News

France 24 now in HD in Asia-Pacific region

Macau, November 7th 2016  – France 24 has signed a distribution agreement with satellite operator AsiaSat, making its English channel available in HD via AsiaSat 5.

France 24 English HD is currently available exclusively in the Asia-Pacific region and this launch marks an important new step in the channel’s development.

This agreement reinforces the attractiveness of the channel for cable operators, DTH and IPTV as well as for major hotel chains.

Thanks to recent distribution deals in South Korea and the granting of a broadcast license in Vietnam, France 24 is now available to 60 million TV households and more than 300,000 hotel rooms across the Asia-Pacific region.

For further information about how to include France 24 English HD in your offer, please contact Brice Bertrand and David Couret attending CASBAA Convention 2016:

About France 24, a France Médias Monde channel (france24.com)

France 24, the international news channel, broadcasts 24/7 to 315 million homes around the world in French, Arabic and English. The three channels have a combined weekly viewership of 50.9 million viewers (measured in 64 of the 180 countries where the channel is broadcast). From its newsroom in Paris, France 24 gives a French perspective on global affairs through a network of 142 correspondent bureaus located in nearly every country. It is available via cable, satellite, DTT, ADSL, on mobile phones, tablets and connected TVs, as well as on YouTube in three languages. Every month, France 24’s digital platforms attract 16.3 million visits, 37.6 million video views (2016 average) and 28.9 million followers on Facebook and Twitter (August 2016).

LOVE NATURE HD lands in Singapore on Starhub TV as part of Global Expansion

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The Love Nature television channel will offer wildlife and nature enthusiasts across Singapore exclusive and original natural history series and documentaries

Wildlife Icons, premiering on Love Nature HD in Singapore, will introduce StarHub TV’s audiences to the Big Five of the Savannah,

while giving a closer look at the some of the remarkable wildlife within Africa’s mighty ecosystem.

To tweet this release: http://bit.ly/2eNk6d1

(Macau, China, November 7, 2016) – Love Nature, a joint venture between Blue Ant Media and Smithsonian Networks, announced from the Casbaa Convention in Macau, China today that the natural history brand will be available later this month to audiences in Singapore via HD television on StarHub TV. The deal marks Love Nature’s debut into the Asian market as the brand continues to reach out to audiences globally via multiple platforms.

“The introduction of Love Nature to Singapore is an important milestone for us as we work aggressively to expand the brand’s offerings and stunning natural history content across Asia and all over the world,” said Jo Parkinson, Managing Director, Love Nature International. “Our collaboration with StarHub will allow us to reach out to wildlife and nature lovers across Singapore with our unforgettable and cutting-edge content.”

“As Singapore’s leading pay TV operator, we are always looking to strengthen our content leadership in the market. With its captivating programming, Love Nature further expands our offering and we are excited to welcome the channel to our ever-growing line-up of factual channels,” said Lee Soo Hui, Head of Content & TV, StarHub.

StarHub’s pay TV customers will have access to Love Nature’s exclusive, original natural history content, shot all over the world in majestic locales including Asia Pacific, Africa, Scandinavia and South America. Family-friendly programming will include stunning wildlife and nature series and documentaries such as Wildlife Icons, Waterworld Africa and Land of Primates. Love Nature will be available to StarHub TV subscribers on channel 416 in late-November 2016. Multi Channels Asia (MCA), Asia’s leading distributor of independent Pay-TV channels, brokered the milestone carriage agreement with StarHub.

Love Nature will showcase the brand’s content and offerings at the Casbaa Convention at booth A13.

Love Nature, a joint venture between Blue Ant Media and Smithsonian Networks, brings audiences closer to the beauty and wonder of nature, sharing awe-inspiring stories and shining a light on the fight for survival in a changing world.Producing 200 hours of content annually, Love Nature offers the largest library of 4K wildlife and nature content in the world and is available internationally via linear television, streaming video (SVOD) services and as a turnkey factual 4K channel. LoveNature.com  

-30-

Media Contact:

Sarah Etherden

Director, Communications, Love Nature International

sarah.etherden@blueantmedia.ca, 416.440.7283

4 November, 2016

news_views_header

Welcome to News Views, CASBAA’s news round-up culled from sources across the industry for the week ending Nov 4th. Curated by CASBAA, News Views keeps you in the loop. We always value your feedback, so tell us what you think!

Brought to you by:

BBC Worldwide
Christopher Slaughter

Christopher Slaughter

CEO

Lots of announcements at the US China Film & TV Industry Expo in LA this week, including the formal announcement that Dalian Wanda is buying Dick Clark Productions for the bargain basement price of US$1 billion. In addition to the launch of a US$100 million film fund, there were plenty of insights shared regarding Chinese audiences, advice about how to make and market films in China, and how to actually get things shown on China’s screens: “Co-investment, Chinese elements, and at least one Chinese main character.”  We’ll be digging into some of these issues next week at the CASBAA Convention with Bennett Pozil of East West Bank — if you haven’t registered yet, you’ve still got time!

 

Kevin Jennings

Kevin Jennings

Vice President, Programme

Not to be outdone, China Internet giant Alibaba has restructured its media business entirely, and announced a US$1.5 billion fund for new projects. All its media assets are now clubbed together under the Alibaba Digital Media and Entertainment Group, which includes Youku Tudou, UCWeb, Alibaba Pictures, and its online gaming, literature, music, and digital business units.

 

 

John Medeiros

John Medeiros

Chief Policy Officer

Three cheers for ABS-CBN in Manila, a company that is active in defending its copyrights.   They’ve now gone after the Fmovies pirate streaming site, telling a US court the site “is a classic example of a pirate operation, having no regard whatsoever for the rights of ABS-CBN and willfully infringing ABS-CBN’s intellectual property.”  Meanwhile, in Australia the slugging match between ISPs and the music industry continued.  The proximate cause of the current battle is the 2015 site-blocking law, which the ISPs are still fighting because they don’t want to pay the costs.   Torrentfreak notes that the case has been going on so long that some of the target sites don’t exist anymore.  Hm. Yes.  That’s the problem with too many “enforcement” efforts – they lumber through elephantine legal structures while the pirates jump like rabbits.

 

Mark Lay

Mark Lay

Vice President, Singapore

More news in the continuing evolution of pay TV in the US.  Hulu has just announced that Fox and Disney channels will be part of its new skinny bundle when it launches next year. Fox will contribute Fox, Fox Sports channels and Fox News. Disney, meanwhile, will make its portfolio of Disney/ABC networks, including ABC, Disney Channel and Freeform, as well as ESPN available on the service. Apparently, “NBCU, which acts as a silent owner in the streaming service, is also in talks to bring its programming to the live TV offering.”  It seems that “streaming TV is starting to more closely resemble the very thing it was meant to replace.”

 

 

Anjan Mitra

Anjan Mitra

Executive Director, India

Well, if Twitter India trends on November 1 were to be believed, the top trending topic/hashtag related to, what many would say, India’s most talked about TV news anchor Arnab Goswami. Both loved and hated (in equal proportion, one would believe), Goswami’s resignation as President-News and Chief Editor of Times TV Network set the social and online media on fire. Even small details, including his future assignments, became news in mainstream print media too. A comment piece in a trade website aptly dubbed the development as “from reporting news to becoming news”. The cult of celeb journalists continue.

 

 

John Medeiros

John Medeiros

Chief Policy Officer

Things may be reopening in Bangkok, but they’re definitely not normal, after the death of the king.  Radio and TV broadcasters are being told they can return to normal programming, but they should avoid boisterous and rude jokes.  The Temple of the Emerald Buddha has reopened, and it seems even the tourists are behaving.  It’s clear that the nation remains in mourning…as even a casual reader can see.

 

 

Christopher Slaughter

Christopher Slaughter

CEO

It’s by no means a done deal, but those CBS / Viacom “recombination” talks are still in what CBS CEO Les Moonves says are “early stages.”  In fact, in what might or might not have been a World Series reference (congrats Cubs!), he told an analyst call “…we aren’t even in the second inning yet.”  Meanwhile, on the Viacom side of the street, international head Bob Bakish has been named interim CEO.  And straight out of the gate, he addressed the subject of the merger: “We’re not going to stand still while it’s being evaluated.”

 

 

Mark Lay

Mark Lay

Vice President, Singapore

Along with Discovery’s Q3 earnings, they also announced a joint venture with Major League Baseball’s BAMTech. This JV will form BAMTech Europe, a streaming-video technology provider catering to broadcasters and OTT players across the continent. Could this be the start of the “Netflix of Sports”. Eurosport, which Discovery gained full control of last year, will become their first client with roll-out “in 2017 across all of Eurosport Digital’s products, which today include Eurosport.com and Eurosport Player.”  Further investment into streaming would be consistent with David Zaslov’s view that, “one of the things that has stopped the growth of cable is the price of all that sports.” 

 

 

Christopher Slaughter

Christopher Slaughter

CEO

New
research out from Media Partners Asia confirms that OTT services are starting to take a bite out of pay TV subscriptions in six key regional markets.  The Asia Video Consumer Panel surveys 1000 consumers each in Hong Kong, Indonesia, Malaysia, the Philippines, Singapore, and Thailand, to explore how they engage with video content.  Among the key issues highlighted: day-and-date content, user interfaces, access to bundled packages and problems with dubbing and subtitling.  MPA Executive Director Vivek Couto will be onstage at the CASBAA Convention next week; again, if you’re not already signed up, why wait?

 

 

Kevin Jennings

Kevin Jennings

Vice President, Programme

Netflix COO Ted Sarandos has said that the company might consider offering offline playbackat least in developing markets where cable and wi-fi constraints make it more practical. No word on which countries as yet but there are a few markets in Asia that definitely qualify – and a few Asian OTT players already out there who offering download playback, so it certainly isnt a new concept but things might get very interesting very soon in our own back yard.  Meanwhile in what seems a counter-intuitive move Apple has announced that it’s new content aggregation app for the Apple TV   doesn’t support Amazon Prime or Netflix.  As mentioned in News Views last week, the new App will let end users search through all kinds of content across third-party applications and more than 1,600 sources. Netflix says it has no plans to work with Apple on being included which sort of makes sense from their perspective – putting Netflix in with the masses would dilute the chance of being able to find more Netflix original content, but is frustrating if you are a consumer looking for a one stop content aggregator where one size fits all.

 

 

John Medeiros

John Medeiros

Chief Policy Officer

Aussie over-regulation in the media sector is a serious problem, unfortunately.  Last week, the head of Fairfax media pleaded for changes in the archaic media ownership rules.  Asked if the change he was advocating wouldn’t give too much power to his competitors at Newscorp, he offered a candid assessment:  Yeah, they might get some economic benefit but really that discussion is “rather irrelevant” given the ongoing changes in media consumption.

 

Kevin Jennings

Kevin Jennings

Vice President, Programme

It seems like only yesterday, but the Christmas season is already upon us –  well certainly in the world of British TV advertising:  Burberry have released a 3-minute epic featuring several British stars of the silver screen for their festive campaign while over in Knightsbridge  Hugh the bear is crowned a prince  after bravely unfreezing Harrods.  John Lewis, famous for their emotional Yuletide offerings  will also be releasing their  Xmas campaign in the next few days. And it’s  good news for the UK ad industry  which expects UK Christmas ad spend to hit record high of over £5bn and provide a welcome shot in the arm amid all the talk of post Brexit gloom from the naysayers.

 

 

Member News
Additional News

Kantar Media & VINEX launch new planning currency for internet audience ratings

Single source online panel goes live delivering a complete picture of audiences’ online consumption across websites and apps to fuel TV & Internet currencies in the Netherlands.

Amsterdam & London, 4 November 2016 Kantar Media and VINEX, the industry group of Netherlands online publishers, have delivered a new panel for internet audience measurement. The service replaces the previous internet measurement contract operated by GfK.

“The Dutch media industry demands a new standard for measurement of all media consumed on the internet.” commented Richard Asquith, Global CEO of Audience Intelligence at Kantar Media. “Our unrivalled experience in designing and operating hybrid measurement services is manifested in this latest milestone. Working in collaboration with comScore we are delighted to have delivered a superior panel which will provide both internet ratings for VINEX and the next phase of SKO’s blueprint for Total TV & Video rating by the end of this year.”

The panel of 5,000 individuals uses technology from comScore and Kantar Media to measure online behaviour on browsers and apps across all devices (tablets, smartphones and PC’s). The panel (Project NOBO[1]) is the result of an alliance formed last year between VINEX and SKO, the TV & Video ratings body in the Netherlands.

The new panel includes all internet traffic and page content from participating publishers. Other sites will be added in early 2017 including Facebook, Google, Netflix and YouTube resulting in a complete view of all audience behaviour online across media.

“Today’s announcement heralds a new standard for internet ratings.” commented Bas de Vos, Managing Director of NOBO (a.i.) & SKO. “The alliance between these two bodies, realised through the NOBO project, will enable agencies, brands and media owners to manage media investment across TV and internet properties.”

The announcement was made during the closing day of the asi TV Symposium, where presentations from industry bodies in Denmark and Norway shared roadmaps for contracts awarded to Kantar Media in recent months to deliver Total TV ratings. These papers followed a presentation from SKO & VINEX outlining the new service.

Notes to editors

The new planning currency can be accessed here http://www.vinex.nl/resultaten/archief/ (list of top 50 largest publishers and brands).

About Kantar Media

Kantar Media is a global leader in media intelligence, providing clients with the data they need to make informed decisions on all aspects of media measurement, monitoring and selection. Part of Kantar, the data investment management arm of WPP, Kantar Media provides the most comprehensive and accurate intelligence on media consumption, performance and value.

For further information, please visit us at www.kantarmedia.com

[1] Netherlands Online Bereik Onderzoek (NOBO)

MPA launches Asia Video Consumer Panel

• Key findings highlight increasing demand for telco OTT video & broadband bundles but show mixed response across most SVOD-based OTT platforms
• Netflix, iflix and Viu fare best amongst regional majors but still have a long way to go
• Local pay-TV & free TV incumbents do well, led by Astro, Now TV, TVB and Toggle

(Hong Kong / Singapore / November 3, 2017) Media Partners Asia (MPA) today launched the ASIA VIDEO CONSUMER PANEL, a research report offering detailed insights into how consumers engage, use and interact with video content in emerging and mature markets, focusing on TV and digital video platforms, including key regional and local OTT video operators.

The panel covers six Asian markets – Hong Kong, Indonesia, Malaysia, Philippines, Singapore and Thailand – with a 1,000 user panel size in each market, taking in millennial and older demos as well as skewing towards mobile consumption in emerging markets such as Indonesia, Malaysia, Philippines and Thailand.

Commenting on the report’s key findings, MPA vice president Aravind Venugopal said:

The importance of bundling with telecom and IP-based pay-TV operators to drive online
video adoption is becoming critical, as illustrated by our survey. As we are still very much in the first innings of the SVOD online video cycle in most Asian markets, the journey for most platforms from building awareness to generating trial users, and then to finally converting them to regular users, is long and arduous.

In four of the markets surveyed – Hong Kong, Singapore, Malaysia and Philippines – local players have taken the lead when it comes to building awareness and conversion, led by incumbent pay-TV and free TV operators, a number of which are reliant on local and Asian content, and in certain cases, sports. Global and pan regional SVOD services focused on providing international content, are fighting to take the lead, though conversion has been low in general. In terms of both awareness and conversion, Netflix and iflix both lead in selected markets with Viu also robust across most markets.

Some of the key highlights of the panel include:

Telco and pay-TV integration. The importance of bundling and OTT integration deals with telecom and pay-TV operators to drive adoption has emerged as key with most survey respondents indicating that they opted for OTT services via their telco or pay-TV operator. Netflix was an exception, with a high proportion of subscribers indicating that they opted for a direct sign up.

NPS in negative territory. Net Promoter Scores or NPS, which range from -100 to 100 and measure the willingness of customers to recommend a company’s products or services to others, were largely negative in most markets. The exception was Netflix, which received a positive score in four of the six surveyed markets, and also leads the NPS rankings in four of the six markets surveyed. Users in Indonesia, Singapore, Hong Kong and Malaysia tended to award negative NPS to almost all SVOD-based OTT
video service providers. Users in Thailand, Malaysia and Philippines appeared to be more positive about OTT video service providers.

Key features. Feature sets that were most often highlighted as being essential to users was the ability to stream online video to TV, followed by the ability to download. These are also reflective of the type of content contained in the services, as well as the type and quality of broadband infrastructure available.

Content. The importance of day and date content, particularly Hollywood movies, was reflected in the survey with the genre coming out on top of the list of ‘must have’ genres for a premium SVOD service. This was closely followed by new Korean dramas, new Chinese dramas and new Hollywood series. Sports is also increasingly important.

UI /UX and lack of localization. A significant proportion of users indicated that they were unable to locate/find shows in the services – indicating either a lack of content, or limitations of the UI/UX – this, significantly, was highlighted as an issue even for Netflix. A numbers of respondents also indicated that the poor dubbing/subtitling of shows was a concern.

Pay-TV consumption. In two emerging Asian markets (Thailand, Indonesia) and in Hong Kong, the consumption of pay-TV is trending lower, with streaming/on-demand services accounting for a vast majority of content needs. In some instance (i.e. Hong Kong), the incumbent pay-TV operator (i.e. Now TV) is driving the legal consumption of streaming video services.

Piracy. There remains increasing prevalence of pirated STBs. On average, 5-10% of the surveyed base admitted to using a pirate STB to access pay-TV services.

Payment mechanisms. In the Philippines, Thailand and Malaysia, the frequent topping up of prepaid credit balances is commonplace; on average, respondents topped up their services over three times a month. This provides insight on how much consumers are willing to pay for SVOD services and potentially supports the case for sachet pricing.

The ASIA VIDEO CONSUMER PANEL, conducted in partnership with BDRC Continental, covers six Asian markets (with a total sample size of 6,000 individuals), cutting across a broad range of demographics. The full findings from the second phase of this survey will be released in April 2017, providing readers with updated views, new data and additional metrics.

Subscription to the full 500-page November 2017 report is available from November 10 onwards.

For more details, please contact MPA client services vice president Lavina Bhojwani at lavina@media-partners-asia.com
About Media Partners Asia (MPA)
As a leading independent consulting and research provider focused on Asia media & telecoms, MPA offers a range of customized services to help drive business development, strategy & planning, M&A, new products & services and research. Based in Hong Kong, Singapore and India, MPA teams offer indepth research reports across key industry sectors, customized consulting services, industry events to
spread knowledge and unlock partnerships, and publications that provide insights into media & telecoms.

Key Contact:
Lavina Bhojwani
VP, Client Services & Operations
Media Partners Asia
E – lavina@media-partners-asia.com
T – +852 2815 8710

The Weeknd To Perform Smash Single “Starboy” at 2016 MTV EMAS

Previously announced performers include host Bebe Rexha, Global Icon honorees Green Day, Bruno Mars, OneRepublic, Martin Garrix, Afrojack, Shawn Mendes, DNCE, Lukas Graham and Zara Larsson

SINGAPORE, 4 NOVEMBER 2016 – Multiplatinum alternative R&B stunner The Weeknd will bring the heat to Rotterdam next Sunday at the 2016 MTV EMAs. For the first time live internationally, the Best Male nominee will perform the title track and first single from his mega-anticipated fourth full-length album Starboy, whose visual companion is also a contender for Best Video up against Kanye West, Beyoncé, Coldplay and Tame Impala. The star is also up for Best Canadian Act, representing his home country.

The 2016 MTV EMAs will broadcast live around the globe from the Ahoy Rotterdam in Rotterdam, Netherlands on MTV and MTV LIVE HD on Monday, 7 November at 3am (WIB) and 4am (HK/MY/PH/SG). The show repeats on the same day on MTV at 8pm (WIB) and 9pm (MY/PH/SG), and on MTV LIVE HD at 9.45pm (WIB) and 10.45pm (HK/MY/PH/SG).

The Weeknd joins a star-stacked international EMA lineup hosted and featuring a performance by Bebe Rexha, with additional performances by Bruno Mars, Green Day, OneRepublic, Martin Garrix, Afrojack, Shawn Mendes, DNCE, Lukas Graham,and Zara Larsson. Previously announced presenters include G-Eazy, Jaden Smith, Jourdan Dunn, Winnie Harlow, Deepika Padukone, Nina Dobrev, Charli XCX, Tinie Tempah and Idris Elba.

Fans, critics, and the industry at large have recognized The Weeknd’s inimitable talent. He took home two GRAMMY Awards® [“Best Urban Contemporary Album” for Beauty Behind The Madness and “Best R&B Performance” for “Earned It (Fifty Shades of Grey)”] out of seven nominations. He won eight Billboard Music Awards including “Top 100 Artist,” “Top R&B Artist,” “Top R&B Album” for Beauty Behind The Madness, “Top R&B Song” for “The Hills,” “Top Song Sales,” “Top Radio Songs,” “Top Streaming Songs,” and “Top Streaming Song (Audio)” for “The Hills.” “Earned It (Fifty Shades of Grey)” even garnered The Weeknd his first ever Academy Award® nomination in the category of “Best Original Song.”

JUST IN ASIA

  • Best Southeast Asia Act x musical.ly

MTV has partnered with musical.ly for a #MTVEMA challenge in Southeast Asia giving musers the opportunity to tell MTV who they think should be the Best Southeast Asia Act winner. From 4 to 7 November, musers can pick from the nominees’ music videos in an exclusive song album created by musical.ly to create a Musical. Participants stand to win official artist merchandise and MTV EMA goodies.

  • Watch It Anyway You Want! x live.ly

MTV also teamed up with live.ly where musers get to show MTV how they watch the MTV EMA in their own creative way during the prime-time telecast on Monday, 7 November on MTV at 8pm (WIB) and 9pm (MY/PH/SG), and on MTV LIVE HD at 9.45pm (WIB) and 10.45pm (HK/MY/PH/SG). Fans can live-stream themselves enjoying the MTV EMA using the hashtag #MTVEMA  and show MTV their biggest reactions. They stand a chance to win special MTV EMA prizes and #MTVEMA live-stream sessions will be featured on live.ly’s homepage during the night.

  • MTV x foodpanda

From 7 to 13 November, fans in Singapore, Malaysia, and the Philippines are invited to catch the show while enjoying discounts on their foodpanda orders using the promo code MTVEMAPANDA. In Singapore, enjoy 15% off a minimum order value of S$30 for the first 1,000 redemptions. In selected regions in Malaysia, get 20% off a minimum order value of RM40. In Manila and Cebu, take 15% off a minimum order of P850, with a maximum discount of P300 per order.

  • Live Twitter Chat

Fans in Indonesia, Malaysia, Philippines, and Singapore can live tweet during the MTV EMA evening repeat telecast on MTV on Monday, 7 November at 8pm (WIB) and 9pm (MY/PH/SG) using #MTVEMA and watch selected tweets go on-air. Those with the best tweets stand a chance to snag Évos headphones and exclusive MTV EMA merchandise.

 

The official international sponsor of the 2016 MTV EMAs is Évos headphones.

2016 MTV EMAs voting is open until 6 November at 6.59am Singapore time so visit mtvema.com to cast your vote!

To stay in tune with all things EMA, follow us at @MTVEMA on Instagram, SnapchatTwitter and Facebook and follow the social conversation using #MTVEMA.

For artwork, press assets and further information please visit press.mtvema.com.

 

About the 2016 MTV EMAS

The 2016 MTV EMAs, in partnership with Évos headphones, will broadcast LIVE across the globe on MTV and MTV LIVE HD on Monday, 7 November at 3am (WIB) and 4am (MY/PH/SG)** from the Ahoy Rotterdam, in Rotterdam, Netherlands, with support from Rotterdam Festivals, Rotterdam Partners and the city of Rotterdam.The show repeats on the same day on MTV at 8pm (WIB) and 9pm (MY/PH/SG), and on MTV LIVE HD at 9.45pm (WIB) and 10.45pm (HK/MY/PH/SG). One of the biggest global music events of the year that celebrates the hottest artists from around the world, the MTV EMAs bring music fans a unique, multi-platform experience across MTV’s global network of more than 60 channels and over 300 digital media properties and platforms. Follow @MTVEMA on Facebook, Twitter, Instagram, and Vine, and join the conversation with #MTVEMA. Fans are invited to participate in the 2016 MTV EMA campaign using MTV Bump. Bruce Gillmer and Richard Godfrey are Executive Producers for the 2016 MTV EMAs. Debbie Phillips and Chloe Mason are Producers. For MTV EMA news, updates and press materials please visit press.mtvema.com.

**Check local listings.

Press Contact

Viacom International Media Networks

Loh Bi Feng

Manager, Communications, Southeast Asia

t: +65 6420 7154  m: +65 9002 9607

Twitter: @VIMNAsia_PR

RTL CBS Entertainment and RTL CBS Extreme Now Available On HK Cable TV In Hong Kong

Hong Kong, 03 November 2016 – RTL CBS Asia Entertainment Network and HK CABLE TV today announced that they have signed a carriage deal to bring RTL CBS Entertainment and RTL CBS Extreme to more viewers in Hong Kong.  The two channels are now available to all HK CABLE TV HD subscribers.

“We are delighted to have partnered with HK CABLE TV to bring our very popular channels to their subscribers,” says Jonas Engwall, Chief Executive Officer, RTL CBS Asia Entertainment Network. “Working closely with HK CABLE TV, an established platform in the territory, we are confident that our channels and content will reach and be appreciated by a greater audience in Hong Kong.”

“CABLE TV aims to broaden viewers’ global vision via our well-known international channels,” says Helina Wong, Vice President, Subscription Services, Hong Kong Cable Television Limited. “We always strive to bring quality and top-notched entertainment to our audience from all over the world. With the collaboration of RTL CBS Asia Entertainment Network, Hong Kong viewers can enjoy a spectrum of hottest dramas and variety shows, as well as exciting action content and extreme sports.”

RTL CBS Asia Entertainment Network is committed to deliver quality and exclusive content to audiences. Aired live, RTL CBS Entertainment is home to the most number of awards shows on one channel, more than any other in the region, including the Billboard Music Awards, American Music Awards, and the Golden Globe® Awards, among others. Top-rating series and talent shows are broadcast the same day as the US/UK including Bull, House of Cards, Scorpion, Elementary, The X Factor UK and Britain’s Got Talent. Additionally, a daily dose of Hollywood news from The Insider and Entertainment Tonight comes in same day as the US.  The best of late night talk, The Late Show with Stephen Colbert and The Late Late Show with James Corden, and sitcoms Man With a Plan and The Odd Couple are aired express from the US.

RTL CBS Extreme provides extreme and action-packed content with a thrilling combination of popular mixed martial series Kingdom (delivered express from the US), Hawaii Five-0 and NCIS: Los Angeles; punishing feats and adrenaline-pumping stunts on Spartan:  Ultimate Team Challenge, The Xtreme CollXtion and Cliptomaniacs; non-stop laughter with Fail Army and World’s Funniest, mind-boggling illusions on Criss Angel: BeLIEve, Dynamo: Magician Impossible, Cosentino and Close Up Kings; and adventure-reality series Bear Grylls: Mission Survive and Speed with Guy Martin.

About Hong Kong Cable Television Limited

Hong Kong Cable Television Limited is one of the largest producers of television, film and multimedia content based in Hong Kong for distribution over conventional and new media, with a particular focus on news, information, sports and entertainment.

Hong Kong Cable Television Limited is the subsidiary of i-CABLE Communications Limited, which is an integrated broadcasting, communications, advertising and multimedia services provider in Hong Kong, commanding one of the largest and most influential TV viewer and communications service user bases in town.  i-CABLE Communications Limited owns and operates one of the near universal wireline telecommunications networks in Hong Kong, over which it provides Television, Broadband, Telephony and multimedia services to well over one million households.

About RTL CBS Asia Entertainment Network

RTL CBS Asia Entertainment Network is a venture of two of the world’s largest content producers: RTL Group, a global leader across broadcast, content and digital, and CBS Studios International, the leading supplier of programming to the international market place. The Network has two channels: the general entertainment channel, RTL CBS Entertainment HD and the male-skewed entertainment channel, RTL CBS Extreme HD. Both channels are widely distributed in the Asia Pacific and are localized in five languages.

About RTL CBS Entertainment

The destination for the best mix of reality, drama, comedy and daily entertainment. Featuring shows express from the US and UK including top-rated dramas  Bull, Scorpion, House of Cards and Elementary; the biggest talent competitions in the world, America’s Got Talent, Britain’s Got Talent and The X Factor UK; dailies Entertainment Tonight, The Insider, The Late Show with Stephen Colbert and The Late Late Show with James Corden. It is home to some of the biggest award shows in the world aired ‘LIVE,’ including The Golden Globes, Screen Actors Guild Awards, Critics’ Choice Awards, American Music Awards, People’s Choice Awards and Billboard Music Awards.

About RTL CBS Extreme

The destination for extreme and action-packed content with a thrilling combination of popular series Kingdom, Hawaii Five-0 and NCIS: Los Angeles; adrenaline-pumping stunts on The Xtreme CollXtion and Cliptomaniacs; non-stop laughter with Fail Army and World’s Funniest, mind-boggling illusions on Criss Angel: BeLIEve, Dynamo: Magician Impossible, Cosentino and Close Up Kings; and adventure-reality series Bear Grylls: Mission Survive and Speed with Guy Martin.

 

Media Contact:

Omar Gepiga

RTL CBS Asia Entertainment Network

Tel:  +65 6421 8308

Mobile:  +65 9770 0833

Email:  omar.gepiga@rtlcbsasia.com

28 October, 2016

news_views_header

Welcome to News Views, CASBAA’s news round-up culled from sources across the industry for the week ending Oct 28th. Curated by CASBAA, News Views keeps you in the loop. We always value your feedback, so tell us what you think!

Brought to you by:

astro
Christopher Slaughter

Christopher Slaughter

CEO

So US telco giant AT&T is buying Time Warner.  Which is a good thing.  Unless it’s a bad thing.  And the FCC might not even let the deal happen, anyway.  Unless the FCC can’t stop it, that is.   But if Donald Trump wins, he’ll kill it.  Hillary Clinton would just have it reviewed.  (Bernie Sanders predictably went ape.) If the deal goes through, nothing will change, but everything will change. The whole thing might hinge on access to data.  But then again, it could be undone by non-transferable satellite licences.  Regardless, reactions to the deal have been all over the map.  (Don’t let’s even mention AOL, okay?)

 

Mark Lay

Mark Lay

Vice President, Singapore

Meanwhile, in entirely unrelated news that is in no way a response to the AT&T-Time Warner deal, Verizon is buying Vessel, the online subscription video service founded by former Hulu CEO Jason Kilar.  The service will be shut down at the end of the month, since Verizon is only buying it for its tech.  Meanwhile, in another move that has absolutely nothing to do with any other telco giant’s plans, Verizon is still actively in negotiations to buy Yahoo!, despite that massive hack of its emails.  Divergent views on the future of TV, indeed.

 

John Medeiros

John Medeiros

Chief Policy Officer

The political tensions over Kashmir have taken their toll on India-Pakistan media exchanges.   A series of tit-for-tat retaliations started when India’s film producers announced a ban on use of Pakistani actors.   Pakistan retaliated, first by banning all Bollywood films (which had been allowed in since 2008.)   Hindu nationalists stoked the flames, threatening to bomb cinemas and issuing threats to Pakistani actors in India.  There were pleas for reason, which sadly fell on largely deaf ears.  So last week the Pakistani TV regulators announced a total ban on Indian content.  The ban came into effect last Friday.  Cable operators were raided, and forced to remove Indian channels.  (Note:  in copyright terms, this redistribution was always illegal.)   Only authorized channels were to be broadcast.  (This article has a list of authorized international channels in Pakistan.)   Website blocks against Indian news sites have been rumored.  In addition, there’s now a campaign against Indian DTH dishes in Pakistan (also illegal, but previously tolerated).   The regulators have rejuvenated perennial attempts to get a Pakistani DTH system going, with 16 companies bidding for award of three licenses – now scheduled for next month.   (A good summary of the woes of Pakistan’s TV industry can be found here. )  Smaller countries located next to cultural behemoths often struggle to develop local alternatives (just ask the Canadians, eh Mark?)    But there is a shared culture being lost, and closure, against a background of violence, is not a good thing.

 

 

Kevin Jennings

Kevin Jennings

Vice President, Programme

South Korea’s CJ HelloVision has come out fighting and pledged it intends to survive independently in the fiercely competitive pay TV and cable market. The cable operator has suffered under severe business uncertainties after its merger plan with SK Telecom ended in failure in July. CJHV’s CEO listed a raft of developments to improve competitiveness including expanding devices where consumers can access content, step up delivery of Ultra High-Definition content and offer an improved internet service. CJ HelloVision will also introduce cloud technologies to shift its cable broadcasting network system from hardware to software and launch what it tentatively called “tving Box” to continue its N-Screen service business. N-Screen refers to a service that provides broadcasting content through TVs as well as more diverse devices including smartphones and tablet computers. Notably the company said it does not want to directly compete with Netflix and pooq, which provide domestic terrestrial broadcasting based on the N-Screen platform, but seek coexistence with them.

 

 

Mark Lay

Mark Lay

Vice President, Singapore

The number of players getting into live streaming of the linear bundle in the US, isn’t slowing down.  Youtube is now putting together a package to launch in early 2017.  “These current and would-be live OTT providers can be put into two buckets. One is pay TV companies trying to capture customers who probably weren’t all that likely to subscribe to a traditional cable package in the first place: Dish Network with Sling TV, AT&T with DirecTV Now, Comcast with Stream. The other is purely digital players looking to become more like traditional pay TV companies: Hulu, Google/YouTube with Unplugged, Sony’s PlayStation Vue.”  Parks Associates just released research which shows how the top 10 streamers stacked up at the end of Q3.

 

John Medeiros

John Medeiros

Chief Policy Officer

Interesting back-and-forth between Google and the Thai government on content blocking:  Last week, after a meeting between Google’s regional government relations chief and a Deputy Prime Minister, the government let it be known that Google/YouTube would be screening posts looking for violations of Thailand’s “lèse majesté” laws.  Google then issued a statement saying they were following the same “clear and consistent policies for removal requests” that they get from governments around the world, and “have not changed those policies in Thailand.”   So this week the government said 480 URLs on YouTube were already blocked or in the process of blocking, with additional ones coming at the rate of 30-40 per day.    Whether Google is a) yielding to pressure or b) acting according to their usual procedures is clearly the question; nobody doubts that sensitive videos are being taken down.

 

Christopher Slaughter

Christopher Slaughter

CEO

The lady doth protest too much, methinks: apparently, Donald Trump is NOT interested in launching Trump TV if he loses the election.  That’s despite the fact his campaign has already launched a version of Trump TV on Facebook.  The very well-founded rumours have been circulating since June, and if you’re interested, Reuters has put together a profitability model for such a venture.  And in case you thought his recent denial leaves The Apprentice as The Donald’s only TV aspiration, consider the with-hindsight-now-slightly-creepy pitch for a project called TrumpTown Girls.

 

Kevin Jennings

Kevin Jennings

Vice President, Programme

There has never been a more intellectually interesting time to be in the video content business,” is how Turner CEO John Martin began his recent fireside chat at the Paley Center for Media.  It runs almost an hour, so it’s a pretty big time commitment, but it also reinforces many of the points raised in other stories we’ve shared about Turner recently.  Well worth it to hear him talk about his plans for “…a complete transformation of the entire company.”   (Thanks for the tip, Greg Armshaw!)

 

 

John Medeiros

John Medeiros

Chief Policy Officer

[Warning:  adult content ahead.  Turn down your speakers so as not to offend your co-workers.]

 

“STOP PIRATING MY *****ING MOVIE!”   With those immortal words, the rapper KSI started a Youtube rant on piracy that is well-worth listening to, just to get his full emotional range about a problem that is near to our hearts.  (And as long as you don’t mind liberal use of various expletives.)  Amusingly, it is actually entitled (with uncharacteristic understatement) “We Need To Talk.”  Pay attention to the part about one minute in, where he enumerates the number of places his movie can be bought, legally, and then says “So trust me…..there isn’t a shortage of places to go, to get this *** thing.   So then why the *** are you watching it, without paying for it…..you stealing ***** piece of ****.”  In case you haven’t heard of KSI, he’s a UK-based YouTubing, videogaming, rapper-comedian with 14.8 million channel subscribers. As a result he’s one of the most popular stars on the Internet.  Don’t miss the part, at about 2:15, where he takes off on the arrogant people who download pirate copies and then tweet to him about it.  

 

Christopher Slaughter

Christopher Slaughter

CEO

Apple has unveiled a new app for its Apple TV devices called…. wait for it… TV.   Sigh.  Anyway, two of the biggest features are a unified search platform for the various streaming services available on the device, and a unified log-in that brings together pay TV services and apps, as long as they support single sign-on (SSO) as a feature.  And continuing with this week’s trend of bringing together stories that definitely might not have anything to do with each other, the New York Times has launched an online film and TV recommendation engine that it is provocatively calling Watching, and which uses filters to suggest content.  Of course, it’s entirely US-focused, and assumes that users are subscribing to every pay TV and streaming service in existence… but that’s a feature, not a bug.

 

 

John Medeiros

John Medeiros

Chief Policy Officer

Other tidbits this week:   

– An MPAA-sponsored confab in Brussels resulted in new pledges of international cooperation in the fight against piracy.  

– The UK appointed its first Director General for Digital and Media, to promote making the UK “the safest place to do business and go online.”  Meanwhile, the UK Parliament is considering its Digital Economy Act, and the music industry pressed for putting new provisions in the law to deal with the problem of search engines directing consumers to pirated content.  The music association BPI said the fact they had issued a quarter billion take-down requests to Google showed “there is a major problem with the digital economy” and the current legal framework isn’t adequate.  

– A German court convicted a “card sharing” hacker of DTH signals and sentenced him to a year in jail; a UK court did one better and sentenced a pair of movie uploaders to four-year terms in jail!   

– Meanwhile Artem Vaulin, the founder of Kickass Torrents, defended himself in US court by contending that torrent linking sites don’t host content themselves, and are therefore not copyright violators.  Vaulin himself is still in jail in Poland, awaiting extradition.  Meanwhile, the Polish police seem to have been indulging in rather heavy-handed enforcement on behalf of certain copyright owners.  

– And finally, in the USA Donald Trump has been hit with a copyright infringement claim, having used a copyrighted photograph of a bowl of skittles (a US candy treat) without permission in an anti-refugee ad.   “The unauthorized use of the Photograph is reprehensibly offensive to Plaintiff as he is a refugee of the Republic of Cyprus who was forced to flee his home at the age of six years old,” wrote the statement of claim.   The plaintiff is in good company, as Trump is reprehensibly offensive to a large portion of US population:  “Women have had it with guys like you.”

 

Kevin Jennings

Kevin Jennings

Vice President, Programme

If like me you are having a few sleepless nights amid the excitement ahead of the CASBAA Convention, there’s a new kid on the block called Napflix. Billed as a ‘siesta video platform’the site apes the Netflix logo and houses an archive of seemingly endless and mind-numbingly boring videosthat you can watch that are so dull your brain will switch off and you’ll doze right off. Titles include “The Wonderful World of Tupperware”, “Aquarium Fish Tank” and my personal favourite, “Swiss Chalet’s Rotisserie”.  Content is king, after all, and everything has its place.  Kudos to the guys who came up with the name and the idea. Napflix and chill?

 

 

Member News

Security advisor Conax featuring in CASBAA Convention hosted Q&A: “5 Tips: Winning strategies for pay-TV Operators”

  • Main stage at CASBAA Convention 2016: Q&A with Conax EVP Products, Tom Jahr
  • 9th at 12:10 pm: “5 tips – Winning strategies for pay-TV operators”

CASBAA Convention 2016, Macau, Nov. 3rd, 2016: Conax, part of the Kudelski Group and a leader in total service protection for digital entertainment services worldwide via broadcast, broadband and connected devices, announced its participation at CASBAA Convention 2016, November 7th – 10th.  In a special on-stage session on November 9th , Conax EVP Products and pay-TV advisor Tom Jahr  will join industry expert – CASBAA Convention moderator, Paul Jackson, for a comprehensive Q&A session “Five tips on how to be top: Winning strategies for pay-TV operators”. Jahr will share valuable insight and tips with the audience for making pay-TV operations the most successful in your market

“A highly accredited security advisor for over 60 major operators in Asia, we are working closely across all demographics with a diverse and exciting population of telcos and pay-TV operators, as well as a broad network of strategic partners” says Tom Jahr, EVP Products at Conax.

“Tapping feedback from our customers on operational challenges created by emerging technologies, combined with user cases also from other parts of the world, Conax is guiding operators of all shapes and sizes through the complex maze of new technologies and industry standards – such as stringent requirements for premium 4K/UHD content. We are helping operators to securely deploy new technologies while reducing complexity and initial investment; key for telcos and pay-TV operators alike in monetization of OTT services and positioning in a quickly evolving competitive landscape.”

About Tom Jahr

With over 20 years executive management experience within leading international IT and media companies,  Tom Jahr has played a vital role in developing the Conax product strategy and positioning Conax as a global provider of next generation security solutions. Tom joined the Conax executive management team in 2011 from GET, a leading Norwegian triple-play (cable-TV, broadband, telephony) company. As Product Director at GET, he drove development and implementation of new advanced services such as PVR, VOD, WEB-TV and IPTV.

To meet Tom Jahr at CASBAA Convention, please mail us at ConaxPR@conax.com

– – –

About Conax

A part of the Kudelski Group, Conax is a leading global specialist in total service protection for digital TV and entertainment services via broadcast, broadband and connected devices. The Conax Contego unified security hub provides telcos, cable, satellite, IP, mobile, terrestrial and broadband operations with an innovative portfolio of flexible and cost-efficient solutions to deliver premium content securely. Conax’ future-ready technology offers modular, fast-time-to-market solutions that enable easy entry into a world of secure multiscreen, multi-DRM content delivery and secures rights for premium content delivery to a range of devices over new hybrid network combinations.  Conax spotlight technology includes award-winning Conax GO Live and benchmark Conax multi DRM OTT solutions, and includes Conax Connected Access connected IPTV security client managing both Conditional Access and DRM security in one single client for reduced operational complexity and cost. Headquartered in Oslo, Norway, ISO 9001 & 27001 certified Conax technology enables secure content revenues for 425 operators in 85 countries globally. For more information, please visit www.conax.com and follow us on Twitter and LinkedIn to join in the conversation.

Conax media contact
Leslie Johnsen
Head of Public Relations & Communications, Conax

Mob: +47 41 45 80 43
Email: leslie.johnsen@conax.com

October 2016

CASBAA Monthly header

Just six more days!

In less than a week, the CASBAA Convention 2016 kicks off at Studio City in Macau. This year’s show gathers a group of A-List industry speakers drawn from around the world.

More than 50 pay-TV operators
from 20 markets are attending this year’s event, along with more than 500 delegates and speakers from across the region and around the world. Along with thought-provoking keynotes and informative presentations, this year’s Convention programme will showcase a series of timely and topical Operator Interviews, to explore how the leading players in local markets are dealing with the accelerating pace of change in a digital world.

So check out the latest programme and the complete
line-up of speakers, panelists, and presenters here.

Regular rates have now been extended for CASBAA members until 2nd Nov.

Register now!

Save Another Date

CASBAA Spotlight Series — Emerging Southeast Asian Markets

The emerging markets of Southeast Asia — Cambodia, Laos, Myanmar and Vietnam — are at varying stages of development for Pay-TV consumption and monetization.

On December 5th in Singapore CASBAA will stage a one-day symposium in association with the Singapore Media Festival where industry experts and government officials will provide their perspectives the political and market development for each market where
pay-TV players are breaking new ground and capitalizing on Southeast Asia’s still startling economic growth.

With a line-up of presentations, panels and interviews the programme has been designed to cover viewing habits, pay-TV business models, audience measurement, advertising and more.

Join CASBAA in Singapore on 5 December 2016 at the PARKROYAL on Pickering.

For registration, contact Mandy Tsui at mandy@casbaa.com

For sponsorship, contact Adela Chen at adela@casbaa.com

Taiwan Communications Society Symposium

CASBAA’s thinking on regulatory issues, and on the need for greater symmetry in regulation of traditional TV and OTT TV, was aired at two important conferences in October.

Chief Policy Officer John Medeiros delivered a lecture at a Taipei symposium hosted by the Taiwan Communications Society and a coalition of Taiwan universities.  Other speakers included the newly-installed chief regulator, NCC Chairperson Nicole Chan, and experts from Europe and Japan.

The following week, John chaired panel discussions on advertising self-regulation and
piracy at the International Institute of Communications’ annual conference, held in Bangkok.

CASBAA Engages on Singapore Copyright

Singapore is geographically small, but its decisions on policy matters have outsized importance as exemplars in Southeast Asia.  So the ongoing consultation on copyright policy by Singapore’s Ministry of Law has been a major item on CASBAA’s work program in October.  CASBAA has chaired meetings of interested members to work up policy positions for the Association, and engaged eminent legal counsel in Singapore to flesh out our ideas for improvement in the Copyright Act.  CPO Medeiros met with MinLaw officials to explain our views – stressing in particular the problem of illicit streaming devices (ISDs) and the effect they
are having on the Singapore media market.   The consultation closes November 7.

Asia-Pacific Child Rights Award 2016

And the winner is . . . ‘Reel Time: Written on Water’ produced by the GMA Network of the Philippines

‘Reel Time: Written on the Water’, produced and broadcast by GMA Network of the Philippines, has won the 2016 Asia-Pacific Child Rights Award for Television.

The award, a partnership between CASBAA, the Asia Broadcasting Union and UNICEF, is now in its 16th year. The winning documentary highlights the sometimes perilous journey to school-and-back for often economically deprived students as they wade through seas and climb mountains on their way to school.

“CASBAA congratulates GMA Network for its unflinching examination of childhood poverty in ‘Reel Time: Written on the Water’,” said Christopher Slaughter, CEO of CASBAA.“Our industry reaches hundreds of millions of people around a world daily basis and it is heartening to see our medium being leveraged as a platform not just for entertainment, but in the service of such a worthy cause as alleviating the plight of children in need.“On behalf of the industry, CASBAA salutes the on-going participation of broadcasters from across the Asia Pacific region in this year’s Awards process.”

The winning and shortlisted documentaries of Asia-Pacific Child Rights Award for Television 2016 can be viewed here:
http://uni.cf/2e7b9zE

Up Next @ Branded

LeSports Connects will provide a platform to connect with China’s new sports business power players. This by-invitation event will provide insight and connections into the people who are driving the sports business in the world’s most populous country, while also focusing on the contribution the region is making to the global sports and entertainment industry. LeSports Connects will be held over 3 days at the Mission Hills resort, Guangdong this coming November 28-30, 2016.

Register your interest:
lesportsconnects.com

Switch on with CASBAA and our Members’ video:

www.youtube.com/user/CASBAA

Upcoming Events

7-10 Nov 2016

CASBAA Convention 2016, MACAU

16-18 Nov 2016

Inter BEE 2016, JAPAN

22 Nov 2016

OTT & Connected Media Group Webinar

29-30 Nov 2016

Global Sat Show, TURKEY

28-30 Nov 2016

LeSports Connects

5 Dec 2016

CASBAA Spotlight Series: Emerging Southeast Asian Markets, SINGAPORE

7 Dec 2016

Meeting of Regulatory and Anti-piracy Committee

15-18 Jan2017

PTC’17, US