News

30 September, 2016

news_views_header

Welcome to News Views, CASBAA’s news round-up culled from sources across the industry for the week ending Sep 30th. Curated by CASBAA, News Views keeps you in the loop. We always value your feedback, so tell us what you think!

Brought to you by:

f025e7dc87a55d34edca8694026f3f6c
Christopher Slaughter

Christopher Slaughter

CEO

Regardless of who you think won the first US Presidential debate this week, TV was certainly a big winner, with a record 84 million Americans tuning in to the political slug-fest.  Online viewership rocked it, too, with some 2 million live streamers watching on YouTube.
Of course, even though it’s a domestic affair, there’s always strong global interest in the US elections, and even more so in this particular one, for fairly obvious reasons.  Apparently, even the Taliban were watching the debate.  One down, two to go….
Kevin Jennings

Kevin Jennings

Vice President, Programme

Meanwhile, none of those online viewers officially came from China, where authorities banned news services from providing live streams of Trump vs. Clinton. Of course, if you watched the debate, you’ll know that China was mentioned frequently; and despite the ban, there are reports that “hundreds of thousands” of Chinese did watch.  And officiallythe People’s Daily described the election a “lose-lose” battle.
John Medeiros

John Medeiros

Chief Policy Officer

CASBAA participated in Interpol-sponsored IP Law Enforcement Conference in London last week, where the UK Minister for IP, Lucy Neville-Rolfe, spoke about the problem of illicit streaming set-top boxes and the harm they do to people up and down the value chain in the TV industry.  “It’s crucial that we all work together to combat this growing threat, both to stop the criminals involved in IP crime, and to safeguard IP holders and innovators,” she said. Also at the conference (have a look), people were talking about a major raid on a large black-box network in Lancashire a couple of weeks earlier.  It seems that when the Police Intellectual Property Crimes Unit (PIPCU) pulled the plug on that one head-end, multiple box networks all over Europe suddenly went dark.   The interconnections of that industry, and other criminal enterprises – in Asia and elsewhere – should come in for much greater scrutiny.  
Jane Buckthought

Jane Buckthought

Advertising Consultant

The news that Facebook has overestimated average viewing time for video ads on its platform—for two years—has once again highlighted the lack of transparency and third-party verification of metrics provided by the so-called “walled gardens” that companies including Facebook and Google are often described as operating. Both companies keep a tight grip on data, and only allow limited third-party tracking firms to plug into their systems. Keith Weed, chief marketing officer of Unilever, said in an interview last year, tech companies that don’t let third parties
measure their platforms is equivalent to “letting them mark their own homework
.” Publicis’ response came in a note which said, “This once again illuminates the absolute need to have 3rd party tagging and verification on Facebook’s platform. Two years of reporting inflated performance numbers is unacceptable.
Mark Lay

Mark Lay

Vice President, Singapore

Discovery’s CEO, David Zaslav, told investors that Discovery-controlled Eurosport is rolling out a direct-to-consumer streaming service.   “We own it all and when we go to the player and charge $8 per subscriber we’re in a whole different game,” he said at the Goldman Sachs Communacopia Conference in Manhattan. “For us, Eurosport direct-to-consumer fills the full circle of where the world is going.”
Christopher Slaughter

Christopher Slaughter

CEO

Reports of TV’s demise always make for alarming headlines, but don’t believe everything you read — the reality of the shifting viewing patterns is more complicated than just the headlines.  A recent report from
the Video Advertising Bureau highlights the relationship between TV and streaming, concluding that “TV Brands Are Well-Positioned To Keep Themselves At The Center Of The Ever-Evolving, Video Streaming Ecosystem.”  Certainly TV execs like 
NBCU CEO Steve Burke agree with that.  In his keynote at the Royal
Television Society, Burke was pretty 
confident about the industry, while at the same time, acknowledging the challenges: “I’m certainly not claiming our current models are not threatened. I just don’t see them collapsing as quickly as one might believe.” 
John Medeiros

John Medeiros

Chief Policy Officer

Change is certainly in the air at the US cable industry’s HQ in Washington.   Last week, the venerable NCTA announced a rebranding, saying it would become “NCTA – The Internet and Television Association.”    And this week, the Association’s board voted to terminate its 65-year tradition of holding a major annual trade show for the cable/internet industry.   As many commentators noted,
the mass-market show had declined in importance in recent years, as cable-industry consolidation meant that most decisions were in the hands of a few large MSOs.  NCTA said that it didn’t see a future for “large trade show floors dotted with exhibit booths,” but industry journals reported it was considering re-inventing a different sort of event in Washington next year.
Meanwhile, CASBAA has been busily re-inventing our annual Convention (which was never a huge-trade-show-floor type of event), and this year it will showcase the diversity of Asia’s many pay-TV operators.   In case you haven’t been paying attention, it’ll be in Macau, November 7-9.
Christopher Slaughter

Christopher Slaughter

CEO

Staying with the NCTA, when John and I went to INTX in Boston earlier this year, I was struck by the contrasts between the NCTA and CASBAA.  As an organisation, it serves a single (admittedly huge) and almost fully saturated market, in which the pay TV industry has been consolidating for more than a decade; as opposed to CASBAA’s 18 diverse markets and overall continued industry growth.  The NCTA has a broad membership, similar to CASBAA, but the bulk of its work is focused on operators (Comcast, Charter, and Cox dominate its five-member Executive Committee).   But most importantly, the industry the NCTA represents could lose up to a billion dollars next year because of cord-cutting; and while disruption is starting to emerge in Asia,  the whole cord-cutting trend is quite different.
Kevin Jennings

Kevin Jennings

Vice President, Programme

South Korea’s smallest mobile carrier LG Uplus has said it is looking to buy a cable TV operator to achieve “economies of scale”. The comments have attracted attention in part because LG Uplus’ bigger competitor SK Telecom failed to purchase CJ HelloVision,  after opposition from the country’s anti-trust watchdog earlier in the year. U plus Vice Chairman Kwon Young-soo confirmed that once the relevant regulations are
streamlined they will work on acquiring a cable TV operator – likely to be one of the top four brands; CJ HelloVision, D’Live, Hyundai HCN or T-Broad.
Mark Lay

Mark Lay

Vice President, Singapore

In the US, AT&T is the latest to introduce a streaming product.  Later this year it will launch DirectTV Now where subscribers will be able to stream more than 100 channels, without a long-term contract or any hardware like a set-top box, through their phones, tablets and connected TV devices.  This type of delivery is fantastic for individual addressability of program offerings and targeted advertising. Though it’s not so good for folks who want satellite delivery as AT&T has set a timeline to phase out satellites and set-top boxes.
John Medeiros

John Medeiros

Chief Policy Officer

As we noted last week, the newly-named regulators on Taiwan’s NCC are re-visiting previous proposals to revise the telecoms and media legislation there.   An article published by the Amcham in Taipei has some interesting takes on what’s going on.
Andrew Lin

Andrew Lin

Regulatory Assistant

After setbacks in its attempt to buy Paramount, is China’s Wanda is going to buy Sony?  Nope, according to CEO Michael Lynton, he doesn’t think so.  Wanda is, however, buying a controlling stake in Dick Clark Productions.  And it’s worth asking, will CBS buy Viacom? Les Moonves has said no active discussions, but that hasn’t stopped all the speculation, with “informed sources” keeping the story alive.  Oh, and will Disney actually buy Twitter? No official denial, but it’s hard to say, and anyway, all those rumours in the marketplace  could just be a clever marketing ploy.
John Medeiros

John Medeiros

Chief Policy Officer

One of the problems with Indonesia’s approach to censorship is that vague guidelines coupled with admonitions to industry that “you have to self-censor, so be careful” combine to produce over-cautious broadcasters.   That’s what happened last week when several broadcasters carried footage of a poolside interview with the winner of a national women’s swimming competition, and pixilated out her body.     This “excès de zèle” produced a storm of online criticism of the country’s content regulators at KPI, who pointed out that they had not ordered the
blurring, and then helpfully suggested 
having such interview subjects at swimming competitions wrap up in towels before the cameras are turned on.   Unreality TV, anyone?
Member News
Additional News

Cignal to launch Rewind Networks’ Hits

HITS, a celebration of the Best TV series, will be available nationwide in HD for the first time in the Philippines through Cignal TV

Singapore/Manila, 28 September 2016

Cignal and Rewind Networks announced the launch of HITS HD (Cignal Channel 120) on Cignal Postpaid Plan 290 and up, and Cignal Prepaid HD Load 300 and up. HITS will go live at midnight Monday, October 10th, 2016.

“Cignal is committed to providing only the best to our subscribers and HITS HD delivers on that promise,” said Jane J. Basas, President of Cignal. “the Filipino audiences who grew up watching some of their favourite shows, will definitely be excited to watch series like ‘MacGyver’ and ‘The Nanny’ again.”

“This deal signals another awesome and proud milestone for us,” said Mr. Avi Himatsinghani, CEO of Rewind Networks. “HITS is a one of a kind service in the market with its celebration of the very best in TV content ever created, all in one place. We are delighted to expand our footprint in the Philippines with this partnership. Cignal subscribers will have a chance to watch our curation of some of the finest TV content for the first time in HD quality.”

Vitto Lazatin, Cignal VP – Content Acquisition, Management & Strategy, states that, “HITS is unique and will bring back some great viewing experiences where everyone in the family can watch together and laugh along with series such as ‘Seinfeld,’ ‘TAXI’ and ‘The Wonder Years’.”

Ms. Sandie Lee, VP & Channel Head of Rewind Networks commented: “HITS provides familiar faces and really strong storylines in all our multi-award winning series. It’s really the “comfort food of television” for our Asian audience. Our simple schedule makes HITS very easy to watch as fans can catch their favourite shows at the same time every weekday, which is how most local channels are programmed today”.

HITS’ multi-award winning series bring the greatest stories and famous characters back to those who recognize them and introduces a new generation of TV viewers to these iconic shows. Ratings successes in Singapore, Malaysia and Indonesia and other markets have proven that HITS’ curation of awesome shows such as The X-Files, Grey’s Anatomy, Cheers and The Golden Girls resonates with viewers in the region. HITS’ launch on Cignal coincides with the premiere of popular comedy series ‘That ‘70s Show,’ which launched the careers of A-list stars Ashton Kutcher, Mila Kunis and Topher Grace.

Catch these iconic shows on HITS, available in HD on Cignal TV, Channel 120.

-end

About Cignal

Cignal TV was launched in 2009 and is currently the Philippines’ leading Pay TV provider. It transmits 115 channels including free-to-air, SD and HD channels to 1.48M household and commercial venues nationwide. Cignal is owned by Cignal TV, a subsidiary of MediaQuest Holdings, the media partner of PLDT Group.

To know more about Cignal, log on to www.cignal.tv, or check its social media pages:

Facebook.com/cignaltv

Twitter.com/cignaltv

Instagram.com/cignal.tv

About Rewind Networks

Rewind Networks Pte. Ltd., Incorporated and Headquartered in Singapore, is a Multimedia Branded Entertainment Company dedicated to providing the Best in Class content to audiences across the Asia Pacific region.

HITS is Rewind Networks’ maiden venture launched as a linear 24×7 pan-regional Pay-TV channel service that debuted in Singapore on StarHub at the end of 2013. In the following year, HITS launched in the Philippines (SKYcable), Indonesia (Indovision) and Malaysia (Astro) followed by further expansions in 2015 including Singtel in Singapore, nowTV and LeEco in Hong Kong, CTH in Thailand, CNS and dmg in Taiwan. In 2016 the channel launched on KRISTAL Astro in Brunei and now expands its footprint in the Philippines with the launch on Cignal. HITS distribution is now over 8 million homes and will continue to have progressive roll-outs in other South East Asia markets as well as Hong Kong and Taiwan.

HITS’ award-winning line-up of shows is the result of exclusive multi-year licensing deals with some of the leading studios including Disney Media Distribution, CBS Studios International, NBC Universal Television, Sony Pictures Television, 20th Century Fox Television Distribution Fremantle Media and Carsey-Werner. HITS Replay and the HITS app are the ancillary catch up on demand services for authenticated subscribers. The HITS app is available for iOS and Android devices.

HITS is broadcast as a single regional feed from Encompass Digital Asia facilities in Singapore and is available as an encrypted service on Intelsat 19. To get HITS contact your local pay tv operator. To know more log on to www.hitstv.com

For media-related enquiries, please contact:

Sasha Mukerjea

Marketing Executive

Rewind Networks

e: sasha@rewindnetworks.com

t: +65 6635 3988

Ian Francis A. Velasco

Content Marketing

Cignal

e: IAVelasco@cignaltv.com.ph

t: +63 26893100

Zee Entertainment announces its foray into Radio

Acquires UAE’s first and leading Radio Station, Hum 106.2 FM

Mr. Mukund Cairae, CEO-MENA & APAC, ZEEL with His Excellency Ali Jasim A...

Dubai, UAE / Mumbai, India, September 29, 2016: India’s leading content conglomerate, Zee Entertainment Enterprises Limited (ZEEL) today reached another major milestone by announcing its foray into Radio with the acquisition of UAE’s first and leading Radio station, Hum 106.2 FM. ZEE now becomes the only entertainment network in the region to provide an extensive media solution to its partners through Television, Radio and Digital.

After being a pioneer with the launch of India’s first Hindi Satellite channel, Zee TV in 1992, Zee Entertainment was the first to launch a Bollywood TV channel, Zee Aflam in 2008 for the Arab audience as well introduce the Arab world to Hindi programs dubbed in Arabic with Zee Alwan in 2012.

Speaking on this significant acquisition, Amit Goenka, CEO – International Broadcast Business, ZEEL said, “In our journey of over two decades, ZEE has always led the industry in its evolution and transformation. At ZEE, we are always looking at strategic acquisitions across the globe to increase our footprint and market share in the entertainment industry. Radio has been an area of interest for ZEE for quite some time and after extensive planning and studying of the brand values, ratings and revenue generated by various stations, we felt that an investment in Hum FM was the best option. Hum FM has a legacy of almost two decades and with a current market share of 26%, it is the top Hindi radio station in the UAE. ZEE is confident that it can leverage its very strong South-Asian brand connect onto Radio, and offer a synergy of Television, Radio and Digital that could revolutionize the entertainment industry in the UAE.”

“We are excited about our new business ventures. Radio comes immediately after our foray into film production and distribution where movies like ‘Rustom’ and ‘The Flying Jatt’ have done extremely well globally and specifically in the UAE and Middle East markets. The acquisition of Hum FM in UAE is a step in that direction and we are upbeat about its prospect in the coming years;” Amit further added.

Commenting on ZEE’s plans for the region, Mukund Cairae, CEO – MENA and APAC, ZEEL said, “This move is a diversification to our entertainment business portfolio, adding to the numero uno position we possess in Television among South Asians in the Middle East. This investment also shows our commitment to the region and its business landscape. Now we can offer media across Television, Radio and Digital platforms, leading to a great synergy between content and mediums. With an extensive library of music content that includes singing reality shows like ‘The Voice India’, ‘SaReGaMaPa’, ‘Antakshari’ and ‘Asia’s Singing Superstar’ which have produced great singers in Bollywood, an on-going relationship with the big names in the industry and with one of the biggest music labels in Bollywood, Zee Music Company as a part of its portfolio, the new venture has all the ingredients needed to redefine the Radio industry in this market.”

His Excellency Ali Jasim Ahmed, General Manager of Umm Al Quwain Broadcasting Network (UBN) said, “We are proud to partner with Zee Entertainment, the leading global company in the media industry with a strong presence in the UAE and across the Middle East. Zee Entertainment will provide new content and concepts in the world of entertainment and marketing, and will provide the station the required media expertise of a highly effective and competitive value. Further, we will give all the facilities and backing for ZEE to achieve its strategic station goals and we will work together to support the qualitative superiority of the programs in order to meet the wishes and aspirations of the esteemed listeners.”

106.2 Hum FM was previously owned and operated by Shamal Media Services. The station is a frequency originating from the emirate of Umm Al Quwain and forms a part of Umm Al Quwain Broadcasting Network (UBN). The frequency was one of the first Hindi and Urdu language frequencies to hit the UAE airwaves in the 1990’s. It redefined drive time and boasted of many celebrity Radio Jockeys. It also went on to popularize live cricket commentary on radio and has a lot of pioneering firsts in the radio business.

Shahid Jamal, Founder & MD, Shamal Media Services said, “Hum FM pioneered FM Radio in UAE and over the years, we have made it the No. 1 Radio Station. It is now a great opportunity for us to hand over our successful radio legacy to a media network that has been a pioneer of South Asian entertainment globally and in the region. Zee Entertainment, who themselves have had a great legacy in the media business will only take the success of Hum FM to the next level.”

New and strategic investments in media and related businesses have always been at the forefront of ZEE’s business strategy. The addition of UAE’s first Hindi Radio station to its bouquet of TV channels makes Zee Entertainment one of the strongest players in the UAE’s entertainment space. More announcements are expected in the coming weeks on the future channel programming and its positioning.

——————————————ENDS——————————————

 

Notes to Editors:

About Zee Entertainment Enterprises Limited (ZEEL)

Zee Entertainment Enterprises Limited is one of India’s leading television media and entertainment companies. It is amongst the largest producers and aggregators of Hindi programming in the world, with an extensive library housing over 222,000 hours of television content. With rights to more than 3,818 movie titles from foremost studios and of iconic film stars, ZEE houses the world’s largest Hindi film library. Through its strong presence worldwide, ZEE entertains over 1 billion viewers across 171 countries.

Pioneer of the television entertainment industry in India, ZEE’s well-known brands include Zee TV, &tv, Zee Cinema, Zee Action, Zee Classic, &pictures, Zee Anmol, Zee Anmol Cinema, Zee Cafe, Zee Studio, Zee Salaam, Zing, Z ETC Bollywood, Zee Q, Zindagi, Ten 1, Ten 2 and Ten 3. The company also has a strong offering in the regional language domain with channels such as Zee Marathi, Zee Talkies, Zee Yuva, Zee Bangla, Zee Bangla Cinema, Zee Telugu, Zee Cinemalu, Zee Kannada, Zee Tamil and Sarthak TV. The company’s HD offerings include Zee TV HD, Zee Cinema HD, &tv HD, Zee Studio HD, Zee Café HD, &pictures HD, Ten 1 HD and Ten Golf HD.

ZEE and its affiliate companies have leading presence across the media value chain including television broadcasting, cable distribution, direct-to-home satellite services, digital media and print media amongst others. ZEEL also operates multiple digital offerings like dittoTV, OZEE, and india.com. More information about ZEE and its businesses is available on www.zeetelevision.com

 

===============================================================

Media Contact:

Jayshree Kumar / Arantxa Gonsalves

Corporate Brand – Zee Entertainment Enterprises Limited (ZEEL)

Mobile: +91-9769286661 / +91 9820336890

Landline: +91-22-7106 1367 / 7108 5464

Email: jayshree.kumar@zee.esselgroup.com / arantxa.gonsalves@zee.esselgroup.com

New drama series Westworld Premieres same time as the U.S. debuts on Monday, Oct 3, at 9am (8am Thai/Jkt), with same day primetime encore at 9pm (8pm Thai/Jkt), exclusively on HBO

RTO_WWjj101_9_15_00658

SINGAPORE, September 26, 2016 – The brand-new one-hour drama series WESTWORLD and starring an ensemble cast including Anthony Hopkins, Ed Harris, Evan Rachel Wood and James Marsden, kicks off its ten-episode season premiere on Monday, Oct 3, at 9am (8am Thai/Jkt), exclusively on HBO, with same day primetime encore at 9pm (8pm Thai/Jkt). New episodes premiere on subsequent Mondays at the same time. WESTWORLD will also be available on HBO On Demand and HBO GO.

WESTWORLD is a dark odyssey about the dawn of artificial consciousness and the evolution of sin, exploring a world in which every human appetite, no matter how noble or depraved, can be indulged. Created for television by Jonathan Nolan (“Interstellar,” “The Dark Knight,” “Person of Interest”) and Lisa Joy (“Pushing Daisies,” “Burn Notice”), both of whom are executive producing and writing, with Nolan also directing, the series was inspired by the 1973 motion picture “Westworld,” written and directed by Michael Crichton.

Co-creator Nolan explains, “Building on the incredibly evocative concept of the original film, we wanted to pose the question: If you could be completely immersed in a fantasy, one in which you could do whatever you wanted, would you discover things about yourself that you didn’t want to know?”

Co-creator Joy adds, “We also wanted to explore what it means to be human from the outside in – through the eyes of the ‘hosts’: the lifelike AI characters that are the main attractions of the park. It’s a meditation on consciousness – the blessing and the burden of it – beautifully portrayed by our remarkable cast.”

WESTWORLD’S exceptional ensemble of cast members

WESTWORLD stars Anthony Hopkins (Academy Award® winner for “The Silence of the Lambs”; Academy Award® nominee for “Remains of the Day,” “Nixon,” “Amistad”), Ed Harris (Golden Globe winner and Emmy® nominee for HBO’s “Game Change”; Academy Award® nominee for “Pollock,” “Apollo 13”), Evan Rachel Wood (Golden Globe nominee for “Thirteen”; Emmy® and Golden Globe nominee for HBO’s “Mildred Pierce”), James Marsden (the “X-Men” films), Thandie Newton (“Mission: Impossible II”) and Jeffrey Wright (HBO’s “Confirmation”; Emmy® and Golden Globe winner for HBO’s “Angels in America”).

The series also stars Tessa Thompson (“Creed”), Sidse Babett Knudsen (“Borgen”), Jimmi Simpson (HBO’s “The Newsroom”), Rodrigo Santoro (“Focus,” “The 33”), Shannon Woodward (“Raising Hope”), Ingrid Bolsø Berdal (“Chernobyl Diaries”), Ben Barnes (“The Chronicles of Narnia” films), Simon Quarterman (“The Devil Inside”), Angela Sarafyan (“The Twilight Saga: Breaking Dawn”), Luke Hemsworth (“Infini”) and Clifton Collins, Jr. (“Star Trek”).

In the WESTWORLD universe

Among WESTWORLD’s main players are: Dr. Robert Ford (Anthony Hopkins), the brilliant, taciturn and complicated creative director, chief programmer and founder of Westworld, who has an uncompromising creative vision for the park. The Man in Black (Ed Harris) is the distillation of pure villainy into one man. Dolores Abernathy (Evan Rachel Wood) is a provincial, beautiful and kind rancher’s daughter, who begins to discover that her entire idyllic existence is an elaborately constructed lie.

Teddy Flood (James Marsden), a new arrival to a small frontier town, quickly proves both his charm and talent with a revolver. Beautiful, razor-sharp madam Maeve Millay (Thandie Newton) has a genius for reading people and a knack for survival, but her seen-it-all-before worldview is about to be challenged. Bernard Lowe (Jeffrey Wright) is the brilliant and quixotic head of the park’s Programming Division, whose keen observation of human nature provides him with boundless inspiration for his life’s work: creating artificial people.

Charlotte Hale (Tessa Thompson) is a mysterious and savvy provocateur with a unique perspective on Westworld. Theresa Cullen (Sidse Babett Knudsen), Westworld’s head of Quality Assurance, is responsible for keeping the park from sliding into unscripted chaos. A first-time visitor, William (Jimmi Simpson) is initially wary of the park’s more lascivious attractions, but slowly uncovers a deeper meaning.

Hector Escaton (Rodrigo Santoro), Westworld’s perennial “most wanted” bandit, subscribes to the theory that the West is a wild place, and the only way to survive is to embrace the role of predator. Elsie Hughes (Shannon Woodward), a sardonic rising star in the Behaviour Department, is charged with diagnosing the odd quirks of behaviour in the park’s hosts. Armistice (Ingrid Bolsø Berdal) is a savage fighter and brutal bandit, whose ruthlessness is surpassed only by her abiding loyalty to her fellow outlaws.

Logan (Ben Barnes) is a veteran guest whose hedonistic romp through the park is equally motivated by self-indulgence and a desire to help his friend, William. Lee Sizemore (Simon Quarterman) is the head of Narrative, whose storylines tantalise the guests, while his temperament grates on his colleagues. Clementine Pennyfeather (Angela Sarafyan), one of Westworld’s most popular attractions, is perfectly beguiling, by design.

Stubbs (Luke Hemsworth) is the no-nonsense head of Security, charged with monitoring host and human interactions and ensuring the safety of the guests. Lawrence (Clifton Collins, Jr.), a charming but lethal outlaw, has a knack for manoeuvring and negotiating the various criminal elements of Westworld.

 

WESTWORLD cast and crew video interviews

In addition, six video interviews with the cast and crew of WESTWORLD are also available for your viewing and use. Below are the links:

#          #           #

About HBO ASIA

Singapore-based HBO Asia brings the best of Hollywood to Asia first through its exclusive licensing deals with major Hollywood and independent studios, including Paramount Pictures, Sony Pictures, Universal Studios, Warner Bros. and Lionsgate. HBO Asia has proprietary and award-winning HBO and HBO Asia Original programmes produced exclusively for HBO viewers. Wholly owned by HBO (a Time Warner company), HBO Asia reaches 23 territories across Asia with six 24-hour commercial-free subscription movie channels: HBO, HBO Signature, HBO Family, HBO Hits, Cinemax and Red by HBO, internet streaming platform, HBO GO, subscription video on demand service, HBO On Demand, and in China, 级剧场 (ding ji ju chang). HBO Asia is also the exclusive distributor of BabyFirst and the DreamWorks channel in the region. Log on to www.hboasia.com for more information.

WESTWORLD, HBO, HBO GO, HBO On Demand and Home Box Office are service marks of Home Box Office, Inc. Used with permission.

 

For more information, please contact HBO Asia:

Karen Lai

Director, Communications

Tel: (65) 6381 1796

Email: karen.lai@hboasia.com

 

Shermaine Wong

Manager, Communications

Tel: (65) 6381 1838

Email: Shermaine.Wong@hboasia.com

 

Chan Zi Ning

Executive, Communications

Tel: (65) 6381 1746

Email: zining.chan@hboasia.com

This e-mail is intended only for the use of the addressees. Any copying, forwarding, printing or other use of this e-mail by persons other than the addressees is not authorized. This e-mail may contain information that is privileged, confidential and exempt from disclosure. If you are not the intended recipient, please notify us immediately by return e-mail (including the original message in your reply) and then delete and discard all copies of the e-mail.

Seven finalists selected for the Inaugural Telstra Business Woman in Asia Award

26 SEPTEMBER 2016 [Hong Kong] – Telstra today announced seven finalists for the inaugural Telstra Business Woman in Asia Award, recognising outstanding business leaders from Hong Kong, Cambodia, India, Indonesia, Malaysia, the Philippines, and Thailand.

Cynthia Whelan, Telstra’s Group Executive of International and New Businesses, said Telstra was thrilled at the interest the Award had generated among successful business women across Asia and was proud to be shining a light on a group of inspiring leaders.

“Introducing the Telstra Business Women’s Awards in Asia is an opportunity for us to celebrate women living and working in Asia who have succeeded in their own businesses or led their industries.  This is an important part of overcoming the fact women continue to be under-represented on Boards and executive teams in Asia and around the world,” said Ms Whelan.

“Our finalists are successful business women who possess impressive entrepreneurial spirit, business acumen, integrity and a commitment to the community. Among the finalists we have leaders from a variety of different backgrounds and cultures, from developed and developing countries, and from established companies like Thomson Reuters and Linfox to new technology businesses like Bubu in Indonesia and iGene in Malaysia.”

Finalists for the 2016 Telstra Business Woman in Asia Award are:

 

Name Company Location
Anu Sheela Themudu iGene Sdn. Bhd. Malaysia
Beth Lui APEC Schools The Philippines
Gabrielle Costigan Linfox International Group Pty Ltd Thailand
Kimberley Cole Thomson Reuters Hong Kong
Marion Fromm Cambodian Harvest Dried Fruit Co., Ltd Cambodia
Rituparna Chakraborty TeamLease Services Ltd India
Shinta Witoyo Dhanuwardoyo Bubu.com Indonesia

 

The finalists for the Telstra Business Woman in Asia Award will join the 2016 Australian State/Territory winners in Melbourne for judging on Tuesday 15 November, followed by the National Workshop on Wednesday 16 November and a Gala Dinner on the same night.

For more information on the Telstra Business Woman in Asia Award and to nominate brilliant business women for the 2017 Awards, visit https://www.telstrabusinesswomensawards.com/

ENDS

Media contact: Gladys Kwok/ +852 2837 4730

Email: gladys.kwok@edelman.com

About Telstra

Telstra is a leading telecommunications and information services company. We offer a full range of services and compete in all telecommunications markets in Australia, operating the largest mobile and Wi-Fi networks. Globally, we provide end-to-end solutions including managed network services, global connectivity, cloud, voice, colocation, conferencing and satellite solutions. We have licenses in Asia, Europe and the United States and offer access to more than 2,000 points of presence across the globe. For more information visit www.telstra.com.


Viacom International Media Networks announces executive appointments in Asia Pacific

Paras Sharma Appointed as Southeast Asia’s Senior Vice President & General Manager

MTV Australia & New Zealand’s Simon Bates to Lead MTV Asia Pacific

Kirsty Bloore assumes regional leadership of research

SINGAPORE/ SYDNEY, 26 SEPTEMBER 2016 – Viacom International Media Networks (VIMN) today announced executive appointments within the company’s management team in Asia Pacific, which will be effective 1 October 2016.

Paras Sharma, previously Senior Vice President of MTV, Comedy Central & Paramount Channel brands, and Digital Media for Asia, will take on the position of Senior Vice President & General Manager for Southeast Asia (SEA), and will continue to report directly to Mark Whitehead, Executive Vice President and Managing Director, VIMN Asia Pacific.

Simon Bates, Vice President of MTV, Comedy Central & Spike brands for Australia and New Zealand, is appointed Vice President, Head of MTV Asia Pacific, and Comedy Central and Spike for Australia and New Zealand (ANZ). Bates will dual report to Whitehead for his MTV regional role and to Ben Richardson, Senior Vice President and General Manager in ANZ for his local brand leadership over MTV, Comedy Central and Spike.

Kirsty Bloore, Research Director for ANZ, is promoted to Senior Director, Research for Asia Pacific. Bloore will report to Amit Arora, Vice President of Strategy and Business Development, Asia Pacific and to Richardson for ANZ research support.

“I am delighted to announce leadership changes that further strengthen our existing leadership team in the region. Their appointments demonstrate how we’re combining the best talent and assets as we maximize operational and creative expertise in the company,” said Mark Whitehead, Executive Vice President & Managing Director, Asia Pacific.

About Paras Sharma

With a new focused leadership for the SEA team, Sharma will oversee the management and operations of the SEA business, identify new growth opportunities and develop VIMN’s strategic plan in SEA. He will remain as the Asia lead for VIMN’s digital and multiplatform business.

Over the last two years in Asia, Sharma has delivered a strong track record with high ratings growth for MTV and Comedy Central, introduced Paramount Channel, led the premiere of Nickelodeon Play in Singapore with Singtel, launched Comedy Central’s first Asia original production with Comedy Central Stand-Up Asia! and worked closely with VIMN Japan to launch the first Linear OTT channel MTV Hits in Japan.

About Simon Bates

Bates will lead the brand teams across Asia Pacific to grow the MTV brand and drive synergies across the different lines of businesses and platforms to support revenue growth across Asia Pacific. He will also maintain brand leadership for Comedy Central and Spike in ANZ.

Bates led MTV to its best year ever in Australia this year with record TV ratings and online engagement. He oversaw a busy year of portfolio expansion with the launch of Comedy Central online, and the premieres of Comedy Central and Spike on Fetch TV. He was credited with the development of hit social-series #MTVItGirls and the localization of UK-developed franchises Club MTV and MTV Brand New. Recently, Bates and his Sydney-based team took home two ASTRA Industry Excellence Award wins.

About Kirsty Bloore

With more than two decades of media and research experience, Bloore will provide the businesses with regional consumer and commercial insights, brands’ performance reporting and forecasting.

Bloore has been instrumental in building recognition of the ANZ business as a leader in consumer insights by sharing key studies with the market.

Click HERE to download hi res images of Paras Sharma, Simon Bates and Kirsty Bloore.

# # #

About Viacom International Media Networks

Viacom International Media Networks (VIMN), a unit of Viacom Inc. (NASDAQ: VIAB, VIA), is comprised of many of the world’s most popular multimedia entertainment brands, including MTV, MTV LIVE HD, Nickelodeon, Nick Jr., Comedy Central, Paramount Channel, and more. Viacom brands reach more than 3.4 billion cumulative subscribers in 180+ countries and territories via more than 200 locally programmed and operated TV channels and more than 550 digital media and mobile TV properties, in 40 languages. Keep up with VIMN news by visiting the VIMN PR Twitter feed at www.twitter.com/VIMN_PR. For more information about Viacom and its businesses, visit www.viacom.com, blog.viacom.com and the Viacom Twitter feed at www.twitter.com/Viacom.

Contact:                                              

Viacom International Media Networks

Adeline Ong, Senior Director, Corporate Communications, Asia

t: (65) 6420 7240  m: (65) 9366 7323  e: adeline.ong@vimn.com

Irdeto Promotes Bengt Jonsson to Senior Vice President of Global Sales

Following a Successful IBC 2016 and a Series of New Customer and Partner Wins, Irdeto is Poised for Continued Growth Under Jonsson’s Leadership

Bengt-Jonsson

AMSTERDAM – 26 September 2016 – Irdeto, the world leader in digital platform security, today announced the appointment of Bengt Jonsson as Senior Vice President of Global Sales. A member of Irdeto’s leadership team since 2008, Jonsson will now lead Irdeto’s sales and account management teams worldwide. He is responsible for developing key accounts, fueling new business acquisition and offering Irdeto’s full breadth of 360 security solutions and services to current customers.

Irdeto recently concluded another successful IBC show, which saw new partnerships announced with MStar and Scenarist, as well as new deals with MEDIA BROADCAST and Austrian Broadcasting Services (ORS). The company is well positioned to continue this momentum under Jonsson’s leadership.

“At Irdeto, we believe that a holistic approach is essential for pay media operators and content owners to prosper in today’s evolving pay media landscape,” said Doug Lowther, CEO, Irdeto. “Bengt has a strong track record of growing Irdeto’s business by offering innovative, valuable solutions to operators and content owners. He has proven his ability to build strong relationships with customers and partners through collaboration and open communication. Our customers see immense value in this approach.”

Jonsson joined Irdeto as Vice President Sales, Asia Pacific in July 2008. He was responsible for sales in six regions, including China, Japan, North Asia, South Asia, South East Asia and Australia/New Zealand.

Prior to joining Irdeto, Bengt was CEO of LyngBox Media AB, a Swedish hybrid set-top box start-up, and has also held senior management positions with Thomson’s Client Device business unit in Asia and with Nokia’s multimedia business units in Asia and Europe. Jonsson is based out of the company’s global headquarters in Hoofddorp, Netherlands.

About Irdeto – Irdeto. Building a Secure Future.

Irdeto is the world leader digital platform security, protecting platforms and applications across multiple industries, such as media & entertainment, payments and automotive. Our solutions and services enable customers to protect their revenue, create new offerings and fight cybercrime. With nearly 50 years of expertise in security, Irdeto’s software security technology and cyber services protect over 2 billion devices for some of the world’s best known brands. Our unique heritage as a subsidiary of multinational media group Naspers (JSE: NPN) means that we are a well-established and reliable partner to help build a more secure future. Please visit Irdeto at www.irdeto.com.

###

For further information, please contact:

Katie Walsh

Director, Corporate Communications, Irdeto

Mobile: +1-603-738-9599

Email: katherine.walsh@irdeto.com

23 September, 2016

news_views_header

Welcome to News Views, CASBAA’s news round-up culled from sources across the industry for the week ending Sep 23rd. Curated by CASBAA, News Views keeps you in the loop. We always value your feedback, so tell us what you think!

Brought to you by:

b2e87d89abf87f76e1b653cab87b7ea2[1]
Christopher Slaughter

Christopher Slaughter

CEO

Various CASBAA members took part in a roundtable discussion recently with Singapore’s Ministry of Law as part of its public consultation on proposed changes to the copyright regime, and we had quite a few more questions than MinLaw had answers. The consultation document runs to 53 pages (and is available here, if you’re so inclined), and covers a lot of areas that don’t immediately pertain to our business.  However, part of the review deals with ways of circumventing “technological protection methods”, which means that like it or not, the matter of using VPNs to get around geo-blocks is going to come up.  Not that anybody in Singapore is doing that, right?  Of course, the VPN debate will certainly continue up to the consultation period’s October 24 deadline, and likely beyond — but CASBAA will also be bringing the subject of black boxes into the mix, rest assured.

Meanwhile, it doesn’t help when former TV executives say things like “I’m going to put it out there. I love piracy.”  (Maybe there’s a reason behind the use of the adjective “former” there?) Fortunately, that particular Digital Matters panel also had Lin Shufen as a voice of reason, and even though she’s reportedly leaving Starhub, she pointed out that piracy “…is the biggest thing that keeps us awake at night.”

 

John Medeiros

John Medeiros

Chief Policy Officer

Meanwhile, the newly-appointed NCC Commissioners have said they will re-write existing convergence legislative proposals. The incoming chairperson said she found the previous NCC’s five bills difficult to understand.   As he left office, the outgoing NCC chair, Howard Shyr, opined that proposed bills to deal with “media monopoly” should be dropped, as they dealt only with traditional media, and the real problems in today’s world with “media monopolization” have “already shifted to global players, such as YouTube, Facebook and Google.”

 

Christopher Slaughter

Christopher Slaughter

CEO

Also at Digital Matters, I had a chance to sit down with Discovery Networks Asia Pacific head Arthur Bastings for a discussion centered around the company’s digital strategy: “Big data, monetisation, and content creation.  All our partnerships and acquisitions in these spaces include some or all of those elements.” And that emphasis on partnerships, Bastings says, is a neccessary strategic shift at Discovery: “If we look at the branded experiences that we now want to offer consumers today, whether that’s augmented reality, or VR, or some of the other things we may want to talk about; they’re much more complex experiences, and require a lot more partners for us to deliver that in a seamless and good way.”

 

John Medeiros

John Medeiros

Chief Policy Officer

It seems like there has been no time in the last decade when the Taiwan government wasn’t “reviewing” (i.e. blocking) the sale of one or another cable MSO.    Now it’s the turn of China Network Systems, again.   The CNS sale by a South Korea-based private equity group to telco FarEastTone has been under review by various government bodies for a year.   Now, the Ministry of Economic Affairs refused to approve it, and passed the buck back to the National Communications Commission (which already approved the sale last January).   The root of the problem is that government agencies own 2.89 percent of FarEastTone, and the law says the government can’t own shares in media companies – except, of course, for its controlling ownership in legacy telco Chung Hwa Telecom, with its quite successful IPTV service!!     Go figure.    But the explanation probably has more to do with politics than rational regulatory policy – the DPP party took over the government in May, and has just appointed new commissioners to the NCC, and DPP legislators have been critical of the sale. 

 

Mark Lay

Mark Lay

Vice President, Singapore

A whole lot of interesting streaming news.  RBC Capital Markets finds that Netflix Earns Less Per Hour Viewed Than Most TV Networks, an EBITDA of 5 cents per hour. Lush Cosmetics thinks it can launch its own TV channel.  The Netflix Backlash: Why Hollywood Fears a Content Monopoly, is a good read on the programming side of the company.  My favorite line, “The first rule of Netflix: You do not talk about Netflix”.  And next week, if you are out of the house for the US election debate, you can now catch it on Facebook as ABC News will live stream it.

 

Christopher Slaughter

Christopher Slaughter

CEO

The most surprising thing about this year’s Emmy Awards show, depending on who you ask, was that it actually didn’t suck. (Call me old-fashioned, but while I expect banality from Rolling Stone headlines, I always thought the Guardian had a slightly classier style.  Oh well.) HBO’s mega-blockbuster “Game of Thrones” became the most-awarded show in TV history, not just white people won awards (although pretty much everyone was cisgender), and in general, everybody was loving the TV industry, which is always nice. The complete list of nominees and winners is here, go nuts.

 

Kevin Jennings

Kevin Jennings

Vice President, Programme

…and staying with the Emmies, an interesting observation from THR that (with one or two obvious exceptions) this year’s list of deserved winners left audiences in some overseas markets struggling to recognise who the actors were and what programmes were winning.  A result, they claim, of more of the winning content being shown on streaming or digital distribution sites. The Emmys will undoubtedly raise the global profile of these shows but don’t be surprised if the main impact is a spike in more illegal torrents.

 

Jane Buckthought

Jane Buckthought

Advertising Consultant

Almost a year after taking the wraps off its multiplatform total audience measurement tool, Nielsen USA said it has set a release schedule and will complete the rollout of its total content ratings, or TCR, by March 1. Currently, access to the data—which includes apples-to-apples measurement of all viewing across linear TV, DVR, VOD, connected TV devices (Roku, Apple TV and Xbox), mobile, PC and tablets—to the participating TV and digital media brands that have been involved in the evaluation process. Until August those networks and brands only had access to their own data only. On Jan. 1, the full total content ratings data will also become available to agencies, while the media will continue to only receive the select data.

 

Mark Lay

Mark Lay

Vice President, Singapore

Twitter just broadcast their first NFL game and pulled in 243,000 Average Per-Minute Viewers. Sure, this doesn’t sound huge but Twitter’s stream was almost exactly the same as what was being shown live on CBS.  Yahoo Finance goes through a more worthwhile comparison of the numbers.  There is more to come with sports from streaming companies as Amazon is apparently ramping up to distribute tennis and rugby.  One could think these are not prime sports properties but “by investing in the French Open or rugby, Amazon effectively is going all Moneyball on the rest of the industry.”

 

Kevin Jennings

Kevin Jennings

Vice President, Programme

Fresh on the heels of Netflix partnering with Liberty Global for European carriage last week, Netflix has launched  a fully localised Polish user interface, with over 80% of its content being dubbed or subtitled  and will include local Polish content. Netflix has also said it intends to launch a localized Turkish service later in the year. No word on when we might see more localized services in Asia just yet and distribution in China remains stymied. Meanwhile threats to Netflix dominance continue to emerge in  the growing  global SVOD market, despite analysts predicting revenue is set to double while  Netflix’s last quarterly results suggested underwhelming growth prospects for international subscriber numbers.

 

John Medeiros

John Medeiros

Chief Policy Officer

In the US, FCC Chairman Tom Wheeler isn’t home free yet, with his proposals to do away with set-top boxes and hand control of user relationships to internet companies (e.g. Google) instead of cable companies (e.g. Comcast.)  This week, he backtracked away from proposals to establish an independent board to enforce some sort of “must-provide” mandate on content distribution.  (Whew…..sounds like India is taking over Washington.)  That proposal was denounced by the creative industry as “an unacceptable and unworkable de facto compulsory licensing scheme.”

 
Andrew Lin

Andrew Lin

Regulatory Assistant

With an increase in active social media users in Southeast Asian countries, online social revolution takes place more frequently, giving Southeast Asian governments a difficult time to cope with these events. “This social revolution is not new, but it is a gathering storm.”  Now that many social media platforms such as Facebook, Whatsapp, and WeChat, just to name a few, are becoming more accessible to the Southeast Asian population, people are using it to communicate and share collective ideas, interests, frustrations, and much more.

 

Christopher Slaughter

Christopher Slaughter

CEO

And finally, a little something guaranteed to fill your weekend with all sorts of arguments: Rolling Stone magazine has just put out its “definitive” list of the 100 Greatest TV Shows of All Time. Probably a disproportionate number of shows from the New Golden Age of TV (now) made the list, but there are plenty from the original Golden Age, and several others from TV’s… errr… Bronze Age?  I won’t spoil it for you, but I think we should all just agree to disagree right now.  (I mean, seriously… Downton Abbey ranks below Happy Days?)

 

Member News
Additional News

Cartoon Network’s ‘we Bare Bears’ and ‘the Powerpuff Girls’ to air on Tv5 in the Philippines

MANILA, PHILIPPINES (September 22, 2016) – Localized versions of two of Cartoon Network’s most popular and highest-rating shows – We Bare Bears and The Powerpuff Girls – will air on the Philippines’ free-to-air TV channel TV5.

Filipino kids and families nationwide will be treated to a lineup of new series featuring recent animations from the country’s number one kids’ channel.

From October 15, every Saturday at 8am on TV5, catch the hilarious Grizzly, Panda and Ice Bear in We Bare Bears. They do everything they can to adapt to the modern-day normal life; these tech-savvy and internet-obsessed bears try their best to find their way in the world, but it’s never easy.

Immediately following the stackable bear-trio, from 8:30-9am, TV5 viewers can then follow the superhero-sisters Blossom, Bubbles and Buttercup as they protect Townsville from different evil dastardly villains. The all-new and reimagined The Powerpuff Girls are everybody’s favorite super-cute, super-fierce troupe armed with super-cool powers to save the world before bedtime.

TV5 already hosts a daily branded block for Boomerang, Turner’s sister kids’ brand in the Philippines. It features iconic titles including Scooby-Doo, Looney Tunes, Mr Bean and Tom and Jerry.

-Ends-

For media enquiries, contact:

James Moore

Director of Communications, Turner Asia Pacific

+852 3128 3720 / James.Moore@turner.com

About Cartoon Network Philippines

Cartoon Network is the leading kids’ brand in the Philippines. Its dedicated Philippine channel offers the best in original animated comedies including the multi-award-winning global hits Ben 10, The Powerpuff Girls, We Bare Bears, Regular Show, The Amazing World of Gumball and Adventure Time. Cartoon Network is available in 31 countries throughout Asia Pacific and is currently seen in more than 88 million pay-TV homes. Online, Cartoon Network reaches millions more via its websites and apps including Cartoon Network Watch and Play and Cartoon Network Anything. In Asia Pacific, Cartoon Network is created and distributed by Turner, a Time Warner company.

About Turner Asia Pacific

Turner Asia Pacific creates and distributes award-winning brands throughout the region, running 63 channels in 14 languages in 37 countries. These include CNN International, CNNj, CNN, HLN, Cartoon Network, Adult Swim, Boomerang, POGO, Toonami, World Heritage Channel, Warner TV, Oh!K, TCM Turner Classic Movies, truTV, MondoTV, TABI Channel, and HBO and WB in South Asia. Turner manages the business of Pay- and Free-TV-channels, as well as Internet-based services, and oversees commercial partnerships with various third-party media ventures; it teams with Warner Bros. and HBO to leverage Time Warner’s global reach. Turner Broadcasting System Asia Pacific, Inc. (“Turner Asia Pacific”) is a Time Warner company.

About TV5

TV5 NETWORK INC. (formerly ABC Development Corporation) the television  arm of MediaQuest Holdings Inc., is a company engaged in television and  radio broadcasting, program production for local and international  audiences, and other related businesses. It operates TV5, a free-to-air TV channel with its main studio and transmitter located in Quirino Highway, Novaliches, Quezon City. TV5 Network Inc., sells and markets commercial airtime and other advertising opportunities to local and international brands thru Media5 Corporation.

Two brand-new HBO Original series, DIVORCE and INSECURE, to debut back-to-back October 10 on HBO

Two brand-new HBO Original series, DIVORCE and INSECURE, will debut back-to-back same time as the U.S., on Monday, October 10, 2016, from 10am (9am Thai/Jkt), with a same day primetime encore at 10pm (9pm Thai/Jkt), exclusively on HBO. Both titles will also be available on HBO on DEMAND and HBO GO.

In addition, the first episode of the new DIVORCE series will be available to watch for free on HBO Asia’s website (www.hboasia.com) in 18 Asian territories, including Singapore. Both subscribers and non-subscribers alike can catch it from October 25 to November 8, 2016.

Below are the summaries of the new seasons of DIVORCE and INSECURE and you may refer to the attached releases for more information.

DIVORCE

Serving as an executive producer, Sarah Jessica Parker (Emmy® and Golden Globe winner for HBO’s “Sex and the City”) stars as Frances in the comedy series DIVORCE, and Thomas Haden Church (Oscar® nominee for “Sideways”) stars as Robert, Frances’ husband, who is struggling to cope with their marriage falling apart. The ten-episode season begins same time as the U.S. on Monday, Oct 10 at 10am (9am Thai/Jkt) exclusively on HBO, with a same day primetime encore at 10pm (9pm Thai/Jkt). New episodes premiere on subsequent Mondays at the same time. DIVORCE will also be available on HBO On Demand and HBO GO.

INSECURE

A brand-new HBO comedy series INSECURE, about two best friends who must deal with their own real-life flaws as they attempt to navigate different worlds and cope with an endless series of uncomfortable everyday experiences, will debut same time as the U.S. on Monday, Oct 10 at 10.30am (9.30am Thai/Jkt), with a same day primetime encore at 10.30pm (9.30pm Thai/Jkt), exclusively on HBO. New episodes premiere on subsequent Mondays at the same time. INSECURE will also be available on HBO On Demand and HBO GO. Created by Issa Rae and Larry Wilmore, the eight-episode season explores the African-American female experience in an unclichéd and authentic way.

Media contacts:

Karen Lai | Director, Communications | HBO Asia | T: (65) 6381 1796 | karen.lai@hboasia.com

Shermaine Wong | Manager, Communications | HBO Asia | T: (65) 6381 1838 | shermaine.wong@hboasia.com

Chan Zi Ning | Executive, Communications | HBO Asia | T: (65) 6381 1746 | zining.chan@hboasia.com