News

29 July, 2016

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Welcome to News Views, CASBAA’s news round-up culled from sources across the industry for the week ending July 29th. Curated by CASBAA, News Views keeps you in the loop. We always value your feedback, so tell us what you think!

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Christopher Slaughter

Christopher Slaughter

CEO

With the Democratic and Republican party conventions running back-to-back, it’s been hard to avoid US presidential politics the past couple weeks.  The two events really did provide numerous studies in contrasts, including their targets: “Clinton’s Convention Is Made for TV. Trumpf’s Was Made for Twitter.”  However, Trump’s effort to extend his new media campaign by holding an “Ask Me Anything” session on reddit.com didn’t quite go to plan; answering just twelve of the sixteen thousand questions submitted left redditors palpably underwhelmed.
John Medeiros

John Medeiros

Chief Policy Officer

We’ve heard for a long time that 4K TV (also known as UHD) is coming.   In Japan this week, we learned that the key element of consumer ownership of 4K-capable TVs is gradually coming online, with a total of 15 million households expected to own 4K TVs within two years.  Meanwhile, in the US satellite company SES has announced availability of four UHD channels for cable-TV operators.  (Limited 4K services are already available through various IPTV and OTT operators.)   Variety called the cable industry move only a good baby step forward, but SNL Kagan and Irdeto reported results of a study that cable operators believe consumers will pay for this content, and so interest is likely to grow.  I got a chuckle that the initial list of channels in the SES package includes both NASA TV and Fashion TV.  I guess both far views from space and close views of sequins and feathers look good in UHD!
Mark Lay

Mark Lay

Vice President, Singapore

Twitter’s popularity has always been a bit on an enigma to me, along the lines of pierced tongues, sagging trousers and faith in government. In this one, I’m not alone (So, does anybody want Twitter?).  The latest moves by them to enter the live sports arena are a bit perplexing as well (Twitter scores live-stream deals with MLB, NBA, NHL and NFL). Since they have lost the social media fight against Facebook, are they now
looking to take on ESPN. In 140 characters or less….”good luck.”
John Medeiros

John Medeiros

Chief Policy Officer

It’s taken some time for the new, elected government in Myanmar to get on its feet, but now things are moving with respect to broadcast licensing.   The new broadcasting law passed in August 2015 provides for licensing new broadcast organizations (for free or pay-TV), and now the Ministry of Information says there will be more operators licensed in the coming months.   The law was criticized by NGOs as not providing enough guarantees of media independence, and the Minister of Information, U Pe Myint, has said he supports further reform.  (I’m really looking forward to meeting the Minister; he’s kindly accepted to speak at CASBAA’s conference on “Emerging Southeast Asian Markets,” coming up in December in Singapore.)
Kevin Jennings

Kevin Jennings

Vice President, Programme

So Comic Con has come and gone for another year – and while attendance numbers for the San Diego event were reportedly down year on year, TV continued to dominate – while social media buzz increased with upcoming TV and films  dominating the  online discussion.  Meanwhile, for a subjective look at the winners and losers across the TV and film spectrum, check out the review from THR’s Winners and Losers from the TV & Film panels.

 
Anjan Mitra

Anjan Mitra

Executive Director, India

Online pirates beware! The Copyright Force is on its way if the Indian entertainment industry has its way and the government puts its might behind an industry proposal. Some of the major broadcasting companies, studios, Motion Pictures Association of America’s Indian chapter and TIPCU, an Indian version of the UK’s PIPCU have proposed an alliance to fight rampant online piracy of content. Industry feels present laws need to be tweaked to give it sharper legal teeth as the digital economy grows.
Christopher Slaughter

Christopher Slaughter

CEO

When there are too many dollars chasing too few goods, prices go up — that’s Economics 101.  That’s also part of the way US networks managed to get more money out of agencies in this year’s upfronts.  And while networks might be thrilled about double-digit CPM increases, agencies are understandably less thrilled about this year’s “ugly market”.  And don’t pop the champagne over any perceived rebound from the digital ad-spend migration quite yet; although there are plenty of people calling b-s on online video, for very good reasons right now,  the happy days are not likely to stick around forever… or even past next year..
John Medeiros

John Medeiros

Chief Policy Officer

Last week, we reported that Kim Dotcom was planning to re-start his (pirate?) Megaupload web business.   This week, we see that he’s being hauled into court again – this time for a violation of the asset freeze imposed by an NZ court.  Meanwhile, there’s another pirate in the news; the founder of Kickass Torrents was arrested in Poland on a warrant from the US authorities.  (We’ll see if his extradition moves any faster than Dotcom’s.)  
Jane Buckthought

Jane Buckthought

Advertising Consultant

The Asia-Pacific pay-TV industry is expected to grow at a 5.8% average annual rate from 2016 to 2021, according to Media Partners Asia (MPA). The MPA projects pay-TV industry sales across 18 major markets in Asia Pacific to climb from $54 billion in 2016 to $72 billion by 2021, rising thereafter to $81 billion by 2025.
John Medeiros

John Medeiros

Chief Policy Officer

The EU Commission finalized the consent settlement in its antitrust proceeding against Paramount, one of six Hollywood studios threatened with sanctions for using territorial licensing which prevents pan-EU viewers from accessing Britain’s Sky TV.   Paramount had offered the settlement back in April, saying it would agree for five years not to enforce the territorial clauses in its current contracts, and not to sign any new such contracts.  (The Hollywood Reporter theorized that Paramount could be motivated by wanting to remove the threat of EU fines that might have impeded sale of a significant minority stake, apparently to China’s Dalian Wanda Group.)  The EU antitrust case is seen by many as a back-door attack on the whole concept of copyright territorial licensing, at least within Europe.  European filmmakers  reacted with outrage, saying the basis for financing European filmmaking would be destroyed by an end to territorial licensing.   The cases against the other five studios remain pending; there’s no sign yet that any of the others could break ranks.   And in the background, there’s the small matter that the UK may soon be no longer in the EU.
Kevin Jennings

Kevin Jennings

Vice President, Programme

In the UK, Sky Sports has announced plans to upload Premier League goals and highlights onto social media, thanks to a new partnership with Twitter.  Sky will show a selection of the key goals and moments from every Premier League game broadcast during the season. The clips will be posted on the @SkyFootball account, which already has almost 3 million followers. All of the clips will be available to Twitter users in the UK and Ireland who will be able to see video clips of key moments and goals from all games broadcast by Sky in real time via the SkyFootball Twitter account. It goes without saying that there will still be more to see if you are a Sky Sports customer:  The Sky Sports Football Centre app will also carry full highlights of every Premier League and Football League match for Sky Sports TV subscribers.
John Medeiros

John Medeiros

Chief Policy Officer

CASBAA has complained for years that the level of taxation of the DTH industry in India has been outrageously high.  Now comes word that the government is going to reduce the licensing fee from 10 percent to 8 percent (and extend license duration to 20 years).   Even if this reduction is not enough to level the playing field, it’s still a laudable step in the right direction!
Jane Buckthought

Jane Buckthought

Advertising Consultant

Engaged viewers Couch Potatoes or? 57% of TV viewers in the US claim to regularly binge view content, according to new GfK MRI researchMillennials are among the most prolific bingers and more likely to say that TV has become more of a special event for them and that binge viewing makes them feel more connected to the shows they watch. Recent research from GfK in the UK finds 18 to 24 years old spend more time watching video content on laptops than any other device..  Nielsen’s first-quarter 2016 comparable metrics report, shows TV is still the preferred choice for overall viewing, with Live+DVR/time-shifted TV viewing accounts for 47% of the total average audience among adults 18+.  And it seems viewers who multi-screen, those people that browse the internet, shop online, text and check social media while watching TV are more observant of advertising than average, according to research from YouGov Profiles in the UK.
Member News

Wladimir Bocquet joins Eutelsat as Director of Spectrum Management Policy

Paris, 28 July 2016 – Eutelsat Communications (NYSE Euronext Paris: ETL) announces the appointment of Wladimir Bocquet in the new post of Director of Spectrum Management Policy. He joins Eutelsat on 1 August from the GSM Association in the UK where he served most recently as Senior Director, Head of Policy, Planning and Regulatory Affairs.

Commenting on the arrival of Wladimir Bocquet, Rodolphe Belmer, Eutelsat CEO, said: “At a time when significant initiatives are underway in ultra-fast broadband, 5G, hybrid networks, new frequency bands, satellite constellations and connected objects and vehicles, Wladimir’s skills and unmatched experience in spectrum management will make an essential contribution to our strategic choices and development. He will steer our spectrum strategy on these new challenges and will significantly strengthen our capacity to act and the positioning of our company.”

Wladimir will be assisted by Ethan Lavan, Director of Orbital Resources, drawing on Ethan’s skills and expertise in the satellite regulatory world.

Wladimir started his career in Japan as a research engineer working on 4G projects, before joining Orange Group in 2005 where he managed a team specialised in the development of fixed and mobile broadband services. In 2008 he returned to France to work as Deputy Director responsible for strategy and spectrum planning at Orange – France Telecom Group. In 2012, he joined the GSMA (world association of mobile operators, 800 operators) where he was appointed Director in charge of spectrum management and regulatory affairs for the UK.

About Eutelsat Communications

Established in 1977, Eutelsat Communications (Euronext Paris: ETL, ISIN code: FR0010221234) is one of the world’s leading and most experienced operators of communications satellites. The company provides capacity on 39 satellites to clients that include broadcasters and broadcasting associations, pay-TV operators, video, data and Internet service providers, enterprises and government agencies.

Eutelsat’s satellites provide ubiquitous coverage of Europe, the Middle East, Africa, Asia-Pacific and the Americas, enabling video, data, broadband and government communications to be established irrespective of a user’s location.

Headquartered in Paris, with offices and teleports around the globe, Eutelsat represents a workforce of 1,000 men and women from 37 countries who are experts in their fields and work with clients to deliver the highest quality of service.

For more about Eutelsat please visit www.eutelsat.com

Press
Vanessa O’Connor Tel: + 33 1 53 98 37 91 voconnor@eutelsat.com
Marie-Sophie Ecuer Tel: + 33 1 53 98 37 91 mecuer@eutelsat.com
Violaine du Boucher Tel: + 33 1 53 98 37 91 vduboucher@eutelsat.com

Investors and analysts
Joanna Darlington Tel. : +33 1 53 98 35 30 jdarlington@eutelsat.com
Cédric Pugni Tel. : +33 1 53 98 35 30 cpugni@eutelsat.com

Discovery Strengthens India Leadership With the Appointment of Karan Bajaj as Senior Vice President & General Manager, South Asia

Brings strong brand and product development experience and digital acumen to diversify Discovery’s India product offering

New Delhi/Singapore, 28 July 2016 – In a bid to drive aggressive growth and expand its existing asset base, Discovery Networks Asia-Pacific has appointed Karan Bajaj as Senior Vice President and General Manager of South Asia with effect from 17 October 2016. Bajaj will focus on re-formulating Discovery’s product suite in line with accelerating demand for regional and digital offerings. He will also be responsible for executing on the company’s stated ambition to step outside of its current category leadership to build broader flagship brands and actively seek out inorganic growth opportunities.

Bajaj will be based in Mumbai and report to Arthur Bastings, President and Managing Director of Discovery Networks Asia Pacific.  Commenting on the appointment, Bastings said, “India has quickly become one of Discovery’s top-priority global markets. These are exciting times as we strategically step up our investments to take advantage of very dynamic growth in both TV and digital. Karan brings that rare combination of creative flair, a strong instinct for the Indian millennial zeitgeist and a cutting-edge leadership style. His proven track record of scaling businesses and brands speaks for itself.”

Bajaj brings over 15 years of brand management and digital strategy experience across Asia and North America. Bajaj was most recently with baby specialist Aden and Anais in New York where he spearheaded marketing, design and advertising as Chief Marketing Officer, specializing in digital approaches. Prior to that, he was in a variety of senior strategy and brand leadership roles with Kraft, Boston Consulting Group and Procter & Gamble.  He was named a Top 40 Under 40 US Executive by Advertising Age in 2008.

A best-selling novelist and striving yogi, Bajaj balances his professional career with personal creativity and spirituality. His novels Keep off the Grass and Johnny Gone Down launched his literary career. In June this year, he had his first international novel release – The Yoga of Max’s Discontent. Bajaj holds a Master’s Degree in Business Administration from IIM Bangalore and Bachelors in Mechanical Engineering from Birla Institute of Technology.

 

* * *

About Discovery Networks Asia-Pacific

Discovery Networks Asia-Pacific, a division of the leading global entertainment provider Discovery Communications, is dedicated to satisfying curiosity, engaging and entertaining viewers with high-quality content through its diverse portfolio of brands. From survival to natural history, wonders of science to extreme jobs, motoring to travel and lifestyle, and the latest engineering marvels to live sporting events, Discovery offers distinct must-watch programming to engage viewers across the region. The portfolio reaches 702 million cumulative subscribers in 37 countries and territories with content customised in 14 languages and dialects. For more information, please visit www.discoverycommunications.com.

Russia’s Tricolor TV first to launch Eutelsat’s new ‘SmartBeam’ Multiscreen Video Delivery Service

 New offer from Tricolor TV will enable viewers in public venues to watch Tricolor TV channels on mobile devices

Moscow, Paris, 27 July 2016 – Tricolor TV, operator of one of the world’s fastest-growing TV platforms, and Eutelsat Communications (NYSE Euronext Paris: ETL) announce they are collaborating on deploying the first network in Russia to use SmartBeam, Eutelsat’s new multi-screen video delivery solution.

SmartBeam opens the door to the deployment of the first satellite network in Russia to deliver video content to mobile devices. Consumers will be able to receive Tricolor TV’s new service in public venues by downloading a user-friendly app on their mobile devices (smartphones, tablets using Android or iOS). They will pick up the channels in high-quality via a local Wi-Fi network connected to a compact low-cost satellite box that will receive the content direct from a Eutelsat satellite at 36° East, Russia’s leading position for video content.

Leveraging the inherent strength of satellites for broadcasting, the service will provide universal and immediate coverage of wide regions of Russia with guaranteed quality of service. It will enable Tricolor TV to extend its relationship with users by delivering DRM protected content to public venues (hotels, shopping centres, airport lounges, medical centres…)with no dependency on terrestrial networks.

Rodolphe Belmer, CEO of Eutelsat, said: “Eutelsat’s satellites and technology are already the backbone of distribution networks for broadcasters and pay-TV platforms around the world. Now, with SmartBeam, we are leveraging multiscreen solutions to help broadcasters extend OTT services and offer the same experience to users located beyond range of terrestrial networks. SmartBeam will also be able to circumvent user frustration with buffering and disconnection as terrestrial mobile networks saturate. We are delighted that Tricolor TV, one of our most prominent pay-TV clients, has recognised the added value of SmartBeam as a new content delivery solution.”

Alexei Kholodov, CEO of Tricolor TV, said: “As a leader in digital television services Tricolor TV is committed to deploying cutting edge technologies and services that extend our zone of reception and enhance the viewing experience for our customers. As we wait for a plane to take off, or sit in a waiting room we have all thought at one time or another that being able to watch television would be a real benefit. Now, thanks to our partnership with Eutelsat, Tricolor TV is going beyond the four walls of user homes to reach viewers on their mobile devices in public venues.”

How does it work?

Based on standard technologies and protocols (DVB-S2, IP, HTTP Live Streaming…), SmartBeam is compatible with all common portable devices as well as Smart TVs. It uses a small, low-cost satellite receiver that acts as a local Content Delivery Network (CDN) receiving high-quality TV channels and VOD content via satellite, and serving it locally to mobile phones and tablets over a Wi-Fi network. It is also flexible enough to support advanced video services such as encryption with DRM (Digital Rights Management) and non-linear TV like Catch Up TV and Push VOD.

On the transmit side:

·         Native IP content is received at a satellite teleport.

·         The IP streams are converted from unicast to multicast then encapsulated over a DVB transport stream and broadcast via satellite in a standard DVB-S2 transmission platform.

On the receive side:

Content is received via a standard satellite dish connected to a compatible satellite receiver.

·         The receiver decodes the DVB-S2 transport stream, extracts the original IP packets and delivers them to smartphones, tablets or other IP native devices through a regular Wi-Fi access point or home router. Live content is served on-the-fly, while VOD content is stored and can be accessed at any time.

About Tricolor TV

«Tricolor TV» is the largest digital TV operator broadcasting the TV channel package in the European part of the Russian Federation (from the Express AMU1/EUTELSAT 36B satellites), as well as in the territories of the Siberian district, the Ural district and the part of the Far Eastern District (from the Express-AT1 spacecraft).

In accordance with the information of the research company IHS Technology, «Tricolor TV» is the leader in the Russian Pay TV market (with its 30%), the operator’s percentage in the satellite segment exceeds 75%. At the end of of 2015, the active database of subscribers of «Tricolor TV» included 11.8 million subscriber homes. The audience includes ca. 40 million viewers, and this means that almost every fourth citizen of the country watches «Tricolor TV».

Press
Ulyana Rasskazova Tel: + 7 931 378 75 46 RasskazovaUV@tricolor.tv

About Eutelsat Communications

Established in 1977, Eutelsat Communications (Euronext Paris: ETL, ISIN code: FR0010221234) is one of the world’s leading and most experienced operators of communications satellites. The company provides capacity on 39 satellites to clients that include broadcasters and broadcasting associations, pay-TV operators, video, data and Internet service providers, enterprises and government agencies.

Eutelsat’s satellites provide ubiquitous coverage of Europe, the Middle East, Africa, Asia-Pacific and the Americas, enabling video, data, broadband and government communications to be established irrespective of a user’s location.

Headquartered in Paris, with offices and teleports around the globe, Eutelsat represents a workforce of 1,000 men and women from 37 countries who are experts in their fields and work with clients to deliver the highest quality of service.

For more about Eutelsat please visit www.eutelsat.com

Press
Vanessa O’Connor Tel: + 33 1 53 98 37 91 voconnor@eutelsat.com
Marie-Sophie Ecuer Tel: + 33 1 53 98 37 91 mecuer@eutelsat.com
Violaine du Boucher Tel: + 33 1 53 98 37 91 vduboucher@eutelsat.com

Investors and analysts
Joanna Darlington Tel. : +33 1 53 98 35 30 jdarlington@eutelsat.com
Cédric Pugni Tel. : +33 1 53 98 35 30 cpugni@eutelsat.com


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Celestial Tiger Entertainment Roars with Ratings Highs in the First Half of 2016

HONG KONG (July 27, 2016) – Celestial Tiger Entertainment (CTE), operator of the largest bouquet of pan-Asian channels dedicated to Asian entertainment, achieved record ratings performance in the first half of 2016 across the network and across key markets in southeast Asia. CTE’s flagship Chinese movie channel, Celestial Movies (CM), its classic Chinese movie channel, Celestial Classic Movies (CCM) and action entertainment channel, KIX HD, continued to lead in their respective categories in Malaysia while CM in Indonesia experienced significant viewership growth. In the Philippines, KIX and suspense and horror channel Thrill continued their dramatic upward climb in viewership while CM Pinoy emerged as a top ten pay TV channel (excluding kids channels) on the national DTH platform Cignal, based on the latest available ratings.

 

In Malaysia, CM, CCM and CM HD continued to dominate the Chinese demographic as the top three most-watched regional movie channels among Astro Chinese 4+ audiences in the first six months of 2016 [1]. Meanwhile, KIX HD remained strong as the top English general entertainment channel among Astro 4+ audiences [2].  The channel also grew its viewership over 30% in the first half of 2016 versus the same period last year [3].

 

In Indonesia, CM saw significant growth in its average viewership by 27% among pay TV 20+ viewers [4], becoming a top four regional movie channel including the Hollywood services. [5]

 

In the Philippines, KIX and Thrill continue to grow by leaps and bounds. KIX has climbed to the top three regional English general entertainment channels among cable & satellite 2+ viewers. It also became one of the top 20 channels among all 120+ pay TV channels in the first half of this year [6]. The channel delivered a 279% increase in viewership in the first half of 2016 versus the first half of 2015 [7].

 

Within the same data period, Thrill also experienced a huge growth with a 378% increase in viewership among cable & satellite 2+ viewers [8]. The channel became one of the top 5 regional English movie channels in the Philippines during the first half of 2016. [9]

 

CM Pinoy, CTE’s Chinese movie channel that is programmed, dubbed and promoted specifically to Filipino viewers, ranked in the top ten most-watched pay TV channels among all other TV channels (excluding kids channels) in the Philippines with Cignal 2+ viewers based on the latest available ratings from May 1 to June 30, 2016 [10].  The channel formally launched on Cignal this past January.

 

– END –

 

Source: Kantar Media, DTAM Malaysia. Jan-Jun 2016; all time; live and consolidated viewing data (as of 19 July, 2016); ranked by average audience on an individual channel basis.

[1] Astro Chinese 4+; across regional movie channels (incl. Celestial, Celestial HD, Celestial Classic, Cinemax, Fox Action HD, Fox Family HD, Fox Movies, Fox Movies HD, HBO, HBO HD, Sundance HD, TVB Classic Movies)

[2] Astro 4+; across English GE channels (incl. AXN, AXN HD, Diva, Diva HD, E!, Fox HD, FX HD, Hits HD, ITV Choice, KIX HD, Lifetime, MTV, Star World, Star World HD)

[3] Jan-Jun 2016 vs Jan-Jun 2015; all time; based on average audience

Source: Nielsen, Indonesia Pay TV (Greater Jakarta)

[4] Pay TV 20+; Jan-Jun 2016 vs Jan-Jun 2015; all time; based on average audience

[5] Pay TV 20+; Jan-Jun 2016, ranked by average audience, across regional movie channels (AMC, CM, Cinemax, Fox Family Movies, FMP, HBO, HBO Family, HBO Hits & HBO Signature)

Source: Kantar Media, Philippines National

[6] C&S 2+; Jan-Jun 2016; ranked by average audience; across regional English GE channels (incl. AXN, Diva Universal, E!, Fox, Fox Crime, HITS, KIX, Lifetime, RTL-CBS, Sony Channel, Star World, SYFY, Tru TV, Universal Channel, Warner TV)

[7 & 8] C&S 2+; Jan-Jun 2016 vs. Jan-Jun 2015; all time; based on average audience

[9] C&S 2+; Jan-Jun 2016; ranked by average audience; across regional English movie channels (incl. AMC, Cinemax, Fox Family Movies, HBO, HBO Family, HBO Hits, HBO Signature, Star Movies, Thrill, TCM) 

[10] Cignal 2+; May-Jun 2016; ranked by average audience; across cable and satellite (excluding kids) channels. CM Pinoy’s data is available from May 4, 2016.

 


 

Media Contact:

Pauline Poon

Celestial Tiger Entertainment

T: 852 2239 6131

E: pauline.poon@celestialtiger.com

 

About Celestial Tiger Entertainment

CELESTIAL TIGER ENTERTAINMENT (CTE) is a leading independent media company dedicated to entertaining audiences in Asia and beyond. The company creates and distributes branded pay television channels and services targeted at Asian consumers.

 

CTE operates a powerful bouquet of distinct pay television services including: CELESTIAL MOVIES, the premier 24-hour first-run Chinese movie channel in Asia and beyond; CELESTIAL CLASSIC MOVIES, the world’s most-widely distributed Chinese movie channel with an unparalleled array of Chinese movie masterpieces; cHK, a general entertainment channel offering cool, chic, and contemporary celebrity-powered Hong Kong entertainment; KIX, the ultimate destination for action entertainment; MIAO MI, the Mandarin edutainment channel created for preschool kids across Asia; and THRILL, Asia’s only regional horror, thriller and suspense movie channel.  All of CTE’s channel brands are available as linear, on-demand and over-the-top services.  CTE also produces original production for its bouquet of channels.

 

Headquartered in Hong Kong, CTE’s majority shareholders are Saban Capital Group, a leading private investment firm specializing in the media, entertainment and communications industries; Celestial Pictures, a diversified Asian entertainment company owned by Astro Overseas Limited; and Lionsgate, the world’s largest independent filmed entertainment studio.

For more information, please visit www.celestialtiger.com.

Beyoncé and Adele Lead Nominations for 2016 “MTV Video Music Awards”

“Video of the Year” Nominees Adele, Beyoncé, Drake, Justin Bieber and Kanye West Revealed in Panoramic Street Mural in New York’s East Village

2016 “MTV Video Music Awards” to Air LIVE from New York’s Madison Square Garden on MTV on Monday, 29 August at 8am (TH/WIB) and 9am (MY/PH/SG)

SINGAPORE, 27 JULY 2016MTV today announced nominations for the 2016 “MTV Video Music Awards,” with Beyoncé earning a career-best eleven nominations for videos from her cultural watershed visual album “Lemonade” and Adele earning eight nominations, including seven for her YouTube record-shattering video “Hello.” “Hello,” Beyoncé’s “Formation,” Drake’s “Hotline Bling,” Justin Bieber’s “Sorry” and Kanye West’s “Famous” all earned nominations for “Video of the Year.”  The 2016 “MTV Video Music Awards” will air LIVE on MTV from New York’s iconic Madison Square Garden for the first time ever on Monday, 29 August at 8am (TH/WIB) and 9am (MY/PH/SG). It will air on MTV LIVE HD on Tuesday, 30 August at 7.30pm (TH/WIB) and 8.30pm (HK/MY/PH/SG).

To echo a year in which the world’s biggest artists pushed music videos to new heights of artistry, MTV unveiled the “Video of the Year” nominees in a sweeping and panoramic mural created by world-renowned visual artists BD White, John Paul Ogrodnick (JPO), Damien Mitchell, Marc Evan, Resa, BKFoxx, Queen Andrea, Hektad, Giz, Such and Poem One at the First Street Green Art Park in New York’s East Village. The reveal of the mural was broadcast during a Facebook Live event hosted by MTV News Correspondents Meredith Graves and Gaby Wilson via MTV and a coalition of more than 15 partners including press outlets and brands.

Voting is open to the U.S. only. Nominees for the socially voted category, “Best Song of Summer,” will be announced at a later date.

 

Facebook Live Link: www.facebook.com/MTV

 

See below for a full list of nominees:

 

VIDEO OF THE YEAR

Adele – “Hello”

Director: Xavier Dolan

Beyoncé – “Formation”

Director: Melina Matsoukas

Drake – “Hotline Bling”

Director: Director X

Justin Bieber – “Sorry”

Director: Parris Goebel

Kanye West – “Famous”

Director: Kanye West

BEST FEMALE VIDEO

Adele – “Hello”

Director: Xavier Dolan

Beyoncé – “Hold Up”

Director: Jonas Åkerlund, Beyoncé Knowles Carter

Sia – “Cheap Thrills”

Director: Lior Molcho

Ariana Grande – “Into You”

Director: Hannah Lux Davis

Rihanna ft. Drake – “Work” (short version)

Director: Director X

 

BEST MALE VIDEO

Drake – “Hotline Bling”

Director: Director X

Bryson Tiller – “Don’t”

Director: Cris

Calvin Harris ft. Rihanna – “This Is What You Came For”

Director: Emil Nava

Kanye West – “Famous”

Director: Kanye West

The Weeknd – “Can’t Feel My Face”

Director: Grant Singer

 

BEST COLLABORATION

Beyoncé ft. Kendrick Lamar – “Freedom”

Director:  Beyoncé Knowles Carter, Kahlil Joseph

Fifth Harmony ft. Ty Dolla $ign – “Work From Home”

Director: Director X

Ariana Grande ft. Lil Wayne – “Let Me Love You”

Director: Grant Singer

Calvin Harris ft. Rihanna – “This Is What You Came For”

Director: Emil Nava

Rihanna ft. Drake – “Work” (short version)

Director: Director X

 

BEST HIP HOP VIDEO

Drake – “Hotline Bling”

Director: Director X

Desiigner – “Panda”

Director: Paul Geusebroek

Bryson Tiller – “Don’t”

Director: Cris

Chance The Rapper featuring Saba – “Angels”

Director: Austin Vesely

2 Chainz – “Watch Out”

Director: Motion Family

 

BEST POP VIDEO

Adele – “Hello”

Director: Xavier Dolan

Beyoncé – “Formation”

Director: Melina Matsoukas

Justin Bieber – “Sorry”

Director: Parris Goebel

Alessia Cara – “Wild Things”

Director: Aaron A

Ariana Grande – “Into You”

Director: Hannah Lux Davis

 

BEST ROCK VIDEO

All Time Low – “Missing You”

Director: Patrick Tracy

Coldplay – “Adventure Of A Lifetime”

Director: Mat Whitecross

Fall Out Boy ft. Demi Lovato – “Irresistible”

Director: Wayne Isham

twenty one pilots – “Heathens”

Director: Andrew Donoho

Panic! At The Disco – “Victorious”

Director: Brandon Dermer

 

BEST ELECTRONIC VIDEO

Calvin Harris & Disciples – “How Deep Is Your Love”

Director: Emil Nava

99 Souls ft. Destiny’s Child & Brandy – “The Girl Is Mine”

Director: Ludovic Zuili / Simon Bouisson

Mike Posner – “I Took A Pill In Ibiza”

Director: Jon Jon Augustavo

Afrojack – “SummerThing!”

Director: Sam Sneed

The Chainsmokers ft. Daya – “Don’t Let Me Down”

Director: Marcus Kuhne

 

BREAKTHROUGH LONG FORM VIDEO

Florence + The Machine – The Odyssey

Beyoncé – Lemonade

Justin Bieber – PURPOSE: The Movement

Chris Brown – Royalty

Troye Sivan – Blue Neighbourhood Trilogy

 

BEST NEW ARTIST

Presented by Taco Bell®

Bryson Tiller

Desiigner

Zara Larsson

Lukas Graham

DNCE

PROFESSIONAL CATEGORIES

Presented by Orbit® Gum

 

BEST ART DIRECTION

Beyoncé – “Hold Up”

Production Designer: Jason Hougaard

Fergie – “M.I.L.F. $”

Production Designer: Alexander Delgado

Drake – “Hotline Bling”

Production Designer: Jeremy MacFarlane

David Bowie – “Blackstar”

Production Designer: Jan Houllevigue

Adele – “Hello”

Production Designer: Colombe Raby

 

BEST CHOREOGRAPHY

Beyoncé – “Formation”

Choreographer: Chris Grant, JaQuel Knight, Dana Foglia

Missy Elliott ft. Pharrell – “WTF (Where They From)”

Choreographer: Hi-Hat

Beyoncé – “Sorry”

Choreographer: Chris Grant, JaQuel Knight, Dana Foglia, Anthony Burrell, Beyoncé Knowles Carter

FKA Twigs – “M3LL155X”

Choreographer: FKA Twigs

Florence + The Machine – “Delilah”

Choreographer: Holly Blakey

 

BEST DIRECTION

Beyoncé – “Formation”

Director: Melina Matsoukas

Coldplay – “Up&Up”

Director: Vania Heymann, Gal Muggia

Adele – “Hello”

Director: Xavier Dolan

David Bowie – “Lazarus”

Director: Johan Renck

Tame Impala – “The Less I Know The Better”

Director: CANADA

 

BEST CINEMATOGRAPHY

Beyoncé – “Formation”

Cinematographer: Malik Sayeed

Adele – “Hello”

Cinematographer: André Turpin

David Bowie – “Lazarus”

Cinematographer: Crille Forsberg

Alesso – “I Wanna Know”

Cinematographer: Corey Jennings

Ariana Grande – “Into You”

Cinematographer: Paul Laufer

 

BEST EDITING

Beyoncé – “Formation”

Editor: Jeff Selis

Adele – “Hello”

Editor: Xavier Dolan

Fergie – “M.I.L.F. $”

Editor: Vinnie Hobbs

David Bowie – “Lazarus”

Editor: Johan Söderberg

Ariana Grande – “Into You”

Editor: Hannah Lux Davis

 

BEST VISUAL EFFECTS

Coldplay – “Up&Up”

VFX Editor: Vania Heymann

FKA Twigs – “M3LL155X”

VFX Editor: Lewis Saunders, Jihoon Yoo

Adele – “Send My Love (To Your New Lover)”

VFX Editor: Sam Sneade

The Weeknd – “Can’t Feel My Face”

VFX Editor: Bryan Smaller

Zayn – “PILLOWTALK”

VFX Editor: David Smith

 

Jesse Ignjatovic/Den of Thieves is the Executive Producer for the 2016 “MTV Video Music Awards.” Garrett English, Erik Flannigan, Sandy Alouete, Lee Lodge and Jen Jones are Executive Producers. Garrett English also serves as Executive in Charge of Production for MTV. Hamish Hamilton is Director. Wendy Plaut is Executive in Charge of Celebrity Talent.

Want to stay in tune with all things VMA? Follow the official 2016 VMA Playlist form MTV & Spotify at spotify.com/VMA.

Official sponsors of the 2016 MTV Video Music Awards include: Orbit® Gum, PANTENE®, PEPSI®, Taco Bell®, Trojan™ Brand Condoms, truth®, TWIX® and Verizon.

 

About MTV

MTV is the world’s biggest youth entertainment brand. With a global reach of nearly 785 million households, MTV is the cultural home of the millennial generation, music fans and artists, and a pioneer in creating innovative programming for young people. MTV reflects and creates pop culture with its award-winning content built around compelling storytelling, music discovery and activism across TV, online and mobile. Outside of the United States, MTV is part of Viacom International Media Networks, a division of Viacom Inc. (NASDAQ: VIAB, VIA), one of the world’s leading creators of programming and content across all platforms. For more information about MTV in Asia, visit www.mtvasia.com.

Media Contacts

Raemier Francis

Assistant, Communications, Southeast Asia

t: +65 6420 7260

Twitter: @VIMNAsia_PR

 

Loh Bi Feng

Manager, Communications, Southeast Asia

t: +65 6420 7154  m: +65 9002 9607

ZEE Entertainment Q1 FY2017 Financial Results and Earnings Release

The Board of Directors of Zee Entertainment Enterprises Limited (ZEE) (BSE Code: 505537, NSE Code: ZEEL.EQ, Reuters Code: ZEE.NS, Bloomberg Code: Z IN) in its meeting held on July 26, 2016, has taken on record the unaudited consolidated financial results of ZEE and its subsidiaries for the quarter ended June 30, 2016.

Please find attached the Financial Results & Earnings Release for your reference and necessary use. Please let us know in case you require additional information on the same.

The results are also available on the company’s website www.zeetelevision.com

 

ZEEL Q1 FY2017 Earnings Release

ZEEL Q1FY2017 Financial Release

Discovery Strengthens Northeast-Asia Region with Appointment of Jay Trinidad as SVP and GM

Leading digital strategist with strong track record in consumer-centric operational excellence to scale up Japan and Korea markets

Singapore, 26 July, 2016 – In line with its ambition to accelerate growth, through new investment and innovation, Discovery Networks Asia-Pacific has appointed Jay Trinidad as Senior Vice President and General Manager of Northeast Asia. Trinidad will focus on expanding the business and brands beyond pay-TV platforms toward a true convergent media and entertainment company. He will also be tasked with delivering compelling brand experiences to the millennial audience by redefining Discovery’s suite of products.

Trinidad began his career at Google and during his 10-year tenure, he rose through the ranks to become the Head of Consumer Marketing and Operations for the Asia region. While he was there, Trinidad was responsible for driving the acquisition of millions of new users for Google Chrome – making it the number one browser in Asia. Trinidad was most recently with McDonald’s Japan as Vice President of Digital where he led their strategy and intensified the customer experience and engagement through digital innovation. Trinidad also previously held senior roles in Gengo, an online people-powered translation platform, and mobile payment gateway Square, Inc.

Based in Tokyo, Trinidad will report into Arthur Bastings, President and Managing Director of Discovery Networks Asia-Pacific. Trinidad takes over the Japan business from Louis Boswell who has switched portfolio to head Discovery’s Southeast Asia operations. Hee-Man Lee, the Country Manager for Korea and his team will now be folded into Trinidad’s group.

Commenting on the appointment, Bastings said, “As we inject digital into our DNA, I am thrilled to have someone of Jay’s calibre join our team. His expertise in pure-play digital and consumer-centric innovation is invaluable as we evolve and take Discovery to the next stage of growth, particularly in Northeast Asia, where we are looking to meaningfully invest and take full advantage of the region’s sophisticated and widespread wireless infrastructure.”

Trinidad is originally from the Philippines, and holds a Bachelor’s degree in Political Science from Stanford University.

New Asian entertainment channel GEM to make a dazzling entrance in Singapore!

Starting from 29 July, viewers can watch the latest Asian programmes, including express titles on the same day as their telecast in Japan, only on GEM (Singtel TV Ch 519)

Singapore, 26 July 2016 – Discover the delights of Asian entertainment with the new channel GEM, set to launch on Singtel TV Channel 519 on 29 July 2016! As the one-stop destination for the best of Asian entertainment, viewers in Singapore will now have access to high quality, hotly anticipated shows in high definition.

As a joint venture channel between Sony Pictures Television Networks and Nippon Television Network Corporation, Japan’s leading, award-winning terrestrial network, GEM’s offerings include first-run and exclusive programmes from Japan, as well as shows from other Asian territories including China, Hong Kong and Taiwan. Spanning action, period, comedy, family and romance genres, the channel is anchored by a wide range of drama and variety series featuring a star-studded cast that will keep audiences returning for more.

“GEM has seen great success in territories such as Hong Kong, Indonesia, Thailand, the Philippines and Cambodia. Building on the abiding interest in Japanese programmes and lifestyle trends in this part of the world, we are delighted that GEM can strengthen the burgeoning return of the J-wave. We look forward to exciting viewers in Singapore with the latest shows and top Japanese artistes,” said Ang Hui Keng, Senior Vice President and General Manager, Sony Pictures Television Networks, Asia.

Top-billed programmes in August include all three of Nippon TV’s current season of primetime dramas. Airing every Wednesday at 10.10pm on the same day as Japan, Your Home is My Business! is a Japanese comedy starring Keiko Kitagawa as a real estate agent who will go to any lengths to sell a property. Every Tuesday at 9pm, viewers can enjoy thriller series Lost ID within the same week as Japan. Starring Tatsuya Fujiwara from the Death Note movies, the series follows the journey of a man who has had his identity stolen from him. Rounding out the trio is a new television adaptation of acclaimed novel The Girl Who Leapt Through Time, which will premiere on 15 August and will air every Monday at 9pm, fresh from Japan.

Other Asian drama highlights include Because of Love, a Chinese romantic series starring former F4 member Jerry Yan; the series premieres on 9 August and airs every Monday to Friday at 8pm. Viewers can also catch the on-going series Lady & Liar, a Chinese romance drama from the producers of the hit series The Prince of Lan Ling, every Monday to Friday at 7pm.

The channel also boasts a myriad of highly entertaining Japanese variety programmes including TOKUSON: Life Hacks!, a series offering easy, efficient tricks and handy shortcuts to mundane tasks, airing every Monday at 10.10pm; MOCO’S Kitchen, a top-rated cooking show featuring quick, simple recipes by talented actor-chef Hayami Mocomichi, airing every Tuesday at 10.10pm; and EXIT!, an exhilarating puzzle-solving escape game show that will put audiences at the edge of their seats, airing every Friday at 10.10pm.

Viewers in Singapore can catch all this excitement and more on Singtel TV Channel 519 starting 29 July, 2016. Visit www.singteltv.com.sg/gem.

From 26 July 2016 till 25 August 2016, Singtel subscribers will also get a free preview of GEM during the first month of its launch.

For more information on GEM’s offerings, please see www.GEMTVASIA.com.

HBO Releases Two New Game of Thrones Trailers and Silicon Valley Highlights at Comic-con International: San Diego 2016

SINGAPORE, JULY 23, 2016 – HBO has released new trailers from their critically-acclaimed Original series at Comic-Con International: San Diego 2016, comprising of:

Please click on the hyperlinks to view the new trailers.

GAME OF THRONES recently received 23 Primetime Emmy® nominations, the most of any nominee for the third year in a row, including Outstanding Drama Series. SILICON VALLEY received 11 Emmy nominations, including Outstanding Comedy Series.

Watch both series anytime on HBO On Demand / HBO GO or catch the season six encore telecast of the Emmy®– and Golden Globe-winning series GAME OF THRONES every Monday at 8.30pm from August 8 on HBO SIGNATURE. Season three of SILICON VALLEY returns on HBO SIGNATURE every Monday at 10pm from August 29.

The seven episode seventh season of GAME OF THRONES will premiere same time as the U.S. in the summer of next year, exclusively on HBO.

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About HBO ASIA

Singapore-based HBO Asia brings the best of Hollywood to Asia first through its exclusive licensing deals with major Hollywood and independent studios, including Paramount Pictures, Sony Pictures, Universal Studios, Warner Bros. and Lionsgate. HBO Asia has proprietary and award-winning HBO and HBO Asia Original programmes produced exclusively for HBO viewers. Wholly owned by HBO (a Time Warner company), HBO Asia reaches 23 territories across Asia with six 24-hour commercial-free subscription movie channels: HBO, HBO Signature, HBO Family, HBO Hits, Cinemax and Red by HBO, internet streaming platform, HBO GO, subscription video on demand service, HBO On Demand, and in China, 鼎级剧场 (ding ji ju chang). HBO Asia is also the exclusive distributor of BabyFirst and the DreamWorks channel in the region. Log on to www.hboasia.com for more information.

HBO and Home Box Office are service marks on Home Box Office, Inc. Used with permission.