News

Cartoon Network Takes Viewer Engagement to the Next Level with Mighty Magiswords

Multi-Platform World Allows Fans to Watch, Play and Collect

HONG KONG – Cartoon Network, recently named one of the most innovative media companies by Fast Company, continues to redefine content and the fan experience with the evolution of its latest franchise, Mighty Magiswords.

Debuting in 2015 on the Cartoon Network Anything micro-network as a 15-second interactive series, this comedy adventure about a brother and sister team of warriors will now be a full-length linear series launching as part of a connected content ecosystem, giving fans deeper engagement across platforms with the characters and their quest for swords.

Concurrent with the upcoming TV series production, almost 400 pieces of platform-specific original content have been custom developed, including shorts, vlogs, web and mobile games, and interactive narrative content – and all will be enhanced with proprietary technology allowing fans to participate in the world and collect their favorite swords.

Mighty Magiswords has been an incredible journey, starting as a simple interactive digital product and organically developing into a true multi-story world,” said Chief Content Officer, Rob Sorcher. “Expect Magiswords to continue expansion in tech and content, with new ways for the audience to participate, contribute, play, watch and collect.”

Cartoon Network will begin to introduce the expanded concept to fans this summer through a series of character-driven shorts, a web game and on-air spots.

Created by Kyle A. Carrozza and produced at Cartoon Network Studios in Los Angeles, Mighty Magiswords will join Cartoon Network’s already powerful slate of hit programming including Adventure Time, The Powerpuff Girls, Teen Titans Go!, We Bare Bears, Clarence, Regular Show, The Amazing World of Gumball and Steven Universe.

Get a taste of the new franchise by watching a Mighty Magiswords short here: https://youtu.be/rv70ZfBgOyo and to discover interactive versions, download Cartoon Network Anything on the App Store or Google Play Store.

About Cartoon Network

Cartoon Network, the number one kids’ channel in Asia Pacific, offers the best in original animated content including the multi-award-winning global hits Regular Show, The Amazing World of Gumball and Adventure Time and new comedy We Bare Bears. In 2016, the network welcomes back new series of popular franchises Ben 10 and The Powerpuff Girls. Cartoon Network is available in 31 countries throughout Asia Pacific and is currently seen in more than 88 million pay-TV homes. Internationally, it is seen in 192 countries and over 370 million homes, and is an industry leader with a global offering of the best in award-winning animated entertainment for kids and families, known for putting its fans at the center of everything by applying creative thinking and innovation across multiple platforms. Cartoon Network also reaches millions more through its websites, games and apps, including Cartoon Network Watch and Play and Cartoon Network Anything.

About Turner Asia Pacific

Turner Asia Pacific creates and distributes award-winning brands throughout Asia Pacific. In the region, Turner Asia Pacific runs 63 channels in 13 languages in 37 countries, including CNN International, CNNj, CNN, HLN, Cartoon Network, Adult Swim, Boomerang, POGO, Toonami, World Heritage Channel, Warner TV, Oh!K, TCM Turner Classic Movies, truTV, MondoTV, TABI Channel, and HBO and WB in South Asia. It manages the business of Pay- and Free-TV-channels, as well as Internet-based services, and oversees commercial partnerships with various third-party media ventures; it teams with Warner Bros. and HBO to leverage Time Warner’s global reach. Turner Broadcasting System Asia Pacific, Inc. (“Turner Asia Pacific”) is a Time Warner company.

Publicity Contacts

James Moore
Director of Communications, Turner Asia Pacific
+852 3128-3720 / James.Moore@turner.com

The Brothers Green Are Back for a Second Season of “Brothers Green: Eats!” on MTV Cooking Up Excitement Around the World

Special Guest Appearances by Michelle Phan, Austin Mahone, Joe Jonas, April Rose and More

Premieres on Monday, 4 July at 6.30pm (TH/WIB), 7.30pm (SG) and 8.30pm (MY)

SINGAPORE, 14 JUNE 2016 Brooklyn-based brothers Mike and Josh Greenfield are back for a second season of their popular food adventure series  Brothers Green: EATS! which will premiere on MTV on Monday, 4 July at 6.30pm (TH/WIB), 7.30pm (SG) and 8.30pm (MY). It debuts in the Philippines on Wednesday, 6 July at 12am. The half-hour MTV show follows the brothers as they draw culinary inspiration from people and cities around the world. This season, the Brothers Green are going all out, cooking in the backseat of a moving hot rod and taking on UFC fighters in an effort to make people’s lives a little more delicious.

 

In season two, the guys are travelling around the world to different cities such as New York, Rio, Toronto, Mexico City, Rotterdam and Malta while cooking with musicians like Austin Mahone and Joe Jonas as well as hanging with bloggerMichelle Phan and rapper Lil Dicky. Model/actress April Rose will regularly join the brothers in their Brooklyn loft providing hilarious commentary.

 

Each city they travel to finds them meeting new characters who take the brothers on adventures off the beaten path. Whether they’re freestyling on a beach with a Brazilian superstar, or showing their college fans a couple of “hacks” to make dorm life better, the Brothers Green create awesome eats for the people they meet and seamlessly blend music, travel, food and comedy into a show you can only find on MTV.

 

Brothers Green: EATS! is produced for MTV by Storyville Entertainment; executive producers are Betsy Schechter, Jon Murray and Andy Stuckey (for Storyville Entertainment) and Bruce Gillmer and Jennifer Harris (for MTV International).

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About MTV

MTV is the world’s biggest youth entertainment brand. With a global reach of nearly 785 million households, MTV is the cultural home of the millennial generation, music fans and artists, and a pioneer in creating innovative programming for young people. MTV reflects and creates pop culture with its award-winning content built around compelling storytelling, music discovery and activism across TV, online and mobile. Outside of the United States, MTV is part of Viacom International Media Networks, a division of Viacom Inc. (NASDAQ: VIAB, VIA), one of the world’s leading creators of programming and content across all platforms. For more information about MTV in Asia, visit www.mtvasia.com.

 

MEDIA CONTACTS

Viacom International Media Networks

 

Raemier Francis

Assistant, Communications, Southeast Asia

t: +65 6420 7260

Twitter: @VIMNAsia_PR

 

Loh Bi Feng

Manager, Communications, Southeast Asia

t: +65 6420 7154  m: +65 9002 9607

Fox Networks Group Asia acquires exclusive rights to Ruyi’s Love in the Palace

Asia’s leading pay-TV network has secured the rights from New Classics Media to broadcast the drama series worldwide outside of mainland China

June 10, 2016 – Shanghai – FOX Networks Group Asia (FNG) announced today that it has signed a deal with renowned China-based production house New Classic Media (NCM) for the exclusive rights to broadcast and distribute the drama series Ruyi’s Love In The Palace (如懿传) outside of mainland China. Ruyi’s Love In The Palace, the sequel of the mega award-winning and successful show Empresses In The Palace, is the first epic period drama secured by FNG for markets outside China, and it will be carried by STAR Chinese Channel (SCC), the flagship Chinese general entertainment channel. The deal further reinforces FNG’s commitment to bringing quality Chinese content to the region and beyond.

Since 2014, FNG has successfully collaborated with NCM on several television series and films, including Tiger Mom, May December Love 2, Go Lala Go 2, and Meet Miss Anxiety. Ruyi’s Love In The Palace is a special joint project under which FNG and NCM have worked closely for 360 degree programming strategies, from co-production to broadcasting and promotion strategies.

Empresses In The Palace, the prequel of Ruyi’s Love In The Palace, was aired in 2011 and was praised for being one of the best period dramas produced in mainland China in recent years. It received 39 awards out of 69 award/festival nominations in 2012, including the most coveted China TV Golden Eagle Award – The Best TV series and Shanghai Television Festival – Best Director & TV Drama Award (Made in China) – Best Supporting Actress, and it also received a nomination for Best Actress at the prestigious International Emmy Awards. The series was distributed across major platforms in various countries, including Japan, Korea, Taiwan and Hong Kong, and it was acquired by HBO, which remade it into a shorter version for the US market and sold it to Netflix. The extraordinary success of Empresses In The Palace has made Ruyi the most anticipated sequel with a large and loyal following not just in mainland China but across the globe.

Ruyi’s Love In The Palace will start production in August 2016. This 90-episode period drama depicts a royal romance in the palace at the time of the Yongzheng Emperor’s passing and during the Qianlong Emperor’s rise to the throne. Ruyi, like Empresses, is also an adaptation from a novel by Liu Lian ZI novel under the same title. Leading the cast is Zhou XUN (周迅) in the role of the titular character, alongside Wallace HUO (霍建华), who plays the role of the Qianlong Emperor. XUN is widely known for her acting prowess, winning international awards for her roles in Suzhou River and Balzac and The Little Chinese Seamstress, and is considered one of the “Four Dan Actresses”, i.e. the four most bankable actresses in China. Meanwhile, HUO rose to fame as an actor for his roles in the dramas Go Yi Yi Go and Detective Tanglang.

For the rights in mainland China, Ruyi’s Love In The Palace was acquired by Dragon TV, Jiangsu TV and Tencent (online rights).

FNG aims to offer global audiences quality Chinese TV programmes through acquisition deals such as Ruyi’s Love In The Palace. The network’s global presence and extensive experience in international broadcasting, packaging and marketing will ensure the series will successfully reach audiences in markets including Hong Kong, Taiwan, Southeast Asia, Japan, Korea, Australasia, Europe, North and South America, Middle East and Africa

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About STAR Chinese Channel (SCC)

STAR CHINESE CHANNEL is the leading Chinese language channel produced elaborately by FNG. It is an integrated family entertainment channel especially designed for the Chinese audience. For a long time, STAR CHINESE CHANNEL continues to be the popular channel among the Chinese audiences worldwide. Various types of programs are presented on STAR CHINESE CHANNEL, including games, interviews, exteriors, delicacies and exciting dramatic programs.

About FOX Networks Group

FOX Networks Group (FNG) is 21st Century FOX’s international multi-media business. We develop, produce and distribute 300+ wholly- and majority-owned entertainment, sports, factual and movie channels in 45 languages across Latin America, Europe, Asia and Africa. FNG’s core channel brands include FOX, FOX Sports, FOX Life, FOX+ and National Geographic Channel. FNG’s movie channels include FOX Movies, FOX Movies Premium and SCM (formerly Star Chinese Movies). Our non-linear brands include FOX Play, FOX Play+ and Nat Geo Play. These networks and their related mobile, non-linear and high- definition extensions, reach over 1.825 billion cumulative households worldwide. In addition, FNG owns and operates two production studios and produces thousands of local programming hours for its wholly owned channels and third parties.

About New Classics Media

Founded in 2007, New Classics Media has dedicated itself to making film and television series. Over the past few years, NCM has established strong relationships by working with many prominent directors and scriptwriters. NCM has earned recognition and praise in the film and TV industries due to its professional team, rich experience, and excellent human resources. NCM aims to become a leading film and television company in China.

Media Inquiries:

Kelly Jang
Vice President, Marketing & Communications | FOX Networks Group Asia
kelly.jang@fox.com | Tel: +852.2621.8875

Game of Thrones Wins Magnolia Award For Best Foreign TV Series

SHANGHAI, JUNE 10, 2016 – HBO’s Emmy® and Golden Globe winning hit series, GAME OF THRONES, took home the Magnolia Award for Best Foreign Series held this evening at the Shanghai Oriental Art Center, in conjunction with the 22nd Shanghai TV Festival.

Present to receive the esteemed award was Jonathan Spink, CEO of HBO Asia, who said, “GAME OF THRONES is HBO’s most successful series of all time, yet it’s always humbling to witness such a massive affirmation of support for our shows. Thank you to the judges and to all our fans in China of course, for making GAME OF THRONES one of the most popular series in China. This award goes to the tireless creators and the very talented cast and crew of the series, who are simply the best in the business and to George RR Martin himself, for his incredible set of novels.” 

Based on the bestselling fantasy book series by George R.R. Martin, GAME OF THRONES chronicles an epic struggle for power in a vast and violent kingdom.

Returning series regulars on GAME OF THRONES this season include: Emmy® and Golden Globe winner Peter Dinklage (Tyrion Lannister), Nikolaj Coster-Waldau (Jaime Lannister), Lena Headey (Cersei Lannister), Emilia Clarke (Daenerys Targaryen), Kit Harington (Jon Snow), Aidan Gillen (Petyr “Littlefinger” Baelish), Diana Rigg (Lady Olenna Tyrell), Sophie Turner (Sansa Stark), Maisie Williams (Arya Stark) and Jonathan Pryce (the High Sparrow).

The first and second seasons of GAME OF THRONES can be seen on TV Drama Channel from now to June 15, 2016 and on International Channel Shanghai from June 16 to 25, 2016. Or watch the series on 鼎级剧场 (ding ji ju chang), destination for HBO’s hit series and Hollywood movies, available on Tianhua Media, BesTV and Penguin TV. The series is also available on Tencent Video’s v.qq.com.

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About HBO ASIA

Singapore-based HBO Asia brings the best of Hollywood to Asia first through its exclusive licensing deals with major Hollywood and independent studios, including Paramount Pictures, Sony Pictures, Universal Studios, Warner Bros. and Lionsgate. HBO Asia has proprietary and award-winning HBO and HBO Asia Original programmes produced exclusively for HBO viewers. Wholly owned by HBO (a Time Warner company), HBO Asia reaches 23 territories across Asia with six 24-hour commercial-free subscription movie channels: HBO, HBO Signature, HBO Family, HBO Hits, Cinemax and Red by HBO, internet streaming platform, HBO GO, subscription video on demand service, HBO On Demand, and in China, 鼎级剧场 (ding ji ju chang), destination for HBO’s hit series and Hollywood movies. HBO Asia is also the exclusive distributor of BabyFirst and the DreamWorks channel in the region. Log on to www.hboasia.com for more information.

Game of Thrones, HBO and Home Box Office are service marks of Home Box Office, Inc. Used with permission.

For more information, please contact HBO Asia:

Karen Lai | Communications Director | HBO Asia 

DID +65 6381 1796 | Mobile +65 9111 2655 | Fax +65 6287 2210 | www.hboasia.com

10 June, 2016

news_views_header

Welcome to News Views, CASBAA’s news round-up culled from sources across the industry for the week ending June 10th. Curated by CASBAA, News Views keeps you in the loop. We always value your feedback, so tell us what you think!

Brought to you by:

invidi
Christopher Slaughter

Christopher Slaughter

CEO

The global entertainment and media industry will grow by 4.4% over the next five years, from US$1.7 trillion last year to US$2.1 trillion in 2020, according to PwC’s latest Global E&M Outlook issued this week.  There are plenty of other takeaways, including the firm’s prediction that 2017 will be the year advertisers spend more on the Internet than TV, and that
box office receipts in China will overtake the US next year, and the report identifies five key shifts that will drive change; demography, competition, consumption, geography, and business models.  But the biggest call to action is also a major challenge — media companies must innovate and reimagine the industry.
Mark Lay

Mark Lay

Vice President, Singapore

ESPN dipped their toe into eSports broadcasting a while back, Amazon went big with $1 billion purchase of Twitch and Google started their dedicated Youtube Gaming site last summer. Last month, Turner started making a big push with a combination of streaming and live airing on TBS.  And just this week, Facebook is entering the eSports market by doing a deal with Blizzard Entertainment.  “Users of Blizzard’s PC games such as “World of Warcraft,” “Heroes of the Storm,” “Hearthstone,” “Diablo III,” “StarCraft II” and “Overwatch” will be able to log in using their Facebook accounts and then live-stream their gaming sessions directly to their Facebook timelines.  
John Medeiros

John Medeiros

Chief Policy Officer

The debates over local content quotas on OTT platforms continue.  Here’s a discussion of proposals to put in local content quotas in Australia.  And in Canada, the political elite insists it is necessary to regulate online media in order to protect Canadian culture…..but it seems growing numbers of Canadians don’t think that’s so important.
Kevin Jennings

Kevin Jennings

Vice President, Programme

Taiwanese film distribution and production company CatchPlay has launched a streaming video-on-demand service in Indonesia with the country’s state-owned telecommunications giant Telkom Indonesia after rolling out the OTT  service in Taiwan in March.  In addition to movies produced by several Hollywood-based producers, CatchPlay has obtained licensing from local Indonesian independent distributors and movie producers. Meanwhile the indigenous Indonesian OTT platform Genflix is claiming it had 2 million viewers for the European soccer final featuring Real Madrid, at the end of May. 
John Medeiros

John Medeiros

Chief Policy Officer

In India, satellite policy is clearly the subject of a tussle between advocates of continued state monopoly over Ku-band satellite services, and those advocating a more competitive market economy.  The space bureaucrats maintain they are advancing the Prime Minister’s “indigenization” agenda to make stuff in India, while the other side says more openness  would be better for connectivity of rural areas, and also push innovation throughout the entire economy, and not just in the state sector. 
Mark Lay

Mark Lay

Vice President, Singapore

Elsewhere, AT&T and The Chernin Group are preparing to launch a subscription video bundle targeted at the younger demo.  They believe that a combination of anime, video games, niche action sports and other fare off the beaten path will attract viewers who haven’t traditionally subscribed to pay TV.  The new platform will be created by Ellation who runs anime video subscription service, Crunchyroll, with 800k subs. The exact structure of the programming and packaging is still unknown. And regarding the older demo, an analyst at Morgan Stanley has a plan for how Netflix can win these reluctant streamers.   
Kevin Jennings

Kevin Jennings

Vice President, Programme

In an important step forward, the Pakistan Electronic Media Regulatory, PEMRA, has approved the process of Pakistan’s first direct-to-home (DTH) licensing.  It is hoped that the process will spark the creation of a new generation of technology and services for viewers, and that it will also bring much needed investment to the media industry and generate employment.  PEMRA says that it will ensure a transparent mechanism to complete the DTH process and will announce a detailed timeline.  Market sources estimate that — with approval of DTH process in place — it won’t take more than 3-4 months till the completion of DTH licenses’ auction.
Jane Buckthought

Jane Buckthought

Advertising Consultant

The conversation about measurement continues. The UK’s Joint Industry Committee for Web Standards (JICWEBS) – the independent body that defines best practice and standards for online ad trading – has produced recommended guidelines for products that aim to measure the viewability of online video. “Consequently, advertisers are becoming more focused in their demand for greater transparency in this area,” said JICWEBS chairman Richard Foan.
Christopher Slaughter

Christopher Slaughter

CEO

Nielsen has released its Twitter rankings for TV shows in the US, claiming that more than a billion tweets were sent out about TV shows during the 2015-16 season.  The data is presented by type of programme, including sports (The Super Bowl), series (The Walking Dead and Empire), and specials (The Grammys), with an added section on the US Presidential debates (the Democrats win by a nose: insert Donald Trump comment of your choice here). Meanwhile, depending on what numbers you use, the conclusion that “Scripted TV is Dying A Slow Death” among US network broadcasters might not be far off target. 
Kevin Jennings

Kevin Jennings

Vice President, Programme

McCann Japan have created the  first TVC made by artificial intelligence. An ad for Clorets has been created directed by AI-CD ß, which recently became the first machine member of their creative department. The project is part of a  “man Vs machine” project with a country-wide poll to decide whether the human or AI version of the ad is preferred.  The two ads can be seen here.  On a not unrelated issue, can’t help feeling that none of this will sit well with  Cindy Gallop who has chastised Ad Agencies in the past for not employing enough women or minorities saying   “It’s not about diversity it’s about humanity’  Man Vs machine indeed
Some additional links you might be interested in:
Member News

Hbo Asia’s halfworlds commissioned for a second season

Production has begun this week in Bangkok for the network’s first returnable series

SINGAPORE, JUNE 9, 2016 – HBO Asia announced today the renewal of the network’s dark action fantasy series, HALFWORLDS, with principal photography for the eight-part second season taking place in Bangkok and Batam.

This marks HALFWORLDS as HBO Asia’s very first returnable series, with season two scheduled for premiere at the end of 2016 on HBO Asia’s on-air, online and on-demand platforms.

Created by HBO Asia and helmed by Thai filmmaker Ekachai Uekrongtham (Beautiful Boxer, Skin Trade), season two of HALFWORLDS widens the universe established in the first season, shifting from the back alleys of Jakarta, to the neon streets of Bangkok, where a tenacious researcher named Juliet is trying to uncover the secret world of demons that live amongst us, while looking for an ancient artefact of great power.

Said Jonathan Spink, CEO of HBO Asia, “HALFWORLDS was created to transcend geographical boundaries, so HBO Asia is of course, delighted by the impact it’s made on audiences across the region and thrilled to be bringing it back. We’re looking forward to drawing more audiences into our fictional world of HALFWORLDS.”

Season two will feature an ensemble cast of actors from Thailand, Indonesia, The Philippines and Taiwan. Reza Rahadian (Habibie & Ainun) and Arifin Putra (The Raid 2) reprise their roles as Tony and Barata. New cast members include Peem Jaiyen (Hormones 3), Tia Tavee (Asia’s Next Top Model 2), Emma Grant (The Idol Game), Myra Molloy (Thailand’s Got Talent), Nicole Theriault (Phobia 2), Jeeja Yanin (Chocolate), David Asavanond (The Last Executioner), Charlie Ruedpokanon (Only God Forgives), Jake Macapagal (Metro Manila), and Teresa Daley (Transformers: Age of Extinction), who also starred in HBO Asia’s Grace.

Conceptualised by HBO Asia and written by Collin Chang, season two of HALFWORLDS is produced by HBO Asia with Singapore-based Infinite Studios. Thailand-based Halo Productions will provide production services in Bangkok, while Singapore-based companies Yellow Box Studios and Gravitate will be responsible for audio post-production including sound design, and colour grading services respectively. The series is produced in partnership with the Media Development Authority of Singapore (MDA) to develop the drama production capabilities of Singapore’s media industry and talent. HBO Asia will work with these talent and Singapore-based companies, and train them to develop and produce compelling content.

Ms Angeline Poh, Assistant Chief Executive Officer (Industry Group), MDA, said, “MDA is delighted to partner HBO Asia on the next season of HALFWORLDS, creating the opportunity for Singapore media professionals and companies to participate in this exciting project and hone their craft in producing compelling drama. This is the first in a pipeline of projects as part of the MDA-HBO Asia partnership aimed at raising the bar on quality original dramas produced by Singapore talent.”

 

About season one of HALFWORLDS

The first season of HBO Asia’s dark fantasy series premiered on HBO Asia’s on-air, online and on-demand platforms in November 29, 2015, to critical acclaim across Asia. The series recently won the Apollo Awards for Best Cinematography, Best Colour Grading – Long Form and Best Motion Graphics – Short Form.

According to The Philippine Star, season one of HALFWORLDS is “edgy, clever, violent and stylishly sexy… having True Blood like appeal… (giving) Game of Thrones white walkers a run for their money”. Philippine Daily Inquirer hailed the series as being “daring in its choice of visuals”. Manila Bulletin described HALFWORLDS as “a TV series with film-style cinematography that boasts a distinctly regional feel but could very well work across key markets globally”.

The Straits Times commended production values on HALFWORLDS for being “impressively slick”, with the escalation of tension “leaving you wanting more”. The Bangkok Post praised the first season for being “dead cool” while The Nation calls it “a cult hit waiting to happen”. To The China Post, the series “makes sure fans stay put on the sofa and forget about the remote control”. To Malaysia’s The Star, “HALFWORLDS is gorgeous to look at with its beautifully shot film noir-style atmosphere.”

About HBO ASIA

Singapore-based HBO Asia brings the best of Hollywood to Asia first through its exclusive licensing deals with major Hollywood and independent studios, including Paramount Pictures, Sony Pictures, Universal Studios, Warner Bros. and Lionsgate. HBO Asia has proprietary and award-winning HBO and HBO Asia Original programmes produced exclusively for HBO viewers. Wholly owned by HBO (a Time Warner company), HBO Asia reaches 23 territories across Asia with six 24-hour commercial-free subscription movie channels: HBO, HBO Signature, HBO Family, HBO Hits, Cinemax and Red by HBO, internet streaming platform, HBO GO, subscription video on demand service, HBO On Demand, and in China, 鼎级剧场 (ding ji ju chang). HBO Asia is also the exclusive distributor of BabyFirst and the DreamWorks channel in the region. Log on to www.hboasia.com for more information.

About the Media Development Authority of Singapore (MDA)

The MDA (www.mda.gov.sg) promotes the growth of globally competitive film, television, radio, publishing, games, animation and interactive digital media industries. It also regulates the media sector to safeguard the interests of consumers, and promotes a connected society. MDA is a statutory board under the Ministry of Communications and Information (www.mci.gov.sg).

Legion to air day & date on Fox Networks in more than 125 countries in early 2017

LOS ANGELES, June 8, 2016 – FOX channels outside the U.S. have picked up worldwide rights to the FX Productions and Marvel Television series Legion. The series is slated for an early 2017 day & date premiere in more than 125 countries including in the U.S. where it will premiere on FX Networks. The FX Networks first season order was announced last week.

Created by Noah Hawley and set in the universe of Marvel’s X-Men franchise, Legion joins Fox’s growing roster of global, simultaneous launches, a staple of the group’s international programming and marketing strategy for its most viral, high-profile series, such as The Walking Dead, Outcast and Wayward Pines. Fox networks are among the world’s most widely distributed entertainment destinations, available in over 125 countries and to over 250 million homes outside the U.S.

Fox Networks Group Chairman and CEO Peter Rice said: “Legion brings the X-Men universe to life, as a character driven, serialized TV show, in a truly amazing new way, and we’re pleased that X-Men fans will have the opportunity to see it simultaneously in the 125 countries where Fox is available.”

“FX is thrilled to collaborate with our international partners to bring Legion to audiences worldwide and the day-and-date delivery will make this a truly global event,” said Eric Schrier, President of Original Programming, FX Networks and FX Productions. “With the universal appeal of the X-Men franchise, fans will be amazed with the artistry and ambition that Noah Hawley and this extraordinary cast have brought to Legion.”

“We are thrilled to be partnering with FOX Networks Group to launch Legion to a massive global audience,” said Executive Producer and Marvel’s Head of Television, Jeph Loeb. “In our storytelling, it is imperative to us that we’re creating characters and a universe that resonates with people around the world and we are so proud to introduce this cast of characters to fans everywhere.”

Legion is the story of a troubled young man who may be more than human. It introduces the story of David Haller, who since he was a teenager, has struggled with mental illness. Diagnosed as schizophrenic, David has been in and out of psychiatric hospitals for years. But after a strange encounter with a fellow patient, he’s confronted with the possibility that the voices he hears and the visions he sees might be real.

Dan Stevens (Downton Abbey), Rachel Keller (Fargo), Jean Smart (Fargo), Aubrey Plaza (Parks and Recreation), Jeremie Harris (A Walk Among the Tombstones), Amber Midthunder (Hell or High Water), Katie Aselton (The League) and Bill Irwin (Interstellar) star in Legion. Noah Hawley (Fargo) will serve as an Executive Producer along with Lauren Shuler Donner (X-Men: Days of Future Past, Deadpool), Bryan Singer (X-Men: Apocalypse, Superman Returns), Simon Kinberg (X-Men: Days of Future Past, The Martian), Jeph Loeb (Marvel’s Agents of S.H.I.E.L.D., Marvel’s Daredevil, Marvel’s Jessica Jones), Jim Chory (Marvel’s Agents of S.H.I.E.L.D., Marvel’s Daredevil, Marvel’s Jessica Jones) and John Cameron (Fargo, The Big Lebowski).  Legion is the latest project from Hawley and Cameron, two of the Executive Producers of the Emmy® and Golden Globe® -winning FX limited series Fargo.

Production on the eight-episode first season will begin this summer in Vancouver and the new series from FX Productions and Marvel Television will debut on globally in early 2017. FXP will be handling the physical production. Fox Networks Group’s sales arm will be handling distribution to third parties.

ABOUT FOX NETWORKS GROUP

Fox Networks Group (FNG) is a primary operating unit of 21st Century Fox (NASDAQ:FOXA). FNG consists of Fox Television Group, which includes Fox Broadcasting Company and 20th Century Fox Television; Fox Cable Networks, which includes FX Networks; Fox Sports Media Group, National Geographic Partners, and Fox Networks Group Europe, Asia and Latin America. Together these units create, program and distribute some of the world’s most popular entertainment, sports and nonfiction programming.

ABOUT FX PRODUCTIONS

FX Productions (FXP) produces FX’s acclaimed hit drama series The Strain; the upcoming limited series Trust; the comedy series Louie, Archer and Baskets, and the upcoming Better Things and Atlanta, and the FXX comedy series It’s Always Sunny in Philadelphia, You’re the Worst and Man Seeking Woman. FXP co-produces the drama series The Americans, Tyrant and the upcoming Taboo; the limited series Fargo and American Crime Story; and the comedy series Sex&Drugs&Rock&Roll.

ABOUT MARVEL ENTERTAINMENT

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media over seventy-five years.  Marvel utilizes its character franchises in entertainment, licensing and publishing.  For more information visit marvel.com.  © 2016 MARVEL

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Media Inquiries:

For Fox Networks Group:

Jonathan Bing

Senior Vice President, Corporate Communications | FOX Networks Group

jonathan.bing@fox.com  | Tel: +310.369.1274

Kelly Jang

Vice President, Marketing & Communications | FOX Networks Group Asia

kelly.jang@fox.com | Tel: +852.2621.8875

For Marvel Television:

Annie Geffroy

ageffroy@marvel.com | Tel: +818.544.9416

Vivo IPL 2016 explodes on Hotstar: Emerges as the Biggest Screen amongst the Affluent Metro Youth in India

  • Hits the 100 mn mark in reach with a 140% growth over last year with the top 6 metros registering the highest consumption
  • More viewers watched Vivo IPL 2016 on Hotstar than on television in the top 10 metros
  • With 4.5 billion interactions, Hotstar emerges as the digital destination with the most engagement

Mumbai, June 6, 2016: The recently concluded edition of the Indian Premier League, Vivo IPL 2016, has seen record-breaking viewership and engagement on the Internet. Latest statistics from India’s largest premium streaming platform, Hotstar, the digital partner for IPL, indicate a paradigm shift in viewership patterns amongst young Indians and affluent urban households.

Hitting the 100 million mark

Overall followership of IPL crossed the 100 million mark on Hotstar, and its associated properties, over the months of April and May. This was a dramatic increase from the 41 million users who watched IPL on Hotstar in 2015. Hitting the three figure number for a single tournament marks a new milestone for Hotstar as well as the state of online video in India. Within 16 months of launching what was India’s first premium streaming platform, Hotstar seems to be actively setting new benchmarks for both video streaming as well as sports viewership.

The dramatic growth in viewership was driven by a surge in cricket fans from the top metros and cities where access to mobile broadband on WiFi, 3G and 4G has seen a surge over the last 2 years. The growth also seems to be driven by Hotstar’s increasing emergence as the primary screen for cricket and other sports. More than 80% of IPL viewers were less than 35 years old with most of them coming from an audience that is deeply coveted by advertisers and hard to find on television: users in their mid 20s who have the aspiration and willingness to spend on the exploding array of new products and services available in cities.

Cord cutting or No Cord Ever?

This year’s IPL also saw the advent of an entirely new phenomenon in sports viewership in India. Amongst affluent metro youth  – cricket fans over the age of 15 in the SEC A, B segments who live in the largest 6 cities in the country – Hotstar has emerged as the primary screen with more viewers watching the tournament on Hotstar than on television. The first 59 matches saw 49 million fans on Hotstar while the television reach for the same period and audience was 29 million. While cord cutting has been discussed as an emerging trend in the more mature digital markets of North America and Europe, digital exceeding television reach is an entirely new phenomenon in India even though, for now, it is limited to the more affluent cricket fans who have access to home and office broadband as well as access to high quality 3G and 4G access. Many research reports in the last few years have often cited how the younger Indian Internet user has a high degree of comfort with watching long form content and live sports on a mobile screen and with Hotstar bringing together an entire portfolio of premium content on a mobile, this preference seems to be digging in as a persistent behavior in these demographic segments.

Exploding Engagement: Video, Video, Video

The platform also saw a dramatic surge in fan engagement around the Vivo IPL 2016, with overall interactions exploding from ~228 million in 2014 when streaming debuted on starsports.com to more than 4.5 billion this year on Hotstar. These interactions measures fans’ engagement with IPL on the platform, including page views, video views and engagement with the custom sports notification service beyond match streams. Hotstar had also entered into exclusive partnerships with UC Browser, Hike and CM Browser to allow their users to have easy access to video clips on Hotstar.

When asked to comment on these milestones, Ajit Mohan, CEO, Hotstar, said, “These numbers indicate a big shift in consumer behavior. Cricket fans have firmly moved beyond just following scores and text commentary on the web to watching video on the mobile and deeply engaging with video services. I believe that we owe our success to three things. One, we have created a cricket (and sports) experience that is interactive and complete. Whether watching the match, or following the high points, or tuning in to our pre- and post- match shows or following the IPL franchisees with our special access to the teams, Hotstar is delivering an experience for fans that is not just convenient but is distinct from linear broadcasting. Second, we are continuously investing in technology and user experience to ensure that fans have access to a high quality experience even though data networks can often be patchy, even in the large cities. And, lastly, as a network, we have really been thoughtful in making sure that we build IPL for a young urban audience, both with our service and with our communication. The milestones are a testimony to our ability to grow the tournament’s affinity in urban India.”

A new destination for advertisers

Recognizing the power of a premium streaming platform that not only delivers incremental reach to television but also hits the most affluent consumers who have the purchasing power and willingness to spend on goods and services, many advertisers flocked to Hotstar for the tournament. This season, the platform had a total of seven sponsors – Flipkart, Raymond, Axe Deos, Airtel, Nestle, Amity University and Volini.

 Commenting on how his company views digital as a destination for advertising, Subodh Marwah, Vice President and Global Head, Sun Pharma – Consumer Healthcare said, “With millennial’s accounting for 65% of India’s population, digital as a medium is fast growing and the alternate screen penetration is far greater than TV sets. Hence, a digital led strategy was an obvious choice for Volini spray to reach its “sports enthusiast” target audience. Volini associated with Vivo IPL 2016 as the official pain relief partner on Hotstar. To our advantage Hotstar became the primary screen for this season and crossed 100 million. We are happy with our association with Hotstar for Vivo IPL 2016.”

About Hotstar: 

Hotstar is India’s largest premium streaming platform with more than 85,000 hours of drama and movies in 8 languages, and coverage of every major global sporting event. Launched in February 2015, it has been downloaded by more than 68 million users and has attracted followers on the back of a highly evolved video streaming technology and high attention to quality of experience across devices and platforms.  

Soon after its launch, Hotstar raced on to become one of the fastest adopted new apps anywhere in the world. Hotstar offers most of its content free of cost and recently introduced a pay wall that provides some of the most popular international TV series and films for a monthly subscription fee of Rs. 199. 

Hotstar is available on the Google Play Store and Apple App Store for mobile and tablet applications and can also be accessed at www.hotstar.com

Asia Pacific Set to Top Internet Traffic by 2020

More than half of the world’s population will be online by 2020 setting yet another digital milestone

SINGAPORE – June 08 2016 — Internet traffic is set to soar to three times its current volume by 2020, according to the latest Cisco Visual Networking Index™ (VNI). The Cisco flagship report on future Internet traffic trends and data attributed this meteoric rise to more users, more devices, more connections, more video and faster speeds. The report noted that over half of the world’s population (52%) will be online by the end of the decade, marking yet another landmark in the digital era.

The 2016 Cisco VNI also noted that Asia Pacific, home to the largest population of internet users, is set to continue leading the mass adoption of connected devices and online behavior. The report outlines a number of key forecasts for the region in 2020:

  1. Asia Pacific will account for over 53% (2.2 billion) of the global Internet population.
  1. Internet of Things (IoT) will take a giant leap forward as Machine to Machines, M2M, will make up 45% of the total number of devices and connections – with Connected Home and Connected Work leading the way.
  1. The Decline of the Desktop. Smartphones are set to eliminate the PC’s dominance. Smartphones will constitute 44% of all Internet traffic while PCs traffic will continue to fall to 31%.
  1. Video will account for 81% of all Internet traffic with faster speeds ushering in an era of the 2 minute, HD Movie download.

The 2016 VNI report highlights a continued trend towards much faster speeds as well as the rapid migration towards mobile and smart devices. All elements from the report point towards a future that is increasingly connected and complex for businesses and consumers.

“The explosion of more users, more devices, and more connections means an exciting era for citizens and businesses as Asia Pacific drives the world’s digital future,” said Chris Heckscher, Cisco’s Vice President, Service Provider Sales for Asia Pacific and Japan. “The digital revolution is well and truly here, and the citizens and companies of Asia are set to reap the benefits.”

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2020

Key Trends Fact Sheet

  • Asia Pacific will be home to over half of all internet users (54% or 2.2 billion).
  • More than 1 billion new Internet users to join the global Internet community, rising to 4.1 billion.

 

  • Asia Pacific will account for 44% of all connections and devices (11.7billion).
  • Globally, devices and connections are set to reach 26.3 billion.

 

  • In Asia Pacific – M2M connections to grow to 5 billion or 4% of all APAC traffic.

o    Connected Homes and Work leading the increase.

  • Globally, M2M connections are set to grow three-fold from 4.9 billion to 12.2 billion – 46% of all connected devices.

 

  • Asia Pacific is HOT. It will have 164 million or 37% of all Wi-FI Hot Spots.
  • Global Hot Spots set to rise to 433 million.

 

  • Video will account for 81% of all Asia Pacific traffic.

o    UHD accounts for 15% of all Asia Video traffic.

  • Video will account for 82% of all global traffic.
  • Virtual Reality to become the new reality – traffic increasing a massive 61-fold.
  • Desktop /personal video-conferencing will be the fastest growing business Internet service, growing from 95 million users in 2015 to 248 million.
  • The way consumers and business users access IP networks and the Internet is shifting from PCs to mobile devices. By 2020, 71 percent of total IP traffic will originate with non-PC devices including tablets, smartphones, and televisions, compared to 47 percent in 2015.
  • The connected health consumer segment will have the fastest growth (five-fold) of M2M connections from 2015 (144 million) to 2020 (729 million).The connected home segment will have the largest volume of M2M connections over the forecast period with 2.4 billion in 2015, growing to 5.8 billion by 2020—nearly half of all M2M connections.


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Cisco VNI Methodology

The Cisco VNI™ Global IP Traffic and Service Adoption Forecasts for 2015 to 2020 rely upon independent analyst forecasts and real-world network usage data. Upon this foundation are layered Cisco’s own estimates for global IP traffic and service adoption. A detailed methodology description is included in the complete report. Over its 11-year history, Cisco® VNI research has become a highly regarded measure of the Internet’s growth. National governments, network regulators, academic researchers, telecommunications companies, technology experts and industry/business press and analysts rely on the annual study to help plan for the digital future.

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Editor’s Notes

Cisco also welcomes press, analysts, bloggers, service providers, regulators and other interested parties to use and reference our research with proper attribution, such as “Source: Cisco Visual Networking Index Complete  Forecast Update, 2015-2020.”

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Lim Choon Hong
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chonglim@cisco.com

About Cisco

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A tribute to Muhammad Ali: Muhammad Ali’s greatest fight

Now on HBO On Demand. Plays this weekend on HBO Signature

SINGAPORE, JUNE 7, 2016 – HBO Asia remembers Muhammad Ali with the HBO Original movie, MUHAMMAD ALI’S GREATEST FIGHT, now on HBO On Demand (StarHub TV Ch 602 / StarHub Go). The movie also encores this weekend on HBO Signature (StarHub TV Ch 603) – Saturday, June 11 at 8pm and Sunday, June 12 at 12.30pm.

Famous for both his signature shuffle and verbal sparring, boxer Cassius Clay quickly rose to fame in the ‘60s, becoming the world’s best-known athlete – and eventually its most controversial. After joining the Nation of Islam and adopting the name Muhammad Ali, he was widely denounced for refusing to be drafted into the U.S. military, based on his religious opposition to the Vietnam War.

Stripped of his title and banned from the sport, the self-proclaimed “Greatest” lost nearly four years of his boxing prime to legal battles. In 1971, his case for being a conscientious objector eventually reached the United States Supreme Court, rooted by tradition and conservative ideals with Nixon appointed Chief Justice Warren E. Burger at its helm.

Going behind the closed doors of the United States Supreme Court as the nine Justices decide the outcome of Muhammad Ali’s landmark 1971 case for being a conscientious objector. Justice Harlan, a respected jurist with 15 years on the Court, finds himself at odds with the status quo after his perspective is challenged by the contemporary ideals of his new clerk.

MUHAMMAD ALI’S GREATEST FIGHT stars Academy Award® winner Christopher Plummer (“Beginners”), Academy Award® nominee Frank Langella (“Frost/Nixon”) and Benjamin Walker (“Abraham Lincoln: Vampire Hunter”); directed by Academy Award® nominee Stephen Frears (“The Queen”) from a script by Shawn Slovo (“A World Apart”); and executive produced by Emmy® winner Frank Doelger (HBO’s “Game of Thrones” and “The Gathering Storm”), Emmy® winner Tracey Scoffield (HBO’s “The Gathering Storm”), Jonathan Cameron and Stephen Frears.

Executive produced by Frank Doelger, Tracey Scoffield and Jonathan Cameron; directed by Stephen Frears from a script by Shawn Slovo. This movie debuted on HBO in 2013.

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About HBO ASIA

Singapore-based HBO Asia brings the best of Hollywood to Asia first through its exclusive licensing deals with major Hollywood and independent studios, including Paramount Pictures, Sony Pictures, Universal Studios, Warner Bros. and Lionsgate. HBO Asia has proprietary and award-winning HBO and HBO Asia Original programmes produced exclusively for HBO viewers. Wholly owned by HBO (a Time Warner company), HBO Asia reaches 23 territories across Asia with six 24-hour commercial-free subscription movie channels: HBO, HBO Signature, HBO Family, HBO Hits, Cinemax and Red by HBO, internet streaming platform, HBO GO, subscription video on demand service, HBO On Demand, and in China, 鼎级剧场 (ding ji ju chang). HBO Asia is also the exclusive distributor of BabyFirst and the DreamWorks channel in the region. Log on to www.hboasia.com for more information.

For more information, please contact HBO Asia:

Karen Lai
Director, Communications
Tel: (65) 6381 1796
Email: karen.lai@hboasia.com

Angela Poh
Manager, Communications
Tel: (65) 6381 1838
Email: angela.poh@hboasia.com

Chan Zi Ning
Executive, Communications
Tel: (65) 6381 1746
Email: zining.chan@hboasia.com