News

CNN International Commercial appoints new Head of Advertising Sales, India

Abhijeet Dhar

Dhar’s appointment is in alignment with CNN’s strong audience growth, launch of new products and platforms and audience targeting capabilities which opens new opportunities for clients to tap into local and global markets. Dhar will strengthen the current sales structure and grow the Ad Sales business with CNN’s cross platform offers across TV and Digital with unique branded content and sponsorship opportunities.

Dhar reports to Sonali Chatterjee, CNN’s Head of Advertising Sales for South Asia. “Abhijeet comes with a proven track record of leading local and international client relationships across digital platforms and TV. The growth potential of India has been reflected in the 82% year on year growth of CNN digital’s monthly reach* in the country and this is the right time to take CNNI Ad Sales to the next level. We are delighted to welcome Abhijeet to the team and firmly believe that with his wealth of experience, he will play an integral role in the India growth story,” Chatterjee said.

Dhar will be supported in his new role by the CNNI advertising sales teams in New Delhi and Mumbai. Prior to CNN International, he was Head of Sales, India with BBC Advertising. Dhar begins his new role with CNN this week.

* Source: Ipsos Affluent Survey Asia Pacific Q1-Q4 2015 vs. Q1-Q4 2014 – India respondents (Delhi + Mumbai + Bengaluru).

– Ends-


About Abhijeet Dhar

Abhijeet Dhar has 14 years of experience and a proven track record of working across various platforms in the media and entertainment space. He joins CNN international from BBC World News where he developed a consistent flow of business within the domestic market while strengthening and growing the international business with complementary multi-platform solutions. Dhar was also responsible for developing the emerging programmatic business for India. He holds a Bachelor’s degree in Economics from Delhi University and completed his post graduate studies in Marketing Management from the Times School of Marketing, New Delhi.

About CNN International

CNN’s portfolio of news and information services is available in seven different languages across all major TV, digital and mobile platforms reaching more than 420 million households around the globe, including over 72 million across the Asia Pacific region. CNN International is the number one international TV news channel according to all major media surveys across Europe, the Middle East and Africa, the Asia Pacific region and Latin America and recently expanded its US presence with its launch on CNNgo. CNN Digital is a leading network for online news, mobile news and social media. CNN is at the forefront of digital innovation and continues to invest heavily in expanding its digital global footprint, with a suite of award-winning digital properties and a range of strategic content partnerships, commercialised through a strong data-driven understanding of audience behaviours. Over the years CNN has won multiple prestigious awards around the world for its journalism. CNN has 41 editorial offices and more than 1,100 affiliates worldwide through CNN Newsource. CNN International is part of Turner, a Time Warner company. Get the latest social media updates from CNN at: facebook.com/cnninternational @cnnasiapr

3 June, 2016

news_views_header

Welcome to News Views, CASBAA’s news round-up culled from sources across the industry for the week ending June 3rd. Curated by CASBAA, News Views keeps you in the loop. We always value your feedback, so tell us what you think!

Brought to you by:

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Christopher Slaughter

Christopher Slaughter

CEO

It’s that time of year again: Mary Meeker’s latest Internet Trends report has hit the streets, all 213 slides (or, if you prefer, in PDF.)   As you might expect from a deck so dense (it started back in 2001 as just 25 slides), there is a ton of data to wade through, and everyone has their own favorite slides.  Among mine: India has passed the US to become the #2 global Internet market after China; but in general, the Internet boom is plateauing.  Oh, and online video advertising sucks, but there’s not enough of it, either. 

Data overload?  Tune in again next week, when PwC releases its Global Entertainment & Media Outlook for 2016.
Jane Buckthought

Jane Buckthought

Advertising Consultant

Video will account for roughly 70% of mobile data traffic in 2021 after growing by some 55% annually over the next five years, according to the latest Ericsson Mobility Report. The study noted a “significant increase” in video traffic share on smartphones and tablets and said that “viewing is gradually switching from traditional TV to streaming video on smartphones”.
John Medeiros

John Medeiros

Chief Policy Officer

It’s pretty cool to work in an industry where our members (in this case, Thaicom and SpaceX) are doing stuff like this.   It fires the imagination – maybe SpaceX really will go to Mars in two years.  And for an even better understanding of what it means to drop a rocket onto a barge in the middle of the sea, watch the end of this slowed-down version, which has the landing platform location photo-shopped in, so you can see it way way way below, while Falcon 9 is still in space.    Awesome, really.   (On a side-note, Thaicom and SpaceX really hit the PR bonanza with that 30-second video…….almost 2 million Youtube views in a few days – hope Google is sharing the ad revenue!)
Kevin Jennings

Kevin Jennings

Vice President, Programme

Apple has moved into the number three spot in the OTT Set Top Box market.  The results, based on revenue in the overall global set-top box market saw Apple move to third place in 2015 from ninth the year before.  More than 10 million Apple TVs were shipped in 2015, the fifth largest volume in the world — following Arris, Technicolor, Skyworth and ZTE.  The Set Top Box market has certainly grown since 2007, when Steve Jobs originally described the Apple TV business as a hobby.
Mark Lay

Mark Lay

Vice President, Singapore

Michael Wolfe takes an interesting look at the economics of the skinny bundle and determines that maybe Fat is the New Skinny  He indicates that “cord shaving and cutting come largely from the barely or temporarily connected young and from basic subscribers constantly shopping for a better deal — marginal or unprofitable customers whose business often fails to cover the cost of their cable box. In other words, the fight over them is something of a battle for a worthless prize”.  In related news, James Murdoch thinks that “most of the big MVPDs in the U.S. will probably seek to go out-of-market, competing with each other on an over-the-top basis.”
John Medeiros

John Medeiros

Chief Policy Officer

In last week’s issue, I noted the EU proposals to put local content requirements on the catalogs of OTT program providers.   Well, now other governments are rushing to consider ways to tax and regulate OTT video.   Aussie Screen producers want a share of the loot.  The Indonesian authorities want all players to have a permanent local establishment (and pay taxes).   Spanish operators say Netflix should chip in to help fund the national TV station.    The flood of new regulatory initiatives will soon reach tsunami status.  
Christopher Slaughter

Christopher Slaughter

CEO

Another week, another round-up of articles about the Future of TV: from the viewpoint of a tech VC, the CEO of the Television Academy (home of The Emmys), a US-based consultant,  and the Atlantic magazine, for whom the future is mobile.

Meanwhile, if you’re tired of the future, how about a blast from the past?  Hit Fix scribe Alan Sepinwall very thoughtfully reflects on 20 years as a TV critic by turning on the way-back machine.
John Medeiros

John Medeiros

Chief Policy Officer

Favorable reports from India on IP issues:  the Commerce Minister just got the Copyright Registrar’s Office moved under her, and she admits there has been a “complete absence of enforcement of copyright”  despite the laws on the books.  And she goes on to say “we have to stop this; it tarnishes the image of the country.”     Dedicated police units would be a good way to enhance enforcement; in a CASBAA-led panel at last March’s FRAMES conference, Telangana police announced they intended to introduce a new Telangana IP Crime Unit (TIPCU), and now that seems to be going forward.   Meanwhile, Star TV filed a bunch of complaints against cable pirates, obtaining police raids and seizures of equipment from several cable operators. 
Kevin Jennings

Kevin Jennings

Vice President, Programme

Netflix will be alive with the sound of music next year with a new series starring Julie Andrews as the head of a stage school. The preschool show, known as Julie’s Greenroom will air worldwide in early 2017. It is significant as it forms part of the Netflix strategy to create more family viewing for subscribersJulie Andrews created the show with her daughter and The Muppets owners the Jim Henson Company.
Some additional links you might be interested in:
Member News

Asia’s Next Top Model Season 4 finale on starworld generates phenomenal engagement in southeast Asia

Reality series ratings smash in the Philippines, Malaysia and online as excitement reached fever pitch

June 3, 2016 – HONG KONG – FOX Networks Group (FNG) Asia announced that the finale episode of StarWorld’s hit reality series Asia’s Next Top Model (AsNTM) Season 4 wrapped to a ratings and social media smash when it aired across Southeast Asia on Wednesday, June 1. Tawan “Thai-ger” Jiratchaya from Thailand was awarded the coveted title of Asia’s Next Top Model Season 4.

In Malaysia, this season has been the highest rated of the show on StarWorld with the finale episode topping all finale episodes of previous seasons. In the Philippines, the finale episode made StarWorld the #1 general entertainment cable channel in that timeslot, while a back-to-back marathon of the first 12 episodes prior to the finale increased the channel’s year-to-date timeslot average ratings by 7 times.

On June 1st, fans took to social media to express their excitement about the finale, with individuals engaging with the show’s online content almost 650,000 times across Facebook, Instagram and Twitter via ‘likes’ or reactions, comments, shares and video views. This is 250% more than the season’s average engagement rate, which was already an impressive 180k interactions per episode. On Facebook, where the community has grown 406% to more than 320k fans since last season, content regarding the finale episode reached more than 2.1 million users and was displayed 3.3 million times on the day of the finale alone.

When combined with Twitter, the AsNTM4 finale content was displayed 5.1 million times (or almost 10% of all impressions since the premiere on March 9) to the show’s online audience. Fan engagement peaked on Twitter during and after the show with the hashtags ‘#AsNTM4Finale’, ‘Tawan’ and ‘#AsiasNextTopModelS4’ variously trending in the Philippines, Indonesia, Vietnam and Malaysia.

An FNG Asia original production for StarWorld, Asia’s Next Top Model is a reality series based on Tyra Banks’ popular Top Model franchise, where aspiring models are mentored by industry professionals as they compete to become the next big thing in fashion. Presented by Subaru, TRESemmé, Zalora, Closeup and Maybelline, Asia’s Next Top Model Season 4 chronicled the journey of 14 aspiring models from ten different countries across Asia as they competed in a unique modelling competition headed by host Cindy Bishop, Creative Director Yu Tsai, and model mentor Kelly Tandiono.

As the newest Asia’s Next Top Model, Tawan took home the all new Subaru XV; a contract with one of Europe’s biggest agencies, Storm Model Management; a cover and fashion spread in Harper’s BAZAAR Singapore; and is the 2016 Face of TRESemmé.

Kelly Jang, Vice President of Marketing & Communications at FOX Networks Group Asia said, “Once again, Asia’s Next Top Model has been a phenomenal success, made possible by our brand partners and of course our loyal fans.  We are thrilled that enthusiasm for the show has reached new heights this season, and we will continue to connect and engage with fans as deeply in future seasons as well as across all our shows and campaigns.”

Source: Kantar Media, Philippines (National Urban). Target: All people 2+ with cable ; Nielsen, Malaysia.  Target: 15-49 with Astro. The premieres of the show are the best rated season on StarWorld.
Source: Social media conversations tracked via Facebook, Twitter, Iconosquare, Instagram and Trendogate.

###

Official Social Media Account Handles

Asia’s Next Top Model StarWorld Asia StarWorld Philippines
Facebook: AsNTMOfficialhttps://www.facebook.com/AsNTMOfficial Facebook: Star.World.Asiahttps://www.facebook.com/STAR.World.Asia Facebook: StarWorldPhilippineshttps://www.facebook.com/StarWorldPhilippines
Instagram: @asntmofficialhttp://instagram.com/asntmofficial Instagram: @starworld_asiahttp://instagram.com/starworld_asia Instagram: @Starworld_PHhttps://instagram.com/starworld_ph/
Twitter: @asntmhttps://twitter.com/asntm Twitter: @starworldasiahttps://twitter.com/starworldasia Twitter: @Starworld_PHhttps://twitter.com/starworld_ph
YouTube: Asntmhttps://www.youtube.com/asntm2  

About FOX Networks Group

FOX Networks Group (FNG) is 21st Century FOX’s international multi-media business. We develop, produce and distribute 300+ wholly- and majority-owned entertainment, sports, factual and movie channels in 45 languages across Latin America, Europe, Asia and Africa. FNG’s core channel brands include FOX, FOX Sports, FOX Life, FOX+ and National Geographic Channel. FNG’s movie channels include FOX Movies, FOX Movies Premium and SCM (formerly Star Chinese Movies). Our non-linear brands include FOX Play, FOX Play+ and Nat Geo Play. These networks and their related mobile, non-linear and high- definition extensions, reach over 1.825 billion cumulative households worldwide. In addition, FNG owns and operates two production studios and produces thousands of local programming hours for its wholly owned channels and third parties.

About StarWorld

Part of FOX Networks Group, StarWorld is one of Asia’s finest leading general entertainment channels focused on delivering the best content to trend setters and story seekers across the region. The channel offers exclusive access to dramas, comedies, reality shows and special live events from the US and around the world and original shows produced in Asia, exclusively for audiences in Asia.

StarWorld is available in nearly 14.5 million homes across South East Asia with channel feeds reaching 17 countries and territories across Asia and the Middle East.

For more information, please visit www.facebook.com/STAR.World.Asia.

 

For media inquiries, please contact:

 FOX Networks Group – Asia

Gladys Lau | Assistant Manager, Marketing & Communications

Tel: +852 2621 8782 | Email: gladys.lau@fox.com

 Text100 (PR agency of AsNTM)

Kris Cheung | Senior Account Manager

Tel: +852 2534 8715 | Email: kris.cheung@text100.com.hk

Elemental Powers a Wave of 4K Services as South Korea Extends Ultra HD Lead

Top two OTT/DTH providers – KT and SK Broadband – add services built on Elemental software-defined video solutions

Portland, Ore. – May 25, 2016 – Elemental Technologies, the leader in software-defined video solutions, today announced it is providing the technology platform for a rush of new 4K Ultra HD (UHD) over-the-top (OTT) and direct-to-home (DTH) services in South Korea. Market leaders telco KT and SK Broadband have both launched UHD services using Elemental high-efficiency video coding (HEVC) software. Asia represents one of the world’s fastest growing UHD markets, with Korea reported as the largest UHD TV market in the region by research firm GFK.

KT is one of the leading telecommunications companies in South Korea. It launched its media business seven years ago. In 2016, it is expecting 20 percent revenue growth and to boost its pay TV subscriber base by a half million to bring its total subscribers to approximately seven million. The UHD channels KT has added to its SkyLife DTH service are important elements in attracting those new viewers.

SK Broadband, also a telecommunications leader in South Korea, is investing 320 billion Won (about $265 million USD) in its own creative content this year, which is equivalent to nearly half of the country’s drama budget. It is also investing in its delivery infrastructure to meet continually growing demand, and to provide 4K content to more of its subscribers.

Both KT and SK Broadband have chosen to offer 4K UHD as a key part of their offerings, in an effort to provide high quality content in their programming. The first 4K services were made available in June 2015, powered by Elemental Live and Elemental Server video processing. To meet their expanding needs, both companies have already ordered extensions to their installations in 2016.

“South Korea is at the forefront of 4K in Asia,” said David Godfrey, Elemental vice president for the region. “Elemental is very excited to be working with both KT and SK Broadband on their UHD multiscreen services from initial launch to recent expansions. Audiences are clearly voting with their subscriptions for the crisp, lifelike images of 4K video.”

Elemental at BroadcastAsia 2016

At the 2016 BroadcastAsia Show (May 31 – June 3, Booth 5A4-01), Elemental will showcase its suite of software-defined video solutions in both on-premises and cloud-based deployments, including new video ingest, processing and delivery capabilities. Highlights include high dynamic range, 4K UHD video encoding, live broadcasting from the cloud, server-side ad insertion, and multiscreen monetization. See Elemental at BroadcastAsia in booth 5A4-01, Level 5. To schedule a meeting with Elemental during the show, visit our BroadcastAsia events page.

About Elemental

Elemental Technologies, an Amazon Web Services (AWS) company, empowers media companies to deliver premium video experiences to consumers. Founded in 2006 and headquartered in Portland, Oregon, the company pioneered the use of software-based video processing to distribute and monetize video over the internet. As the leader in software-defined video solutions, Elemental powers video infrastructure for more than 850 top-tier media franchises worldwide and helps pay TV operators, content programmers, broadcasters and enterprise customers bring video content to any screen, anytime – all at once. Elemental solutions are deeply integrated with AWS services, giving video providers the ability to quickly, easily and economically scale workflows on-premises or in the cloud. To learn more, visit www.elementaltechnologies.com and follow @elementaltech on Twitter.

Press Contact

Laura Barber
Elemental Technologies
laurab@elementaltechnologies.com
(503) 703-3638

Fox’s newest original show outcast to debut on facebook simultaneously with the channel

Creator of the walking dead, Robert Kirkman’s new ‘epic horror story’ to launch june 4th on facebook and the fox channel across Hong Kong & southeast Asia

Hong Kong, June 3, 2016 – FOX, the global flagship entertainment channel as part of FOX Networks Group Asia, will debut its brand new drama OUTCAST on Facebook at the same time as the TV event.  The premiere episode will launch simultaneously in Hong Kong, Singapore, Malaysia, Indonesia and Thailand on June 4th at 10pm HK (9pm BKK) and at 8:55pm in the Philippines.

In a massive TV event, episode one of OUTCAST will be made available on Facebook as well as simulcast across leading entertainment channels FOX, FOXCrime, FX, FOX Movies Premium, FOX Action Movies, StarWorld and Channel [V].  24 hours following its launch, the episode will also be made available on YouTube.

Described as an ‘epic horror story’ by the show’s creator Robert Kirkman, who also created the global smash hit The Walking Dead, this big TV event launching across multiple platforms aims to bring fans throughout the region into this new spine-tingling and thrilling new world that Kirkman has created.

“We are thrilled to launch this new FOX original show.  Fans of high-quality and high-production value dramas with gripping storylines and mesmerizing characters are going to love Outcast, especially if they are already fans of The Walking Dead,” said Keertan Adyanthaya, Executive Vice President of Content & Communications at FOX Networks Group Asia.  “We are excited to make the first episode available to as many people as possible as we’re certain they’ll be drawn into the spellbinding world of Outcast once they watch it.”

OUTCAST, based on the Skybound/Image comic title by creator Robert Kirkman along with artist Paul Azaceta, follows Kyle Barnes (Patrick Fugit, “Almost Famous,” “Gone Girl”), a young man who has been plagued by demonic possession all his life. Now, with the help of Reverend Anderson (Philip Glenister. “Life on Mars”), a country preacher with personal demons of his own, Kyle embarks on a journey to find answers to obtain a normal life he has never known. But what Kyle discovers could change his fate, and the fate of the world, forever.

OUTCAST also stars Wrenn Schmidt (“Boardwalk Empire,” “Person of Interest”) as Megan Holter; Reg E. Cathey (“House of Cards,” “The Wire”) as Chief Giles; Kate Lyn Sheil (“House of Cards,”) as Allison; David Denman (“13 Hours”), as Mark Holter; Brent Spiner (“Star Trek: Next Generation”) as Sidney; Grace Zabriskie (“The Killing”) as Mildred; Melinda McGraw (“The X Files”, “Mad Men”) as Patricia MacCready; and Lee Tergesen (“The Americans”) as Blake Morrow.

From June 4th, FOX will broadcast each of the 10 episodes of OUTCAST weekly across the region, within hours of the USA telecast on Cinemax.

To watch the first episode of OUTCAST, fans should tune into FOX on television or visit the Outcast Asia Facebook page where they will find the first episode available from 10pm HKT (9pm BKK), along with a whole host of other great videos and behind the scenes content from the show.

###

Notes to Editors

OUTCAST is available in the following countries:

 

COUNTRY TELECAST on FOX SOCIAL MEDIA
Hong Kong Premiere:

Sat, June 4th @ 10pm HKT / 9pm BKK

New episodes:

Every Saturday @ 10pm HKT / 9pm BKK

1st episode available:

From Sat, June 4th @ 10pm HKT / 9pm BKK on the

Outcast Asia Facebook page & FOX Asia Facebook page

From Sun, June 5th @ 10pm HKT / 9pm BKK on the

FOX Asia YouTube channel

 

Other Outcast touchpoints:

Twitter – @OutcastFOX

Singapore
Malaysia
Indonesia
Thailand
Philippines Premiere:

Sat, June 4th @ 8:55pm Manila

New episodes:

Every Saturday @ 8:55pm Manila

 

ABOUT FOX

FOX is the #1 general entertainment channel globally. The brand is synonymous with ground-breaking Hollywood entertainment and delivers a varied programing schedule that includes comedy, drama, science fiction, action and animation.  It is inclusive and broad in its appeal, and delivers the best shows first to a wide audience. FOX offers international viewers exclusive, original and breakthrough series such as The Simpsons, The X-Files, The Walking Dead, Empire, American Horror Story, Homeland and Wayward Pines. FOX is available in 31 local languages in over 255 million homes across 127 countries outside the U.S.  As a result of its scale and global synergies, FOX was able to pioneer a global day-and-date release strategy for key series, and remains the only international network able to release TV series at the same time as the U.S. at scale. FOX is available as a linear SD and HD channel and through authenticated FOX Play apps.

 

ABOUT FOX NETWORKS GROUP

FOX Networks Group (FNG) is 21st Century FOX’s international multi-media business. We develop, produce and distribute 300+ wholly- and majority-owned entertainment, sports, factual and movie channels in 45 languages across Latin America, Europe, Asia and Africa. FNG’s core channel brands include FOX, FOX Sports, FOX Life, FOX+ and National Geographic Channel. FNG’s movie channels include FOX Movies, FOX Movies Premium and SCM (formerly Star Chinese Movies). Our non-linear brands include FOX Play, FOX Play+ and Nat Geo Play. These networks and their related mobile, non-linear and high- definition extensions, reach over 1.825 billion cumulative households worldwide. In addition, FNG owns and operates two production studios and produces thousands of local programming hours for its wholly owned channels and third parties.

 

FOR MORE INFORMATION

FOX Networks Group Asia

Kelly Jang – Vice President, Marketing & Communications

kelly.jang@fox.com

+852.2621.8875

Eurosport expands exclusive rights for six nations championship across Asia

– Asia-wide agreement for the 2017 Championship includes exclusive rights and new territories –
– Includes exclusive live and delayed multi-platform coverage –
– Coverage also available across Discovery’s wider portfolio, including Setanta Asia and Rugby Pass –

Singapore, 3 June 2016

Eurosport has announced a new agreement to expand its rights to show the upcoming Six Nations Championship, the premier international rugby union competition in the northern hemisphere, to fans across Asia*. The Asia-wide agreement for the 2017 Championship includes a range of exclusive rights and new territories, including China**, Hong Kong, Indonesia, the Philippines and Thailand, bringing the tournament to more fans on more screens than ever before.

The agreement provides Eurosport with exclusive live and delayed coverage of the Championships, including highlights, across multi-platforms. Coverage can also be made available across Discovery’s wider portfolio, such as through premium rugby channel Setanta Sports Asia, and digital content platform Rugby Pass that reaches passionate rugby fans across 23 Asian markets.

Eurosport also retains extensive ability to sublicense across Asia*. The agreement is a further example of how Eurosport is continuing to secure exclusive worldwide rights with the ability to sublicense, helping to deliver audience growth and drive value. 

Peter Hutton, Eurosport CEO, said: “We are excited to expand our rights for the Six Nations Championship across Asia, a region with a growing passion for rugby. The agreement is a further mark of how Eurosport is continuing to build beyond its core base in Europe, acquiring sought-after rights in Asia where we can present coverage on Eurosport and other Discovery platforms, as well as seek favourable sublicense agreements to bring the Championships to new fans.”

In a separate announcement, Eurosport confirmed the French national team’s autumn international rugby matches will be shown on Eurosport platforms following a new exclusive worldwide (excluding France) agreement with the Fédération Française de Rugby (FFR).  The agreement will see Eurosport act as a gatekeeper to distribute matches around the world, as well as show matches in Europe and Asia Pacific on Discovery platforms.

*Excluding Japan and Singapore.

Territories include: Brunei, Cambodia, China (non-exclusive in English language), Hong Kong, Indonesia, Kirgizstan, Laos, Macau, Maldives, Mongolia, Mauritius, Myanmar, North Korea, Philippines, Seychelles Islands, South Korea, Taiwan, Tajikistan, Timor Leste, Thailand, and Vietnam.

** Non-exclusive in English language. 

Notes

Setanta Asia: Setanta Asia provides a premium 100% rugby channel in Asia and is part of the Discovery Group. Launched in 2010 and acquired by Discovery in June 2015. 500+ exclusive games per season. Main properties: Sanzar, European Champions and Challenge Cup, NRL, Aviva Premiership, Pro 12 and International test-matches.

Rugby Pass: Discovery Communications, owner of Eurosport, holds a minority stake in RugbyPass, the digital content platform that reaches passionate rugby fans across 23 Asian markets with the world’s best competitions – live or on demand – from any device.

ENDS

 

About Eurosport

Eurosport, the number one sport destination in Europe, connects fans and athletes around the greatest sports events. Its channels, Eurosport 1, Eurosport 2 and Eurosportnews, reach 236 million cumulative subscribers across 93 countries in Europe, Asia-Pacific, Africa and the Middle East. Eurosport.com is Europe’s No.1 online sports news website with an average of 14m unique users per month. Eurosport Player is an all-access pass to the greatest events on the calendar, available anytime and on any device in 52 countries. Eurosport Events specialises in the management and promotion of international sporting events. More information is available by visiting corporate.eurosport.com.

Eurosport contacts

Asia Pacific

Magdalene Ng, magdalene_ng@discovery.com, +65 6510 7563

Charmaine Huet, charmaine_huet@discovery.com, +65 6510 7545

Star India clamps down on pay channels piracy; raids, arrests, equipment seizures in Karnataka, AP, MP

100+ FIRs against pirating networks in last 12 months due to Star India’s anti-piracy campaign

Mumbai, 1 June, 2016: Continuing its no-tolerance stand against illegal transmission/re-transmission of Pay TV Channels by cable operators indulging in piracy of STAR TV Signals, officials of STAR TV filed complaints against cable operators in Karnataka, Madhya Pradesh and Andhra Pradesh, which led to police raids on their premises, arrests and seizures of equipment.  The raids were conducted at the control rooms of RST Digital (Karnataka), Ganesh Communication (AP) and Tanishq Communications (MP), who were found indulging in illegal transmission/re-transmission of the Star Pay Channels. (Details of initial investigations and action taken, below)

Over the last 12 months, Star India’s anti-piracy campaign has resulted in 100+ FIRs against pirating networks across the country.

The rampant issue of piracy in India has deprived the broadcast industry of reach as well as revenue worth thousands of crores. It is widely believed that the Piracy menace impacts the Television medium the most with cable operators under-reporting their subscribers as well as indulging in illegal transmission/re-transmission of the Pay Channels, resulting in significant losses to the broadcasters as well as the government exchequer.

While the implementation of Digitally Addressable Systems (DAS) in the country will be a big corrective and preventive step, the implementation of DAS all over the country is yet to be done. In the interim, Star India, since the last few years, has adopted a policy of “zero tolerance” against operators indulging in illegal transmission/re-transmission of the Star Pay Channels.

STAR TV’s proactive steps are expected to reap significant benefits for the entire broadcast industry.

 

Details on the raids conducted by Star India – 

Karnataka

Initial investigations

Star India conducted discreet investigations at Kakarla town and identified that RST digital (located at No.64/8, Simaz Complex, Taluk Office, Karkala, Udupi District, Karnataka, India- 574104), which has a subscriber base of over 2500 households, was indulging in piracy through DTH. The operator was carrying illegal signals of Star India channels Star Plus, Star Sports 1, Life Ok, Suvarna & Asianet, along with Sony, Zee and Colors channels.

RST Digital has monopoly in the Karkala region and so far not allowed any new network to set up a control room in this region. It is rumored to have high connections with the ruling political party in chair.

Action taken

Post the initial investigations, Star India officials filed a First Information Report (FIR no. 135/2016 dated 25.05.2016) against RST Digital at Karkala Police Station, under section 379 of IPC r/w Sections 37,51,63,65,69 of the Copyright Act, which resulted in a raid at the premises of the operator. During the raid, the operator resisted police entry into the control room and arguments were exchanged. Piracy equipment including DTH Set Top Boxes (of Sun Direct), Umbrellas, Amplifier, Modulator, Star Boxes etc. were seized.  RST Digital’s owner Vijay Shetty is in remand since 25th May 2016 and his bail application has been rejected.

 

Andhra Pradesh

Initial investigations

Star India’s investigations at Rayadurg town in Ananthapur District, AP (on the border of Bellary district, Karnataka) revealed that local cable operator Ganesh Communication, which has a subscriber base of over 10,000 households, was indulging in piracy through DTH. The operator was transmitting illegal signals carrying a total of 15 channels including Star India channels Star Plus, Suvarna and MAA TV along with Sony, Zee and Gemini.

Action taken

Post the initial investigations, Star India officials filed a First Information Report (FIR) against Ganesh Communication at the Rayadurg police station, under section 420 IPC and 63, 69 of the Copyright Act, which resulted in a raid at the premises of the operator. Piracy equipment including DTH Set Top Boxes (of Sun Direct & Videocon), Umbrellas, Amplifier, Modulator etc. were seized. During the raid, the operator resisted the entry of the Police in the control room and arguments were exchanged. The SHO (Mahanandi) then reported the matter to the Deputy Superintendent of Police and entered the control room forcefully, seized the equipment and arrested a Technician. The new owners of the network are well connected and have direct connection through MSO associations as well as ministers in AP government

Before Star India’s action, Sun Network’s Anti-Piracy team tried to conduct a raid on Ganesh Communication but failed.

 

Madhya Pradesh

Initial investigations

Star India discovered that Tanishq Communications (located at Itarsi town in Hoshangabad District, Madhya Pradesh) was indulging in the illegal transmission of channels such as Star Sports 3, Star Plus and Life Ok, through Area transgression by SV Enterprises, Hoshangabad. Tanishq Communications has a strong subscriber base of over 15,000 households in the state.  The proprietor of Tanishq Communication, Mahesh Chouksey is highly influential in the area and also well-connected with the ruling Political party.

Action taken

Star India officials have been pursuing the matter with local police since August 2015 on 25 May 2016 filed a First Information Report (FIR) against Tanishq Communication under section Sec 63 & 65 of Copy right Act, 1957. The officials also met with the Superintendent of Police (SP), Inspector General of Police (IGP) & Director General of Police (DGP), which resulted in a raid at the premises of the operator. Piracy equipment including one Node, one Transmitter, one Channel Mixer were seized, and a Technician was arrested.

Babyfirst launches in China in dual language – Exclusively distributed by HBO Asia

SINGAPORE, MAY 31, 2016 – HBO Asia, the sole distributor of BabyFirst in Asia, announced today the signing of an exclusive multi-year deal for the top baby and toddler network’s content to be available on You+ Kids, a new children’s video on demand service on Beijing You Peng Technology Co., Ltd (Youpeng)’s interactive TV platform. BabyFirst’s content on You+ Kids will be available from mid June this year, in high-definition and dual language options: Mandarin or English audio with Chinese subtitles.

Since 2009, HBO Asia has inked deals with multiple affiliates, growing the BabyFirst footprint across eight Asian territories; in Cambodia, Hong Kong, Indonesia, Malaysia, Nepal, Philippines and Singapore.

“It’s a proud moment for us to see Youpeng launch BabyFirst’ programming in China,” said Guy Oranim, CEO, BabyFirst. “Youpeng is an established and innovative TV operator as well as a great partner that truly appreciates the importance of offering quality children’s content for all families and embraces our multicultural approach to babies education.” He adds, “We are also very delighted with our collaboration with HBO Asia which is a wonderful partner and extremely helpful in getting BabyFirst new distribution opportunities in Asia Pacific since 2009.”

Jonathan Spink, CEO of HBO Asia, added, “Our strong presence in 23 Asian territories and deep knowledge of the region puts HBO Asia in a unique position to connect our partners, benefitting 40 million families across China on Youpeng’s leading interactive platform with BabyFirst’s award-winning selection of localised early childhood education programmes.” He continues, “This is an extension of HBO Asia’s brand promise to bring the best programming to audiences through the biggest operators in the region.”

Youpeng’s Chairman and CEO, Colin Shao said: “Families have always been Youpeng’s focus and early childhood education is extremely important to Chinese parents. For this reason, Youpeng spent a lot of effort searching for quality content recommended by experts in the field, and found this with BabyFirst, the reputable and trusted brand in early childhood development programmes. Through working with HBO Asia and BabyFirst to localise the programming, we hope to provide the best curated child development content platform to kids and parents all across China.”

A recipient of the iParenting Media Award for one of the “Greatest Products of the Year”, a Dr Tay Best Products winner for the “Best Play and Learn Vocation Products” and the US International Film and Video “Gold Camera” award for educational children’s programming, BabyFirst offers a safe, positive and commercial-free learning environment, tailored to benefit developmental needs of children up to three years. The network’s evolving and interactive programmes are supervised by leading experts in child psychology and development, early childhood education and children’s programming.

Through BabyFirst’s “Joy” colouring system, the content will be categorised and programmed to target all aspects of child development, including logic, language, numbers and imagination. They are further adjusted to suit the Chinese family, providing a guided and delightful viewing experience for children.

All BabyFirst content on You+ Kids will be carefully curated from a vast library of over 4000 episodes. With every title translated and dubbed in Mandarin, parents have complete control over their children’s viewing experience, with the flexibility to play whichever programme they want, whenever they want to, in their language of choice.

You+ Kids will be available extensively through Youpeng’s affiliated telecom operators, cable operators, SmartTV and set top box manufacturers, reaching over 40 million households in China.

 

About HBO ASIA

Singapore-based HBO Asia brings the best of Hollywood to Asia first through its exclusive licensing deals with major Hollywood and independent studios, including Paramount Pictures, Sony Pictures, Universal Studios, Warner Bros. and Lionsgate. HBO Asia has proprietary and award-winning HBO and HBO Asia Original programmes produced exclusively for HBO viewers. Wholly owned by HBO (a Time Warner company), HBO Asia reaches 23 territories across Asia with six 24-hour commercial-free subscription movie channels: HBO, HBO Signature, HBO Family, HBO Hits, Cinemax and Red by HBO, internet streaming platform, HBO GO, subscription video on demand service, HBO On Demand, and in China, 鼎级剧场 (ding ji ju chang). HBO Asia is also the exclusive distributor of BabyFirst and the DreamWorks channel in the region. Log on to www.hboasia.com for more information.

About BabyFirst

BabyFirst is the leading commercial–free 24/7 network for young children and their parents.  Working closely with an extensive network of renowned authorities in every area of early childhood psychology and education, BabyFirst is a trusted age appropriate network throughout the world.  BabyFirst is currently available to more than 100 million households in more than 35 countries including the top 5 U.S. satellite and cable operators: DirecTV, Dish Network, Time-Warner, Comcast and Charter. BabyFirst is committed to creating a commercial-free, nurturing and interactive environment by offering an ever-changing line-up of quality child developmental content. 

About Beijing You Peng Technology 

Founded in 2006, Beijing You Peng Technology is China’s leading Interactive TV company. The company’s core product, “Youpeng Cloud”, provides Interactive TV cloud services to IPTV, digital cable and Internet TV platforms, including technology solutions and platform operations, product configuration and customisation, content aggregation, customer acquisition, CRM and value-added services. With a team of over 800 people and 18 branch offices across China’s key markets, Youpeng Cloud provides services to 46 provincial telecom companies, 12 cable operators and 5 SmartTV manufacturers, including Skyworth, Hisense, TCL, Konka, Changhong, covering 40 million households in China.

CASBAA Satellite Industry Forum 2016: Seizing New Growth Opportunities Amidst Technological and Economic Changes

SINGAPORE, 31 MAY 2016 – The emergence of new technologies in the satellite industry, including the arrival of HTS GSO and NGSO systems, is prompting the industry to embrace a substantial shift – from offering one-size-fits-all capacity to creating value propositions better tailored to customers’ fast-growing, diverse demand and the price pressures in dynamic economic circumstances.

 

This was a key focus at CASBAA Satellite Industry Forum 2016, attended by close to 200 industry leaders yesterday at Pan Pacific Singapore. Nine high-level panels discussed a wide range of topics – from the latest strategies in the challenging market landscape, the rise in NGSO systems, to developments in the launch market and perspectives on airline communications, broadband and enterprise solutions.

 

Demand for superior value proposition

In the Asia Pacific Satellite Leadership Roundtable, key industry leaders agreed that despite cyclical downturns in industries like oil and gas, there is still immense market potential in Asia. “These are cyclical forces that don’t fundamentally lead to long-term decline in demand,” said Mr. Jean-François Fenech, CEO of Eutelsat Asia. “Usage in data is continuing to pick up.”

 

Panellists highlighted long-term fundamentals for sustained growth in video and broadband data connectivity, which lead to continued investments in growth across the region. These are manifested in initiatives to enhance satellite efficiency and launch new ones to expand capacity.

 

Amidst intense competition in the industry, the second panel “Is the NGSO Revolution Coming?” discusses the arrival of the NGSO systems as a new alternative for delivering the optimal experience in the most cost-effective manner. Mr. Mark Rigolle, CEO of LeoSat Enterprises, said: “Satellites are now better than terrestrial solutions. Our focus is to be the fastest, most secure network, do it better than fibre and do it better than what satellites have so far been able to do.”

 

However, beyond debates on seemingly competing technologies – between NGSO and GSO, Ku and Ka bands, terrestrial and satellite – the discussion called for the industry to take a more customer-focused approach. “You want to offer end-to-end services; you don’t want to merely sell bandwidth and MHz. Ultimately, what your customers care about are the end benefits,” said Mr. Stéphane Chenard, Senior Associate Consultant, Euroconsult.

 

Featuring updates from leaders in the launch market, the third panel underlined the need to focus on the economic calculus of satellite launches and not just the technology. Mr. Jacques Breton, Senior Vice President, Sales & Business Development, Arianespace, said half of the company’s backlog comprises NGSO, but also added: “We are agnostic on any orbit; for us, it’s about providing the appropriate vehicles and solutions at the appropriate cost.”

 

The discussion on cost is especially pertinent with the advent of new innovations that claim to offer greater efficiency and lower costs, unlocking industry-disrupting possibilities that make space more accessible.

 

“We have been successful in changing the cost paradigm,” said Mr. Jonathan Hofeller, Vice President of Commercial Sales, SpaceX. “We will continue to see smaller satellites and newer constellations come online that couldn’t afford to previously. For small satellites, we have tapped on third party ride-share missions.”

 

In addition, the panel cited reusability and automation as measures that are being adopted for enhancing efficiency.

 

Aeronautical applications in ongoing evolution

The fourth panel featured an exciting discussion on whether satellite applications in aeronautics and in-flight connectivity are merely a flash in the pan, especially given the challenges in monetising this service proposition. Panellists agreed that there is no singular model, as airlines integrate connectivity in different ways – from ‘freemium’ offering to pay-as-you-go amongst low-cost carriers.

 

The panel also highlighted the fact that besides passenger and consumer connectivity, the aeronautics sector generates demand for satellite applications in aircraft operations. Even as antenna and satellite technology evolves, airlines are demanding options that are readily available to support their capabilities.

 

Towards World Radiocommunication Conference (WRC) ’19

In a rallying call, Mr. Gonzalo de Dios, Associate General Counsel, Intelsat emphasised that in the aftermath of WRC ’15, the industry needs to advocate for a vision of the critical role that satellite will play in an ever-connected world through close coordination between service providers, end users, and customers at domestic and regional levels. “This is about connectivity on a global level and the imperative to serve underrepresented areas."

 

Continued optimism amidst price pressures

While demand for satellite capacity is rapidly increasing, pricing remains low. Panellists in the “The Customer is Always Right – Sometimes” discussion tackled growing customer expectations by advocating for more aggressive business models to attract and retain customers. They also identified video as an emerging opportunity for huge growth potential.  

 

Mr. Vaibhav Magow, Regional Director, Asia-Pacific, Hughes Network Systems, LLC, said: “The industry is opening up many market segments that were not available to us in the past. With new technological developments, we are now starting to gain back a space in the traditional telecommunications world and fight back through innovation. That’s a really strong reason to be optimistic."

 

Meanwhile, panellists on the “CEO Panel – The Sharp End” responded to falling transponder prices by stressing the need for businesses to increase flexibility and quality of their services to remain competitive in the market. Mr Steve Collar, CEO of O3b Networks, said falling prices offer opportunities for the industry to innovate and deliver solutions that are more relevant to customers, and urged the satellite business to transform from a scarce, niche industry into a more accessible one.

 

Indonesia as a growth market

At the session “Focus on Indonesia”, panellists said weak economic fundamentals and the gap between rising operational costs and consumers’ ability to pay are key challenges for the satellite industry in Indonesia. Nevertheless, the fragmented archipelago heavily relies on satellite services, and demand for bandwidth in Indonesia has quadrupled in the last five years, said Mr. Henry Mulya, Sales Director, Asia Pacific, SES.

 

The way forward for the satellite industry

To close, CEOs of leading satellite businesses discussed the way forward for the satellite industry and the challenges it currently faces. Acknowledging the harsh stock market perceptions of the industry, the key business leaders emphasized that the business realities point towards long-term growth that can be accomplished through continuous innovation.

 

Summing up the day’s discussions, Mr. Paul Brown-Kenyon, Chairman, CASBAA Satellite Industry Committee and CEO of MEASAT said: “We are at an important transformational place, and the world is changing dramatically. The amount of money we pay for data today is the same as five years ago, but the data we consume is ten times more. I think our business would change, and the role we play in the communications sector would change."

 

=== END ===

 

 

 

 

About CASBAA

 

CASBAA is the Asia Pacific region’s largest non-profit media association, serving the multi-channel audio-visual content creation and distribution industry.  Established in 1991, CASBAA has grown with the industry to include digital multichannel television, content, platforms, advertising, and video delivery. Encompassing some 500 million connections within a footprint across the region, CASBAA works to be the authoritative voice for multichannel TV; promoting even-handed and market-friendly regulation, IP protection and revenue growth for subscription and advertising, while promoting global best practices.  For more information, visit www.casbaa.com

 

 

Media Contacts

 

Cynthia Wong

Director, Member Relations & Marketing, CASBAA

Cynthia@casbaa.com

+852 3929 1711

27 May, 2016

news_views_header

Welcome to News Views, CASBAA’s news round-up culled from sources across the industry for the week ending May 27th. Curated by CASBAA, News Views keeps you in the loop. We always value your feedback, so tell us what you think!

Brought to you by:

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Christopher Slaughter

Christopher Slaughter

CEO

Nothing strange about a reported proposal by China’s State Administration of Press, Publication, Radio, Film and Television (SAPPRFT) to gain more control over the country’s online video providers by having state-owned enterprises take up ownership stakes in them; no, that’s not strange, and the idea even has a curious command-economy logic to it.  However, what was strange was reading about it in the South China Morning Post, which is now owned by Alibaba. Yes, the same Alibaba that last month finalised its purchase of top streaming site Youku Tudou.  
Kevin Jennings

Kevin Jennings

Vice President, Programme

The European Commission has announced approval of a proposal to extend broadcast regulations into the OTT sector. The proposal to reform the Audiovisual Media Services Directive and extend a number of regulations to online video platforms will ultimately see online platforms required to take a more active approach to taking down harmful content. The move comes on the back of calls from telecom operators for a ‘level playing field’ with OTT providers in terms of comparable services to be subject to comparable regulations, and is being seen as a broadly progressive move.
John Medeiros

John Medeiros

Chief Policy Officer

Of course, that’s not the only change in the Audiovisual Media Services Directive.  This report nicely summarizes five focus areas. Another of the biggest novelties is a requirement that OTT providers like Netflix and Amazon maintain European works as 20% of their available catalogues. (European broadcasters will still have a 50%-of-broadcast-time local content requirement.) The new online local content rules push the big OTT operators in the direction they are moving anyway….investing in more European content.
John Medeiros

John Medeiros

Chief Policy Officer

Meanwhile, in Canada, a think-tank published a critique of the Canadian Radio and Television Commission (CRTC) “protect and subsidize” approach to broadcast regulation. The author says there’s no evidence that “protect and subsidize” policies for entertainment programming help Canadians feel their national identity more strongly.  And he notes that “the exemption (from national programming requirements) enjoyed by … (OTT) programming services … is a regulatory asymmetry that provides an inefficient implicit subsidy to OTT services.”  He argues for deregulation of traditional broadcasting, not more regulation for OTT, saying “the CRTC cannot impose the same antiquated regulations used for traditional broadcast to online programming without seriously restricting access to internet programs.” Hear, hear!
Mark Lay

Mark Lay

Vice President, Singapore

Contrary to earlier research, sports fans just might pay for OTT games. OTT sports has been a bit of a holdout for (domestically delivered) live games, probably because the rights are worth so much from the existing channel partners. This hasn’t stopped NBC Sports Digital from launching of a new technology service called Playmaker Media, “designed to convince leagues and teams to use NBC to stream their events”. And OTT delivery is perfect for any VR Sports experience, as Eurosport is providing for the French Open. But OTT delivered LIVE VR sports is really where the money is at. “The NBA has 300 million fans in China. 99.9% of them will never get to a game. If they can figure out a way to monetize this rabid user base through VR  that’s found money for them.”  
Christopher Slaughter

Christopher Slaughter

CEO

In case you wondered who first coined the phrase “Content Is King”, it was legendary dealmaker and industry titan Sumner Redstone, who celebrates his 93rd birthday today.  Its easy to lose sight of the man’s importance, what with all the rather waggish Game of Thrones anaologies being bandied about as the current boardroom drama unfolds at Viacom (and honestly, who hasn’t been keeping tabs on it?).  Redstone was a pivotal figure in the development of the modern industry, and his legacy will be much greater than the current plethora of tabloidized headlines.  Of course, that is… if he ever actually shuffles off this mortal coil
Anjan Mitra

Anjan Mitra

Executive Director, India

Indian broadcast sector carriage regulator, TRAI, earlier this week during a media interaction said it’s initiating a comprehensive review of existing regulatory framework governing the broadcasting and cable services sector, but stopped short of fully elaborating on them. At least from the media reports it seems so — unless it’s proven journalists failed to probe the “review process” and liberalisation that the regulator hinted at. Thankfully, TRAI admits it’s under-debate interoperable STB regime is fraught with “technological difficulties” and it has sought help from experts. We have also been told TRAI will come out with a consultation paper on internet-based telephone service soon. But what about the almost decade-old price freeze on TV channels, mobile TV and much talked-about light-touch regulations? The media reports were mum on those issues. 
John Medeiros

John Medeiros

Chief Policy Officer

Censorship updates: In India, Fashion TV got a stern warning over a show aired 18 months ago. FTV told the government they now have an Asian feed which will be different, and less racy, than their European feed. Separately, the activities of the “Censor Board” (CBFC) have come in for considerable argument, with one writer urging the CBFC to “let the film industry be,” and another suggested the Censor Board’s role should be transformed from cutting films to just rating them.  Finally in India, a worrisome novelty: censorship of TV channels by state politicians, without any legal authority.   Over in Indonesia, the censors at KPI in Jakarta have been worrying about obscene lyrics in indigenous “Dangdut” music. And now KPI is urging its regional offices to increase their vigilance, too. (Censors, censors, everywhere!) Meanwhile, in the Philippines, the censors at the MTRCB get a big round of applause, because while they were out looking for inappropriate content, they actually hit out at display of pirated films, too! Bravo for that.
Anjan Mitra

Anjan Mitra

Executive Director, India

A free Internet (aka Net Neutrality in India) activist caustically observed in an opinion piece in Times of India that a third consultation process on net neutrality since March last year highlights how much pressure TRAI is under from the telecom lobby when it banned differential pricing. Times’ sister publication Economic Times in an editorial earlier chastised Telecoms Secretary for suggesting high spectrum price should not matter to telcos, adding that TRAI must ensure an open internet and low spectrum costs are at core of net neutrality. The irony (of adequate price tag for scarce commodity like spectrum) and predicament (of TRAI) cannot — and should not — be missed here.
Mark Lay

Mark Lay

Vice President, Singapore

The old telly, big-screen, boob-tube (call it what you like) is getting a makeover. And I’m not talking 4K or HDR, which apparently have a “massive sales surge”. Most of our TV’s have a tuner in them that we never use and a cable/satellite set-top that we use a lot. (Some of us even have a Mac mini a Chromecast and a Roku 4 hooked up to ours.) The latest advancement for all the new 4K TV sets is to have ethernet/wifi and a serious streaming user interface built into them. Different TV manufacturers are going with different camps. Android TV is now in Sony, Sharp and soon to be RCA sets. Roku is offered in Haier, HiSense, Insignia, Sharp and TCL. While Samsung, Panasonic and LG all have their proprietary(ish) OS’s. Whoa, what to choose? It may not matter either way, as we may all just be casting our programming choices to our TV’s from our phone and tablets.
Christopher Slaughter

Christopher Slaughter

CEO

Okay, consider the source, but Vice’s Shane Smith is predicting a “media blood-bath” over the next twelve months.  (My favourite part of that article is the note that Smith’s comments were “…slightly edited for clarity.”)  Somewhat relates is viral grindhouse Buzzfeed’s plans to jump into video news, since apparently it has figured out a way “…to do it so it’s not boring,” while remaining consistent with its editorial guidelines (which reassuringly include such diktats as: “Information… should come from a verified source.”).  And in case you’re wondering about this whole “New Media vs Old Media” thing, an excellent cross-ownership breakdown by Bloomberg Gadfly: “New Media Shares Old Media’s Roof”.  
Jane Buckthought

Jane Buckthought

Advertising Consultant

Some 41% of senior marketing professionals in Asia Pacific say they have already adopted programmatic buying into their media buying processes, a new industry report has revealed. These are some of the key findings from a survey of 300 senior marketing decision-makers by Forrester Consulting on behalf of MediaMath, the global tech firm.
Kevin Jennings

Kevin Jennings

Vice President, Programme

BitTorrent, the company behind the oft maligned peer to peer file sharing protocol, is planning to launch a live streaming TV service. The company claims it will have better performance than existing services that broadcast live channels over the Internet. BitTorrent Live is billed as a “multichannel, live and linear video streaming platform” based on a peer-to-peer live video streaming protocol that BitTorrent has been developing for a few years. The service will offer both free and paid options.  The company said it will be available on Apple TV, iOS, Android, and Mac.
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