform solutions that allow brands to reach local, regional and global audiences with impact from a single point. We are thrilled to welcome Zab, whose deep experience on the client as well as agency side and passion for digital will no doubt continue to forge these innovative solutions that enable brands to meet their marketing and business goals.”
Prior to joining CNN International Commercial, Chan was the Head of Sales in APAC for SuperAwesome, the largest kids-focused digital media platform in the world. Before that, she held positions such as Head of Business for Twitter in SEA, and led the BBC Advertising Sales team in Singapore.
Ali has worked in both the UK and Hong Kong before joining CNN International Commercial. He was most recently with Havas Media. Prior to that, he worked at agencies such as MRM//McCann, iProspect and Carat.
9 June, 2017
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John Medeiros |
The EU decision-making process grinds on, and it now seems that a mandate requiring content portability for pay-TV customers within the EU will come into force early next year. This means that pay-TV customers who are temporarily away from home will have the right to access their content online – it won’t apply to people who leave the EU. Views on this vary; cable industry association Cable Europe likes the idea, but content producers are nervous about getting on the slippery slope to abolition of territorial licensing, which is a key financial underpinning for European content production. I’m not sure how customers are going to feel…..rules were tightened after complaints that earlier drafts had too many loopholes that would lead to abuse; it seems the process for actually making this work will be rather complicated, requiring multiple IDs, etc. etc.
Cathryn Chase |
On Tuesday the NCC announced its plan to reveal a revised version of a media monopolization prevention and diversity bill by the end of the month. The original bill, drafted in 2013, received preliminary approval from Taiwan’s legislature, but was retracted a year later. The revised version will aim to prevent media monopolization by providing guidelines for media company mergers. According to the NCC, one of the main motives behind the revised bill is the rise of OTT content. While a draft has not yet been made available, this has led people to wonder how the bill will address the issue of ownership of OTT services. The NCC will also seek to make amendments to three existing broadcasting acts, in an effort to further limit the intervention of political parties, the government and the military in Taiwanese media outlets. A relatively lengthy period of discussion is envisioned before the bill goes before the legislature, expected in February 2018. All this — and more — will be on the agenda at CASBAA’s upcoming Taiwan In View conference, to be held in Taipei in just two weeks, on 22 June. If you haven’t already signed up, register here.
Mark Lay |
For those that think that cable TV operators can’t innovate, Foxtel just announced a major shift in their product offering. They will now also offer internet delivered, low-priced, flexible bundles with no set up costs and the ability to cancel at any time. “We want to transform our business from being known as the pay-TV provider for the premium segment to become known as the premium entertainment provider for all Australians,” said Peter Tonagh, Foxtel CEO. For a market “stuck” at 30% penetration this is a good move, indeed. Five entry level packs are available from as low as $10 per month, with the ability to add Movie and Sports packs on top of that. This is a major rebranding, program packaging and technology makeover and I urge you to read the article for more details.
Kevin Jennings |
News from the embattled Qatari state is that Al Jazeera has been experiencing relentless cyber-attacks . Hacking is something that has affected other global networks in the past and it’s not clear whether this latest round of attacks is a product of the political situation with Qatar’s neighbours or the start of something broader reaching that other platforms and netwroks should be aware of. Unconfirmed reports say that the attack seems to involve the Mirai botnet that surfaced at the end of last year, when it led to an internet blackout for major sites in the northeastern U.S
John Medeiros |
Trial balloons in Bangkok: having decided that OTT services fall under the Thai Broadcasting Act, the authorities are talking about how they might actually exert control. They seem to be looking at controls for the largest operators of Facebook and Youtube channels, and beyond that a “complaints-based system,” which might not be very heavy for most operators. But people with controversial political content are likely to find themselves in hot seats. It’s no surprise that the military-led government would be worried about content they regard as sensitive…..but some of the trial balloons have foreseen squeezing OTT to fatten profits for digital terrestrial operators. That’s not good.
Kevin Jennings |
India’s space agency has successfully launched its heaviest rocket. The Indian-built rocket also launched the country’s heaviest-ever satellite into orbit. ISRO say the rocket will reduce reliance on foreign companies in what they considered to be a game–changer and were hopeful of winning business from Western companies. The launch successfully put the sGSAT-19 communications satellite into geostationary transfer orbit. The satellite weighed over three tonnes. The national coverage of the launch has been euphoric, and often colorful, with websites comparing the rocket to the weight of 200 elephants, or five jumbo jets. (That’s Asian elephants, obviously.)
John Medeiros |
The war over Net Neutrality (NN) continues to rage in the US; now the Internet industry is promoting a Day of Action. There will be lots more like that before the issue is put to rest. There are large financial interests at stake: as one commentator observed, Big Internet likes the Wheeler-era NN ruling because “it improves their bottom lines.” No surprise there – but note that Netflix has stopped fighting, with Reed Hastings saying “It’s not narrowly important to us because we’re big enough to get the deals we want.” Well, Duh – given the huge market power they wield in negotiating with telcos and cablecos, their bottom line will do just fine in an environment where they might be able to negotiate access to consumers’ homes in the US – just like they’re doing in Asia!
Kevin Jennings |
A reminder that the deadline for entering the UNICEF Child Rights Award is the end of June. If you’ve produced any TV programmes promoting the rights or welfare of children in the past year then you can enter the UNICEF Child Rights Award. The UNICEF Award will be announced at the CASBAA Convention in November. More information can be found on the CASBAA website and you can download the application form here
- BBC Earth Series to Screen on China’s Youku Platform
- CASBAA backs illegal TV crackdown
- Foxtel launches fresh website-blocking injunction for 17 piracy sites
- How Did HGTV ‘Stars’ Become Celebrities?
- MPAA’s Chris Dodd Says Europe Shut Down 845 Piracy Sites in 2016
- Proven: Turner Has Larger and More Engaged Audiences with VOD
- Sony Pictures Television Networks, Asia Names Tiff Wang as Director & Business Head, Taiwan
- Sony ‘Clean Version’ Initiative to Provide TV/Airline Edits of Select Films on Home Video (Exclusive)
- Star India seeks liberalised FDI regime for TV news, DTH
- Zee shuts down Zindagi and makes it an app-only channel
- China Leads Way in Global Esports Video Boom
- Chinese censor shuts down dozens of online entertainment news accounts
- Here’s why Whatsapp won an antritrust case in India
- India: New broadcasting norms set to lower your monthly TV bill
- Is Apple Now a TV Network? Hollywood Hopes So
- Raids in India Target Founders of News Outlet Critical of Government
- Singapore: Digital entertainment startup Spout raises US$2.1M funding
- Television’s Last Stand
- Thaicom, Huawei and Starcor partner for Thai OTT
- Thailand: MCOT starts Thai pay-TV trial
- Thailand: NBTC, FCC link on telecom
- U.S. Study: search is key pathway to pirated content